Nude Beach "II"
In Stores August 14 on Other Music Recording Co.
Growing up in the bucolic waterfront village of Northport, NY, Chuck Betz, Ryan Naideau and Jimmy Shelton played punk rock together since high school, in a succession of bands more than happy to set up at any house party, BBQ or makeshift venue that would have them. The familiar strain of classic rock is the go-to sound on the North Shore of Long Island, but they lived in an alternate universe where Ryan convinced his parents to let him turn the family basement into an occasional all-ages show space, hosting touring groups, and rounding out the bill with whatever band he and his friends were in at the time. Fast forward to 2008, the boys had based themselves in Brooklyn and Nude Beach was born; the group slowly integrated themselves into the local DIY community, performing in dive bars and warehouse lofts, often several times a week, playing more than 100 shows in less than four years together. They self-released cassettes and vinyl LPs, they booked their own tours, and played in infinite side-projects and spin-off bands at every punk venue in North Brooklyn and beyond.
But while Nude Beach is very much a part of the Brooklyn DIY scene, it’s always been more in spirit than in sound; sure, they’re as beer-soaked, overdriven and raw as any group around, yet as hard as they’ve tried to ignore it, the trio could never quite shake the rock & roll of Tom Petty and Bruce Springsteen which sound-tracked their Long Island youth, and battered vinyl from the Byrds, the Replacements and the Jam sits side by side in their record collections with the hardcore and indie LPs and 7”s that brought the friends together in the first place. In an increasingly fractured music scene, Chuck, Ryan and Jimmy play against fashion and deliver straight up rock & roll, and moreover, they do it better than anyone has in a long time. They’ve got the songs, they’ve got the sound, and they’ve got the f**k-all attitude that just can’t be faked. Nude Beach will rock you if you let them – turns out, it’s still more fun than just about anything else going on.more
Tonight - don’t miss an exclusive live stream on Spotify of The Walkmen!
Tune in here to see the indie rockers perform live in an intimate hometown show at the Bowery Ballroom in NYC.
The performance will kick off tonight at 9:00pm ET/8:00pm CT/6:00pm PT. Just click this link to watch it: http://t.opsp.in/1EUnPmore
In Stores July 17 on Other Music Recording Co.
Shintaro Sakamoto begins a new and perhaps unexpected chapter in his storied career with the release of his debut solo album, the otherworldly folkpop masterpiece How to Live with a Phantom. For over two decades Sakamoto was the frontman and leader of Japanese psychedelic phenomenon Yura Yura Teikoku, a Tokyo-based band that formed in 1989 as part of the burgeoning underground scene based around Koenji's legendary UFO Club, appearing on the PSF label's iconic Tokyo Flashback compilations and signing to the Captain Trip imprint. And yet across their 20-year trajectory, they rocketed out of the underground and achieved massive mainstream success throughout Japan with an always-evolving psych-pop sound that eventually found them working with Sony Music and headlining major music festivals across the country. It was a rare case where great, boundary-breaking music resonated with the masses. While the group only ever played a handful of shows outside of their homeland, they achieved cult status throughout the world and saw several albums reissued in limited pressings in the U.S., including the critically acclaimed Hollow Me/Beautiful on James Murphy's DFA label.
Immediately following Yura Yura Teikoku's break-up in 2010, Sakamoto began recording as a solo artist - truly solo, he plays all the instruments here save percussion and woodwinds - and after more than a year holed up in his home studio, How to Live with a Phantom was born. The resulting album is a bold stylistic departure, even for an artist whose career has been defined by them. It is a single-minded exploration of the sounds of 1970s radio pop from around the globe, combining American folk-rock and the evocative Japanese pop music that was influenced by it, but simultaneously referencing everything from French pop to Afro-funk, tropicalia, Krautrock and the lighter side of psychedelia. Most of the songs are built around Sakamoto's hypnotic electric-bass grooves (he learned to play for these recordings), a crisp drum set and bubbling percussion, layered with dreamy guitars and vintage synthesizers, and topped by meticulously arranged female vocal harmonies, horns, and Sakamoto's own languid yet deeply expressive lead vocals. It's a set that's both sun-drenched and full of melancholy, and while the musical references and inspirations may be clear, How to Live with a Phantom is a wholly original album that will connect to a broad spectrum of listeners - from folk and pop aficionados to world music fans, psych-heads and many more. We could not be more excited to be releasing How to Live with a Phantom as Other Music Recording Co.'s debut full-length, and we know you will be as moved by this record as we are.
1. In A Phantom Mood
2. You Just Decided
3. My Memories Fade
4. Mask On Mask
5. A Stick And Slacks
6. A Gleam Of Hope
7. Dancing With Pain
8. Something's Different
9. How To Live With A Phantom
10. Small But Enough
Welcome the release of "We Can't Be Beat," the lead track from The Walkmen's upcoming album Heaven, in stores May 29th. The record is the band's sixth and was produced by Phil Ek (Fleet Foxes, Shins, Band of Horeses) in Seattle. You can pre-order from Fat Possum or over at The Walkmen's website
When describing Heaven, singer Hamilton Leithauser portrays a band hitting maturity, comfortable in its mastery, after a decade together. "The detachment you can feel throughout our younger records is gone. We felt like it was time to make a bigger, more generous statement."
The Walkmen Tour Dates
5/11 - Main Street Arena - Charlottesville, VA
5/27 - Sasquatch Festival - George, WA
6/27 - WFPK Waterfront Wednesdays - Louisville, KY
6/28 - Plush - St. Louis, MO
6/29 - Summerfest - Milwaukee, WI
6/30 - First Avenue - Minneapolis, MN
7/20 - Deer Lake Park - Burnaby, BC %
7/21 - White River Amphitheatre - Auburn, WA %
7/22 - Edgefield, Troutdale, OR %
7/25 - Red Rocks Amphitheatre - Morrison, CO %
7/29 - The Lawn @ White River State Park - Indianapolis, IN
7/30 - Jacobs Pavilion - Cleveland, OH %
7/31 - Fox Theatre - Detroit, MI %
8/2 - Molson Canadian Amphitheatre - Toronto, ON %
8/3 - Osheaga Festival, Montreal QC
8/5 - Lollapalooza - Chicago, IL
% - w/ Florence & The Machine