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The book releasing alongside the album also features a collection of photographs Trevor has taken over the last few years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----\u003c\/p\u003e\n\u003cp\u003eRecorded somewhere near the Sawtooth Mountains, Trevor Powers’ \u003cem\u003eCapricorn\u003c\/em\u003e plays like a fairy tale or alien quest. Fragmented and full of grace, it serves as a meditation on the passage of time — existing both in the past and future.\u003c\/p\u003e\n\u003cp\u003eAfter a severe panic attack made his legs numb for a week, Powers knew something had to change. “Control is our god,” he says. “But it’s an illusion. We think we can dictate every day of our lives but that’s like playing chess during an earthquake. Sometimes the pieces move themselves.”\u003c\/p\u003e\n\u003cp\u003eDrawing influence from Keiichi Koike’s Ultra Heaven, Richard Teschner’s puppets, and ancient folklore, Capricorn surfaced. After finding a cabin near the Sawtooths with an old piano, Powers filled his back seats with instruments, cassette recorders, and a computer, and left for a month alone. “We’ve forgotten how bizarre our planet is,” he explains. “Insects are their own gospel choir. Rain is a fucking fever dream. The more Earth I included, the more alien it felt.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCapricorn\u003c\/em\u003e paints a world of melancholia and unsettling beauty. Powers’ field recordings, classical motifs, and software sculptures don’t stop time; they examine it like a beetle under a microscope — exposing that the extraordinary is often hidden in plain sight. “From the minute we wake up, we’re in a trance,” he says. “This is music for our digital coma.”\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAll songs written and produced by Trevor Powers.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Jason Kingsland.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Heba Kadry.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArt direction and design by Collin Fletcher.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigil by Baptiste Bernazeau\u003c\/span\u003e\u003c\/p\u003e","brand":"Trevor Powers","offers":[{"title":"Limited Edition Vinyl + Poster","offer_id":32066907471985,"sku":"FP1748-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":50574232486183,"sku":"FP1748-4","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/TPCapricornFrontInnerLP.jpg?v=1699571997"},{"product_id":"someone-new","title":"Someone New","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eLimited Edition Milky Clear Gatefold Vinyl\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor Exclusive Bandcamp Bundle w\/ T-shirt click \u003ca href=\"https:\/\/helenadeland.bandcamp.com\/album\/someone-new\"\u003ehere\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist: \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e1. Someone New\u003c\/span\u003e\n\u003cdiv\u003e2. Comfort, Edge\u003c\/div\u003e\n\u003cdiv\u003e3. Pale\u003c\/div\u003e\n\u003cdiv\u003e4. Fruit Pit\u003c\/div\u003e\n\u003cdiv\u003e5. Smoking at the Gas Station\u003c\/div\u003e\n\u003cdiv\u003e6. Seven Hours\u003c\/div\u003e\n\u003cdiv\u003e7. Truth Nugget\u003c\/div\u003e\n\u003cdiv\u003e8. Dog\u003c\/div\u003e\n\u003cdiv\u003e9. Lylz\u003c\/div\u003e\n\u003cdiv\u003e10. Mid-Practice\u003c\/div\u003e\n\u003cdiv\u003e11. Fill the Rooms\u003c\/div\u003e\n\u003cdiv\u003e12. The Walk Home\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13. Clown Neutral\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"383.399963378906\" x=\"126.115997314453\" y=\"-706.467956542969\" data-test=\"textbox\"\u003e \u003c\/text\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"383.399963378906\" x=\"126.115997314453\" y=\"-706.467956542969\" data-test=\"textbox\"\u003eA unique transformation occurs the moment a lover lays eyes on your bedroom \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"421.680000305176\" x=\"90.4919967651367\" y=\"-692.66796875\" data-test=\"textbox\"\u003efor the first time: the room is suddenly, involuntarily no longer your own. Your curated \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"285.504013061523\" x=\"90.4199981689453\" y=\"-678.867980957031\" data-test=\"textbox\"\u003e“you” is subject to the impressions of the other, and you try \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"113.040008544922\" x=\"378.981994628906\" y=\"-678.867980957031\" data-test=\"textbox\"\u003ehard to adopt this filter \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"415.811996459961\" x=\"90.0959930419922\" y=\"-665.067932128906\" data-test=\"textbox\"\u003eyourself, wondering what information the objects and their position suggest about you.\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"13.5360107421875\" x=\"509.919982910156\" y=\"-665.067993164062\" data-test=\"textbox\"\u003eIf,\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"400.343978881836\" x=\"90.3719940185547\" y=\"-651.267944335938\" data-test=\"textbox\"\u003ein moments like these, the new gaze seems to almost conjure the room, a desperate \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"269.783981323242\" x=\"90.4199981689453\" y=\"-637.587951660156\" data-test=\"textbox\"\u003equestion arises: what remains of the room without the ot\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"159.048004150391\" x=\"360.381988525391\" y=\"-637.587951660156\" data-test=\"textbox\"\u003eher? With no external sources of \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"405.912017822266\" x=\"90.4559936523438\" y=\"-623.787963867188\" data-test=\"textbox\"\u003eappraisal or affirmation, where does the stuff of the self reside, and how does it take \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"10.9200439453125\" lengthadjust=\"spacingAndGlyphs\" textlength=\"31.5\" x=\"90.6119918823242\" y=\"-609.987976074219\" data-test=\"textbox\"\u003eshape?\u003c\/text\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"58.5600051879883\" x=\"126.379997253418\" y=\"-596.188049316406\" data-test=\"textbox\"\u003e   \u003c\/text\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"58.5600051879883\" x=\"126.379997253418\" y=\"-596.188049316406\" data-test=\"textbox\"\u003e These blood\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"5.72406005859375\" lengthadjust=\"spacingAndGlyphs\" textlength=\"3.02400207519531\" x=\"185.431991577148\" y=\"-596.18798828125\" data-test=\"textbox\"\u003e-\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"301.89599609375\" x=\"189.295989990234\" y=\"-596.18798828125\" data-test=\"textbox\"\u003edeep paranoias set the stage for Helena Deland’s debut album, \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"67.3679885864258\" x=\"90.1079940795898\" y=\"-582.388000488281\" data-test=\"textbox\"\u003eSomeone New\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"206.675994873047\" x=\"158.227996826172\" y=\"-582.388000488281\" data-test=\"textbox\"\u003e, an exploration of gender, power, time and \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"146.495971679688\" x=\"368.109985351562\" y=\"-582.388061523438\" data-test=\"textbox\"\u003ethe “self” that finds Deland in \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"429.63599395752\" x=\"90.4919967651367\" y=\"-568.587951660156\" data-test=\"textbox\"\u003efull control of her sound and style, even as she asks whether control is ever possible. The \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"409.560089111328\" x=\"90.4559936523438\" y=\"-554.787963867188\" data-test=\"textbox\"\u003ealbum was written and recorded over a period of two years, beginning with Deland’s \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"228.060005187988\" x=\"90.3839950561523\" y=\"-540.957946777344\" data-test=\"textbox\"\u003eguitar and expanding into a lavish sonic sphere \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"193.848052978516\" x=\"318.649993896484\" y=\"-540.957946777344\" data-test=\"textbox\"\u003ethat blends elements of hypnagogic pop \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"400.967987060547\" x=\"90.4559936523438\" y=\"-527.157958984375\" data-test=\"textbox\"\u003eand classic folk. 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a hissing hi hat, a stuttering drum beat.  A full minute passes before the entry of Tamara Lindeman’s voice, gentle, conversational, intoning; “I never believed in the robber”.  A jagged music builds, with stabbing strings, saxophone, and several layers of percussion, and the song undulates through five minutes of growing tension, seesawing between just two chords.  Once again, Toronto songwriter Tamara Lindeman has remade what The Weather Station sounds like; once again, she has used the occasion of a new record to create a new sonic landscape, tailor-made to express an emotional idea. \u003c\/span\u003e\u003cspan\u003e Ignorance, \u003c\/span\u003e\u003cspan\u003eLindeman’s debut for Mississippi label Fat Possum Records, is sensuous, ravishing, as hi fi a record as Lindeman has ever made, breaking into pure pop at moments, at others a dense wilderness of notes; a deeply rhythmic, deeply painful record that feels more urgent, more clear than her work ever has. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the cover, Lindeman lays in the woods, wearing a hand made suit covered in mirrors.  She was struck by the compulsion to build a mirror suit on tour one summer, assembling it in a hotel room in PEI and at a friend’s place in Halifax.  “I used to be an actor, now I’m a performer” she says.  In those roles, she points out, she often finds herself to be the subject of projection, reflecting back the ideas and emotions of others.  On the album, she sings of trying to wear the world as a kind of ill fitting, torn garment, dangerously cold; “it does not keep me warm \/ I cannot ever seem to fasten it” and of walking the streets in it, so disguised, so exposed.  Photographed by visual artist Jeff Bierk in midday, the cover purposefully calls to mind Renaissance paintings; with rich blacks and deep colour, and an incongruous blue sky glimpsed through the trees.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe title of the album, \u003c\/span\u003e\u003cspan\u003eIgnorance\u003c\/span\u003e\u003cspan\u003e, feels confrontational, calling to mind perhaps wilful ignorance, but Lindeman insists she meant it in a different context.  In 1915 Virginia Woolfe wrote: “the future is dark, which is the best thing a future can be, I think.”  Written amidst the brutal first world war, the darkness of the future connoted for Woolfe a not knowing, which by definition holds a sliver of hope; the possibility for something, somewhere, to change.  In french, the verb \u003c\/span\u003e\u003cspan\u003eignorer\u003c\/span\u003e\u003cspan\u003e connotes a humble, unashamed not knowing, and it is this ignorance Lindeman refers to here; the blank space at an intersection of hope and despair, a darkness that does not have to be dark.\u003c\/span\u003e \u003c\/div\u003e","brand":"The Weather Station","offers":[{"title":"Silver Vinyl","offer_id":32184816730225,"sku":"FP1746-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":32184816762993,"sku":"FP1746-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32184816795761,"sku":"FP1746-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":32184816828529,"sku":"FP1746-4","price":7.0,"currency_code":"USD","in_stock":false},{"title":"Baby Blue Vinyl","offer_id":50590803886375,"sku":"FP1765-5","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BlackLPSquare.jpg?v=1761149613"},{"product_id":"twin-infinitives","title":"Twin Infinitives","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited Edition Cassette to celebrate the 30th anniversary of Twin Infinitives\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOn Orange cassette\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOnly 200 copies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNoisier and harsher than the group's debut, Twin Infinitives is a polarizing record -- you either understand Royal Trux's primal, atonal deconstructions of rock \u0026amp; 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Either way, Twin Infinitives is noteworthy for stretching the amateurish trash-rock of Royal Trux to the extreme, creating a defiantly noisy and abrasive assault of gutted riffs, screams, tinny synthesizers and melodic fragments. It may not be particularly listenable, but it is some sort of achievement. - All Music\u003c\/span\u003e\u003c\/p\u003e","brand":"Royal Trux","offers":[{"title":"Cassette","offer_id":32248361910385,"sku":"FP1660-4","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/RoyalTrux_TwinInfinitives_Cover.jpg?v=1625108174"},{"product_id":"a-color-of-the-sky","title":"A Color of the Sky","description":"\u003cdiv\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Return\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Right Thing Is Hard To Do\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSeptember Song, pt. ii\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWings of Desire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Chase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSong of the Bell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eI Lie Awake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eReprise\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA Color of the Sky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Flash\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eA lightning bug glows with the aid of a chemical called luciferin, derived from Latin for “light-bringer”. Lightning Bug began as three friends who made music together to bring each other light. The music we make continues to hold that purpose at its heart. The music of Lightning Bug is an attempt to record the deepest experiences in the self and connect them outward.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lightning Bug","offers":[{"title":"Translucent Orange Vinyl","offer_id":39731370819697,"sku":"FP1770-6","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39278094090353,"sku":"FP1770-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39278094123121,"sku":"FP1770-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39278094155889,"sku":"FP1770-4","price":10.0,"currency_code":"USD","in_stock":false},{"title":"MP3","offer_id":39278094188657,"sku":"FP1770-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/LightningBugACOTSLPMockupRepress-Orange.jpg?v=1699564541"},{"product_id":"mercurial-world","title":"Mercurial World","description":"\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. The End\u003cbr\u003e2. Mercurial World\u003cbr\u003e3. Dawning of the Season\u003cbr\u003e4. Secrets (Your Fire)\u003cbr\u003e5. You Lose!\u003cbr\u003e6. Something For 2\u003cbr\u003e7. Chaeri\u003cbr\u003e8. Halfway\u003cbr\u003e9. Hysterical Us\u003cbr\u003e10. Prophecy\u003cbr\u003e11. Follow The Leader\u003cbr\u003e12. Domino\u003cbr\u003e13. Dreamcatching\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e14. The Beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFew artists are at once artful and savvy enough to transcend the endless scroll, but over the past 18 months, LA-based indie-pop duo Magdalena Bay have used social platforms to dispatch their music, and what you might call their philosophy, in hypnotic, ephemeral bursts. A long trip through their feeds produces music videos in miniature, irreverent pontifications on the state of the music industry delivered via home video VHS aesthetics, and existential meditations on everything from International Women’s Day to the clone craze of the early aughts to the indefinite lifespan of plants.\u003c\/p\u003e\n\u003cp\u003eOn October 8th, Magdalena Bay will release their debut full-length LP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMercurial World\u003c\/em\u003e, via Luminelle, a record that proposes an abstract theory of time and explores the staggering “what ifs” that make up the human experience. “Mercurial World has a lot of outsized themes on it, like destiny, death, and doing the impossible,” Tenenbaum explains. “It’s not exactly a concept album, but we love prog-rock, so we love a concept.”\u003c\/p\u003e\n\u003cp\u003eTenenbaum and Lewin met over a decade ago at an after-school music program in their hometown of Miami, where they bonded over a shared love of Genesis and King Crimson, eventually starting a prog-rock band together that lasted until they moved away to college. The two reconnected after freshman year and decided to continue their teen rock project, this time in a radically new form that would come to be Magdalena Bay. “We started discovering all of this experimental pop music that pushed the boundaries of what ‘pop’ really means,” Lewin says.\u003c\/p\u003e\n\u003cp\u003eBleeding-edge producers like Charli XCX and Grimes were a gateway, and by 2019, Magdalena Bay self-released their debut collection,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003emini mix vol. 1\u003c\/em\u003e, followed soon after by a slew of one-off singles, all of which arrived accompanied by tricked-out videos. “Those early references have gotten more and more dissolved as we’ve come into our own sound,” Tenenbaum says. “Our philosophy was just to throw things at the wall. I like to think that our music lives between genres.”\u003c\/p\u003e\n\u003cp\u003eWords like “anxiety” and “paranoia” come up regularly when Magdalena Bay describe their debut, but the production is beyond confident. Tracks flit between genre trappings with the ease of a band who reject the need to present any one way.\u003c\/p\u003e\n\u003cp\u003eOn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMercurial World\u003c\/em\u003e, Magdalena Bay offer the listener a prismatic experience, one that is built on a desire to simply believe in something beyond the finitude of our lives. Approaching reality as a construct allows Magdalena Bay to enact their own, one that is committed to nothing but expanding the possible.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“As bass-heavy as Charli XCX and as melodically minded as Carly Rae Jepsen, these songs are not unlike the hyperactive computer pop popularized by PC Music. What sets Magdalena Bay apart is the gentleness of their lyrics and spacious, mood-building production.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e—\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePitchfork\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“In addition to regularly dropping pop gems, Magdalena Bay have also established themselves as one of the music world’s smartest voices online.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e—\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe FADER\u003c\/b\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Magdalena Bay","offers":[{"title":"Orchid Color Vinyl","offer_id":49289305850151,"sku":"LUM030LP7","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39420794536049,"sku":"LUM030LP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39420794601585,"sku":"LUM030CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Green Cassette","offer_id":39963199144049,"sku":"LUM030CASS3","price":10.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":39420794634353,"sku":"LUM030D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/LP-MercurialWorldMockupLPRepress-Orchid.jpg?v=1729801064"},{"product_id":"buffalo-nichols","title":"Buffalo Nichols","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuffalo Nichols—Fat Possum’s first solo blues signing in nearly 20 years—has announced the release of his self-titled debut album, due out on October 15th, 2021. The Austin, TX-based guitarist, songwriter, and vocalist has also shared lead single “Lost \u0026amp; Lonesome,” a tender, aching ballad. “‘Lost \u0026amp; Lonesome’ was inspired by years of traveling alone, wandering city streets looking for a place to call home maybe for a night, maybe forever,” explains Carl “Buffalo” Nichols. “It takes you back to those moments in life when you must leave home either physically or figuratively—going somewhere unfamiliar and on your own. The soundtrack to a wandering soul. An ode to loneliness. When you see a wandering soul, all you can do is wonder how they got there. 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Well, that and to go to Mars.  “I love space. I love aliens. I love thinking that we’re not alone in this big strange universe,” says the Montreal-based singer and multi-instrumentalist who records as MUNYA. “Those things give me hope.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoth the longing to make music and the desire for interplanetary travel come together in Boivin’s new album, Voyage to Mars. Named for Georges Méliès’ classic silent film Le Voyage dans la Lune, the record feels beamed in from another planet, suffused with an otherworldly light. It’s music that looks out to great darkness of the sky and the stars beyond for the inspiration to pursue your dreams.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003eTracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Maracuya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Boca Chica\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Tonight Tonight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Cocoa Beach\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Pour Toi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Voyage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Life Is A Dream\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e America\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Dove\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Captain Ron\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Perfect Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Tresor\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"MUNYA","offers":[{"title":"Orange Vinyl","offer_id":39656925298801,"sku":"LUM031LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39559238123633,"sku":"LUM031CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39559238156401,"sku":"LUM031CASS","price":9.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":39559238189169,"sku":null,"price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/MUNYA_-_Voyage_To_Mars_LP_Mockup_-_Color1.png?v=1700166342"},{"product_id":"visitor","title":"Visitor","description":"\u003cp\u003eEmpath's album Visitor available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"Empath","offers":[{"title":"Bone Color Vinyl","offer_id":39578320797809,"sku":"FP1792-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39578320830577,"sku":"FP1792-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39578320863345,"sku":"FP1792-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39578320896113,"sku":"FP1792-4","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/EmpathVisitorMockupLP-Bone.jpg?v=1700166256"},{"product_id":"blue-skies","title":"Blue Skies","description":"\u003cp\u003eDehd's album Blue Skies available to buy from Fat Possum Records. The rapturous reception of 2020’s Flower of Devotion gave Dehd access to more resources — budgets, studios, producers. Rather than seek something new however, they invested in themselves, their process, and their deep belief in what they have always done. They booked the same studio where they recorded Flower of Devotion but tripled their stay, giving themselves time to play with arrangements and delight in a wonderland of drum machines and synthesizers. While continuing to write and record every part of the album themselves, the new relationship with Fat Possum did allow for a few indulgences, namely in the addition of Grammy winning mixing engineer, Craig Silvey (The Rolling Stones, The National, Arcade Fire), and mastering engineer, Heba Kadry (Slowdive, Bjork, Cate Le Bon), ensuring Dehd's vision for “Blue Skies”. The result is the band’s second consecutive breakthrough: sharper and smarter, with harmonies and rhythms more sophisticated and considered. Blue Skies is still Dehd – just more wild and wonderful than ever before. Another jolt of timely hope, only with twice the power.\u003c\/p\u003e","brand":"Dehd","offers":[{"title":"Pink Lipstick Vinyl","offer_id":39676338962545,"sku":"FP1798-3","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39676338929777,"sku":"FP1798-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39676338995313,"sku":"FP1798-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Pink Cassette","offer_id":39676339028081,"sku":"FP1798-5","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39676339060849,"sku":"FP1798d","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Poison Dart Frog Vinyl","offer_id":39763490504817,"sku":"FP1798-6","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/DEHDBlueSkiesMockupLPGatefold-PinkLipstick.jpg?v=1700076825"},{"product_id":"face-the-wall","title":"Face The Wall","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eFace The Wall\u003c\/div\u003e","brand":"Jordana","offers":[{"title":"Black Vinyl","offer_id":39679520997489,"sku":"GJ0072-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39679521030257,"sku":"GJ0072-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39679521063025,"sku":"GJ0072-6","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/0027427337_10.jpg?v=1704818948"},{"product_id":"true-love","title":"True Love","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eIn 2020, Charlie Martin impulsively wrote T-R-U-E L-O-V-E in all caps across the top of what would become the title track of his and Will Taylor’s fourth Hovvdy album. The on-the-nose instinct encapsulates the LP’s elemental look at relationships – familial, romantic, friendly – and that desire to capture them in a bottle. Since the creation of their last album, both Charlie and Will have married their partners. Will became a father. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eA nod to their roots and a reach for more, True Love maturely embraces the best of the duo’s hyper-genuine, chin-up qualities developed over the past seven years. Charlie and Will first met at a baseball game while touring with other bands, both as drummers. Back home in Austin, the pair connected over shared sports-centric upbringings in Dallas and, most prominently, likeminded batches of solo songwriting. The interlocking tracks would become 2016 LP Taster, introducing a comforting sonic push-and-pull continued in the innate melodies of Cranberry (2018) and the propulsive storytelling of breakthrough Heavy Lifter (2019). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFourth album True Love follows a surprisingly folksy and beautifully determined course, just hinting at the lo-fi layers of the Austin-based project’s DIY origins. Co-produced by the genre-morphing Andrew Sarlo (Nick Hakim, Big Thief, Bon Iver), the acoustically-driven, forward-looking songwriters’ statement stamps Hovvdy’s debut with Grand Jury Music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCharlie and Will add: “This collection of songs feels to us like a return to form, writing and recording songs for ourselves and loved ones. Spending less energy consumed with how people may respond freed us up to put our efforts into creating an honest, heartfelt album.”\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThroughout 2020, the band visited Sarlo’s small Los Angeles studio to put down their biggest-sounding record yet. Trusted guidance freed Charlie and Will to play to their strengths on essential elements – an upright piano, an acoustic guitar, a few keyboards. Songs harken to the duo’s Southern totems of Townes Van Zandt and Lucinda Williams, with longtime collaborator Ben Littlejohn adding pedal steel and dobro for subtle drawl. Will calls True Love “the other side of the coin” from past LP Heavy Lifter’s tweaked pop, reflecting instead on the sturdy strums of sophomore Cranberry.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Sarlo heard things in our individual production styles that we might otherwise feel self-conscious about, but he would lean into them,” says Charlie. “We knew we could come in with a very stripped-down acoustic guitar song and it would end up being expansive and vast. I felt really confident in letting this record be as tender and beautiful as we could make it, knowing there would always be a layer of darkness in there.”\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Blindsided” embodies the bespoke Hovvdy balance. Charlie’s waltzing piano lines and classical bedding make way for punctuated vocal assurances. Will’s textured guitar downbeats also softly power syncopated storytelling on “Lake June.” Channeling the warmth of new fatherhood, he repeats “I love you so much” at the song’s center.  \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eIn the exuberant rush of title track “True Love,” Charlie references his old Cranberry-era song “Colorful” – a wizened callback to a growing catalog, forever morphing in hindsight. Shaking off any nostalgic haze, the new album’s immediate production places their detailed scenes surely in the present. There’s flashes of a magnolia tree, a Tom Thumb, a cross on a trailer. “Around Again” frets over the fleetingness: “Memory won’t let me take a picture \/ Turn to me and tell me you’ll remember.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s about resiliency and appreciating the little moments, even when the big picture can be daunting,” says Will. “I’m proud of how we let the songs and the feeling of the record do the work for us. Even in somber moments, the joy behind the music is noticeable, and that’s what makes it special to me.”\u003c\/i\u003e","brand":"Hovvdy","offers":[{"title":"Vinyl","offer_id":39745636991089,"sku":"GJ0069-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39745637023857,"sku":"GJ0069-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39745637056625,"sku":"GJ0069-7","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/STD_LP.png?v=1700165729"},{"product_id":"loose-future","title":"Loose Future","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLoose Future was recorded at Sam Evian’s upstate New York Flying Cloud Studios, with musicians Josh Kaufman (Bonny Lighthorseman), Chris Bear (Grizzly Bear), and Sam Owen (aka Evian)\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTRACK LISTING:\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Loose Future\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Older Now\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. On The Line\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Satellite\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. These Are The Good Old Days\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Thinkin’ On You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. You Do What You Want\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Let Her Go\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Change My Mind\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Me \u0026amp; Jerry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOld Flowers' \u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020 Grammy nomination, and due to Covid restrictions, Courtney, for the first time in her young nomadic life, was forced off the road and to remain at home. What resulted was the publishing of her first book of poetry, the first gallery showings of her paintings, and a period of self-discovery leading to the new album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLoose Future\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Whereas\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e Old Flowers\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a beautiful and emotional break-up record, CMA's\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003ereturn with \u003ci data-mce-fragment=\"1\"\u003eLoose Future \u003c\/i\u003eis\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e a bright, dynamic, falling-in-love record. Courtney's got a new story to tell, backed by a strong new musical direction, and a show-stopping collection of songs. \u003c\/span\u003e\u003c\/p\u003e","brand":"Courtney Marie Andrews","offers":[{"title":"Green Vinyl","offer_id":39798167502961,"sku":"FP1808-4","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39798167470193,"sku":"FP1808-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39798167535729,"sku":"FP1808-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39798167568497,"sku":"FP1808-C","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39798167601265,"sku":"FP1808-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/CMA-LooseFuture-LPD2C.jpg?v=1700152186"},{"product_id":"save-the-baby","title":"Save The Baby","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv align=\"left\" dir=\"ltr\"\u003e\n\u003cdiv title=\"Page 1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Save the Baby\u003c\/p\u003e\n\u003cp\u003e2. 2022\u003c\/p\u003e\n\u003cp\u003e3. Park Lodge\u003c\/p\u003e\n\u003cp\u003e4. Blue Iris\u003c\/p\u003e\n\u003cp\u003e5. Paranoid\u003c\/p\u003e\n\u003cp\u003e6. Somewhere\u003c\/p\u003e\n\u003cp\u003e7. Cowboy Bebop\u003c\/p\u003e\n\u003cp\u003e8. Can't Have It\u003c\/p\u003e\n\u003cp\u003e9. Jimmy Neutron\u003c\/p\u003e\n\u003cp\u003e10. 10th And J 2\u003c\/p\u003e\n\u003cp\u003e11. Apartment\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I wanna wake up brand new” Enumclaw lead\u003c\/span\u003e\u003cspan\u003e-singer\/guitarist Aramis Johnson sings to begin \u003c\/span\u003e\u003cspan\u003eSave the Baby\u003c\/span\u003e\u003cspan\u003e, their massive-sounding debut full-length, out October 14th via Luminelle Recordings. The album is a swing for greatness; a collection of life-affirming and deeply personal songs about the importance of chasing after your dreams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNot since Nirvana irrevocably changed the rock music scene over two decades ago has there been such unequivocal excitement for a band from the South Puget Sound. Enter Tacoma, \u003c\/span\u003e\u003cspan\u003eWA’s Enumclaw, whose early singles “Fast N All” and “Free Drop Billy” conjured a swirl of \u003c\/span\u003e\u003cspan\u003ebreathless praise from fans and choice publications like \u003c\/span\u003e\u003cspan\u003ePitchfork \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eThe Fader \u003c\/span\u003e\u003cspan\u003ebefore striking a single note in front of a live crowd.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEven though they hail from the home of grunge, their influences stretch a bit further; the group is \u003c\/span\u003e\u003cspan\u003ealready well on their way to becoming “the best band since Oasis,” their earliest motto. Aramis \u003c\/span\u003e\u003cspan\u003esays the band led by the Gallagher brothers is a clear inspiration, given their rise from a working-class background, and not just because his own brother is in the group as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSays Aramis, “In the lineage of rock, Oasis is the last band to go from some random dive bar to a stadium. And if we’re not selling out stadiums, we’re not doing it how I wanted to do it.” The \u003c\/span\u003e\u003cspan\u003eemotional stakes of being a massively popular rock band are incredibly clear for Enumclaw who came from a modest and sometimes harrowing upbringing in Seattle\u003c\/span\u003e\u003cspan\u003e’s sister city, Tacoma.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAramis describes Tacoma as an inescapable component of the band’s identity. “I honestly thought I was going to move to New York last April,” he says. “I was gonna take a break from \u003c\/span\u003e\u003cspan\u003edoing music stuff, to live in a big city and try becoming a photographer. But the band [and its \u003c\/span\u003e\u003cspan\u003egrowing profile] ended up keeping me here in Tacoma.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis father passed away from sickle cell anemia when he was just 10-years-old, his mother walked for miles to a job at Subway, and his family subsisted on food provided by EBT cards. \u003c\/span\u003e\u003cspan\u003eHis best friend when he was younger was diagnosed with schizophrenia. “I feel like if I were the one who had gotten sick, he would have handled it better than I did,” he says, the aforementioned survivor’s guilt heavy in his voi\u003c\/span\u003e\u003cspan\u003ece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose personal experiences heavily color \u003c\/span\u003e\u003cspan\u003eSave the Baby\u003c\/span\u003e\u003cspan\u003e, titled for the dreams he’s preserved since he was a young child to make a mark on the world. It’s an album about the importance of \u003c\/span\u003e\u003cspan\u003efollowing your dreams, in spite of romantic relationships going sour and the pressure that comes with being a young Black man who grew up with a fair share of hardships, and about the \u003c\/span\u003e\u003cspan\u003eimportance of following your dreams. On the second verse of “Park Lodge,” Aramis sings about the survivor’s remorse of a friend’s menta\u003c\/span\u003e\u003cspan\u003el health deteriorating as his own rock music stardom \u003c\/span\u003e\u003cspan\u003ewas on the ascent. “It’s about the feeling of being stuck in Tacoma,” he says. “Just like a lot of \u003c\/span\u003e\u003cspan\u003epeople in the Black community feel like they have to make it out through sports or rapping, I have to ma\u003c\/span\u003e\u003cspan\u003eke it out with the band. 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There’s no stronger metaphor for the audience the 25-year-old empathy engine has been generating since she began releasing music seven years ago. Her songs, her fans, her friends: one enormous, interconnected ecosystem. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoney\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, comprised of eleven new moments of catharsis\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e for that organism. Set for release on January 27th 2023 via Grand Jury Music, the album was recorded at North Carolina studio Betty’s –- owned and operated by Sylvan Esso’s Nick Sandborn and Amelia Meath, frequent touring partners of Samia’s. It was produced by Caleb Wright, part of the team that helmed Samia’s breakthrough 2020 debut \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Baby\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and a founding member of one of Samia’s favorite bands, The Happy Children. It features some of her nearest and dearest friends: Christian Lee Hutson, Briston Maroney, Jake Luppen, Raffaella. Its songs were surreptitiously road tested for her devotees while opening for Lucy Dacus, Courtney Barnett, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe end result is what Samia calls simply “a real community record.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“We tried to be as honest as possible and keep the songs as raw as possible,” Samia said. “We talked a lot about zooming out and zooming in, giving a lot of weight to the small moments and considering them as part of a big picture, how they factor into everything else that’s happening in the world.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s that approach that allows many of the album’s lyrics to feel at once specific to its writer yet eternally applicable. “I hope you marry the girl from your hometown,” Samia deadpans on the album-opener, before delivering the exasperated punchline “and I’ll fucking kill her \/ and I’ll fucking freak out.” Elsewhere, on the brief but beautiful “Pink Balloons,” she asks bluntly, “How are you supposed to want to love me anymore?” The album is dotted with these moments of pathos and pain from Samia’s life, stolen and stretched so they could be about a million people struggling over a million things. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile her previous work played with turning the personal into the universal, she’s breaking confident new ground here. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Baby \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas loose and bubbling, like wearing your mom’s big shoes while playing dress up. The knees on 2021 EP \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScout\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e were not so wobbly, and Samia began singing of gained perspective and softened edges. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoney\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is tight and heavy — the moment you notice you’re older now and those shoes don’t slip as much. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen writing this album, Samia wondered “How do I take responsibility for the things that I’ve done? That’s at least the stage of my life that I’m at. I need to hold the mirror up to my behavior and my role in every relationship. And that’s so much harder than just thinking that you’re the main character and dancing through life.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSo it’s no surprise that when the album chooses to dance – like on the ironic title-track, the buoyant “Amelia,” or the Rostam-produced tidal wave of “Mad At Me” – there’s an undeniable self-awareness to the brightness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill, it’s when she brings all of those elements together on the album-defining “Sea Lions” that the record’s confidence is fully on display. The five-plus minute song spills soft and slow, a tranquil keyboard following Samia admitting an embarassing truth for any relationship: “I don’t want to talk \/ I don’t really want to work it out \/ we’re too far gone.”  But as a sweet drum machine kicks in and one of Samia’s own voicemails fills the void — there’s community’s comforting touch again — you feel the denial melting from your chest and lose yourself under the back half of the song’s intoxicating club lights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s an idea of “honey” that Samia keeps returning to. “I was drinking a lot before I started writing this record,” she said, “and a lot of the songs are about that and that’s sort of what being drunk feels like to me. Is this sort of viscous slow, thick, heavy feeling. It’s the feeling of being under this beautiful blanket of something without having to face reality,” she continues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSamia calls her music “pathologically confessional,” and though she doesn’t mind being the latest addition to the “sad girl” indie rock canon, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHoney\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e finds her less concerned with being a “sad girl” than fascinated by the things that keep us together. Memories. Friendship. Small things and big things like Aspen Grove. On this stylish and vulnerable new record, Samia holds the mirror up to herself and allows us to see ourselves in the reflection. \u003c\/span\u003e\u003c\/p\u003e","brand":"Samia","offers":[{"title":"Honey Yellow Edition Vinyl","offer_id":39978145251441,"sku":"GJ0078-1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Compact Disc","offer_id":39978145284209,"sku":"GJ0078-2","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39978145316977,"sku":"GJ0078-9","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/Samia-LPMockup-Standard.jpg?v=1700150008"},{"product_id":"heaven-is-a-junkyard","title":"Heaven Is a Junkyard","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eYouth Lagoon\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e - the beloved project of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTrevor Powers\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e - returns with the announcement of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHeaven Is a Junkyard\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, his first new album in eight years, out \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJune 9th on Fat Possum\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, and a new single\/video, “\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIdaho Alien\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e.” With whispers of country, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHeaven Is a Junkyard\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is mutant Americana in a world of love, drugs, storytelling, and miracles—held together by Powers’ voice and an upright piano. 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