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At times they also resemble a lo-fi ...And You Will Know Us by the Trail of Dead, especially on \"Off White,\" which shifts from raging to reflective in its epic sweep. However, Germain-Poitras and Guillemette's time in hardcore bands is just as important to Solids' approach; the duo sounds much more passionate than the like-minded bands that borrow too much from the slacker ethos of the '90s. They wear this anthemic spirit well: even on the poppiest songs, like the title track and \"Haze Away,\" Blame Confusion vibrates with barely contained energy. On furious tracks such as \"Traces\" and \"Cold Hands,\" the tension between Guillemette and Germain-Poitras' big sound and Adrian Popovich's stripped-down production generates sparks. The duo also pulls off an honest-to-goodness ballad with the brawny yet melancholy closing track \"Terminal,\" which, in its own way, shows how far Solids have come from 2010's debut EP Generic Dogs as much as the louder songs here. 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When he falls in love, he lurks in the shadows and watches her from afar. \"I won't stop until you're dead,\/ because of voices in my head,\" he sings on \"Fading All Away.\" This is the stuff of horror movies—love that leads to obsession, graduates to stalking, and culminates in murder. It's a narrative framed perfectly by his performance. -Evan Minsker of Pitchfork 9.1\/10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e1. Blood Visions\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e2. Greed, MOney, Useless Children\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e3. It's so Easy\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e4. My Shadow\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e5. My Family\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e6. Death Is Forming\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e7. Oh It's Such a Shame\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e8. 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