{"title":"Decade: 2020s","description":"","products":[{"product_id":"call-me","title":"Call Me  (50th Anniversary)","description":"Al Green’s Call Me was originally released in 1973 and debuted at No. 10 on the Billboard 200 and No. 1 on the Top R\u0026amp;B\/Hip-Hop Albums charts and remained on the charts for 11 weeks. The album features timeless Gold certified classics such as “Here I Am (Come \u0026amp; Take Me),” which reached No. 10 on the Billboard Hot 100 and No. 2 on the Hot R\u0026amp;B\/Hip-Hop Songs charts; “Call Me (Come Back Home),” which went to No. 10 on the Billboard Hot 100 and No. 2 on the Hot R\u0026amp;B\/Hip-Hop Songs charts; and “You Ought To Be With Me,” which hit No. 3 on the Billboard Hot 100 and No. 1 on the Hot R\u0026amp;B\/Hip-Hop Songs charts.","brand":"Al Green","offers":[{"title":"Red \/ Green Color Vinyl","offer_id":44839329726759,"sku":"FPH1146-5","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":44839329759527,"sku":"FPH1146-1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":2793202243,"sku":"FPH1146-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/AlGreen-CallMeMockupLP-D2C.jpg?v=1681346256"},{"product_id":"cancer-for-cure","title":"Cancer4Cure","description":"\u003cp\u003ePurchase and receive an instant download\u003c\/p\u003e","brand":"El-P","offers":[{"title":"Black Double Vinyl","offer_id":39888268329073,"sku":"FP1270-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":2794106947,"sku":"FP1270-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"MP3 Album Download","offer_id":2794107075,"sku":"FP1270-D","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/El-P_C4C_Mockup_LP_Black.jpg?v=1716239278"},{"product_id":"feel-like-doin-something-wrong","title":"Feel Like Doin' Something Wrong","description":"\u003cp\u003eProduced by blues historian and journalist Robert Palmer, Feel Like Doin' Something Wrong captures the haunted, otherworldly blues of CeDell Davis. Using a knife for a guitar slide, Davis creates strange, unpredictable sounds and matches them with his gnarled voice. Even better, there's hardly a bad song in the bunch, and his versions of \"Murder My Baby,\" \"Boogie Chillen,\" \"Every Day Every Way\" and \"If You Like Fat Women\" rank among the finest contemporary blues in the '80s. \u003cbr\u003e-Stephen Thomas Erlewine Allmuisc.com 4\/5\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e1. I Don't Know Why  \u003cbr\u003e2. Every Day Every Way  \u003cbr\u003e3. She's Got the Devil in Her  \u003cbr\u003e4. Boogie Chillen No. 2 \u003cbr\u003e5. Baby, I Love You So  \u003cbr\u003e6. If You Like Fat Women \u003cbr\u003e7. Guitar Boogie \u003cbr\u003e8. Falling Rain Blues \u003cbr\u003e9. In the Evening \u003cbr\u003e10. Sit Down on My Knee  \u003cbr\u003e11. Got to Be Moving On \u003cbr\u003e12. Reconsider Baby  \u003cbr\u003e13. Murder My Baby  \u003cbr\u003e14. Green Onions\u003c\/p\u003e","brand":"Cedell Davis","offers":[{"title":"Eco-Blue Vinyl","offer_id":50071479550247,"sku":"FP80322-3","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":2794569475,"sku":"FP80322-1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":2794569411,"sku":"FP80322-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Cedell_Davis_-_Feel_Like_Doing_Something_Wrong_-_Mockup_LP_-_EcoBlue.jpg?v=1749235094"},{"product_id":"no-deeper-blue","title":"No Deeper Blue","description":"\u003cp\u003e\u003cspan\u003eOriginally Released November 17, 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTownes Van Zandt's subject matter had not changed much in the seven years between recordings, as was apparent only a few lines into the leadoff track, \"A Song For,\" when Van Zandt spoke-sang, \"I'm weak and I'm weary of sorrow.\" In fact, he wasn't weary of enumerating the causes of sorrow, as was proven especially in \"Marie,\" sung in the voice of a derelict whose life gets worse and worse until his pregnant girlfriend dies. Songs like that were typical of Van Zandt, but this time he also displayed an unusual range, from the scary, calypso-like song of temptation \"The Hole\" to the weird tall tale of \"Billy, Boney and Ma\" in which a man and a skeleton turn to a life of crime, demonstrating Van Zandt's humorous side. Van Zandt even found room for two lullabies. Musically, the album, which was recorded in Ireland and produced by Philip Donnelly, who also played guitar, benefited from an unusually varied group of styles, from the Chicago blues of \"Goin' Down to Memphis\" to the Memphis rockabilly of \"Gone Too Long,\" with a strong complement of Irish-flavored tunes played on such traditional instruments as uilleann pipes and tin whistle. The diverse musical styles made the album Van Zandt's most listenable, even when the lyrics were at their most desperate. By 1994, after a stream of live re-recordings of his older material, Van Zandt had begun to seem like a songwriter whose best songs, good as they were, were behind him. No Deeper Blue demonstrated that the muse was still with him. - \u003cem\u003eAllMusic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. A Song For\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Blaze's Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Hole\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Marie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Goin' Down to Memphis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Hey Willy Boy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Niles River Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Billy, Boney and Ma\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Katie Belle Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. If I Was Washington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Lover's Lullaby\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Cowboy Junkies Lament\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. BW Railroad Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. 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While drummer Kevin Vaughn and bassist Mike Lamping give this music a very powerful backbone and a hell of a wallop, it's guitarist, songwriter and vocalist Erika Wennerstrom who is clearly the star of this show -- while some have compared her singing to Janis Joplin, Wennerstrom's voice conjures up the same degree of rafter-rattling force without excessive histrionics or overblown blues gestures, and her guitar work is at once simple and loaded with elemental force in the manner of John Lennon or Neil Young's less-is-more chordings. Together, the Heartless Bastards are a power trio who truly live up to the name, and while Wennerstrom's melodies are potent, the lyrics reflect a rough-hewn humanity, documenting the thoughts and fears of a regular gal from the Midwest with clarity, compassion, and unblinking honesty. Stairs and Elevators is an album which doesn't waste much in the way of words or musical gestures, and these recordings make the most of the band's stark dynamics. As Wennerstrom puts it, \"For every calm, there is a storm\/But it is often out of view,\" yet the Heartless Bastards leave all their tempests in plain sight, and the thunder of this album makes for a very impressive debut.\u003cspan\u003e \u003c\/span\u003e-Mark Deming\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/allmusic.com\/\"\u003eAllmusic.com\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e4\/5\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e1. Gray\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e2. Onions\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e3. New Resolution \u003cbr\u003e4. My Maker \u003cbr\u003e5. Runnin \u003cbr\u003e6. Autonomy  \u003cbr\u003e7. Pass and Fail \u003cbr\u003e8.The Will Song \u003cbr\u003e9. Swamp Song \u003cbr\u003e10. Done Got Old  \u003cbr\u003e11. Piano Song  \u003cbr\u003e12. Lazy\u003c\/div\u003e","brand":"Heartless Bastards","offers":[{"title":"20th Anniv. 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The OC771CAMO is perfect for today's demanding clients and emerging brands in the hunting industry. This camo trucker features unrivaled comfort \u0026amp; fit, a modern trucker shape, comfort wrapped sweatband.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSlight Pre-Curved Visor\u003c\/li\u003e\n\u003cli\u003ePlastic Snap Closure\u003c\/li\u003e\n\u003cli\u003ePro High Crown\u003c\/li\u003e\n\u003cli\u003eStructured\u003c\/li\u003e\n\u003cli\u003eMesh Back\u003c\/li\u003e\n\u003cli\u003eCanvas Camo Front Panels\u003c\/li\u003e\n\u003cli\u003eMesh Back Panels\u003c\/li\u003e\n\u003cli\u003eContrast Construction Stitch on Crown and Visor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fat Possum","offers":[{"title":"Camo Hat","offer_id":39827107283057,"sku":"4001","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BurnsideStyleHatMockup-Camo1x1.jpg?v=1732227831"},{"product_id":"ill-sleep-when-youre-dead","title":"I'll Sleep When You're Dead","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eTracklist\u003c\/b\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eTasmanian Pain Coaster\u003c\/li\u003e\n\u003cli\u003eSmithereens (Stop Cryin')\u003c\/li\u003e\n\u003cli\u003eUp All Night\u003c\/li\u003e\n\u003cli\u003eEMG\u003c\/li\u003e\n\u003cli\u003eDrive\u003c\/li\u003e\n\u003cli\u003eDear Sirs\u003c\/li\u003e\n\u003cli\u003eRun The Numbers\u003c\/li\u003e\n\u003cli\u003eHabeas Corpses (Draconian Love)\u003c\/li\u003e\n\u003cli\u003eThe Overly Dramatic Truth\u003c\/li\u003e\n\u003cli\u003eFlyentology\u003c\/li\u003e\n\u003cli\u003eNo Kings\u003c\/li\u003e\n\u003cli\u003eThe League Of Extraordinary Nobodies\u003c\/li\u003e\n\u003cli\u003ePoisenville Kids No Wins \/ Reprise (This Must Be Our Time)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"El-P","offers":[{"title":"Black Double Vinyl","offer_id":39888268951665,"sku":"FP1727-1","price":30.0,"currency_code":"USD","in_stock":true},{"title":"MP3 Album Download","offer_id":31219701448817,"sku":"FP1727-D","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/El-P_ISWYD_Gatefold_Mockup_Black.jpg?v=1660683713"},{"product_id":"born-again","title":"Born Again","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003c\/span\u003e\u003c\/strong\u003eThe full-length debut from Ellis, Born Again takes place in spaces both intimate and vast, ordinary and near-mythic: warm beds and lonely church pews, restless cities and desolate forests and the furthest reaches of the cosmos. Produced by Jake Aron (Snail Mail, Solange, Grizzly Bear) and recorded partly at Aron’s Brooklyn studio, Born Again arrives as the follow-up to Ellis’s debut EP The Fuzz—a self-released, self-produced effort that promptly led to a deal with Fat Possum Records. In a departure from the viscerally charged dream-pop of The Fuzz, Born Again unfolds with a mesmerizing subtlety, gracefully spotlighting Ellis’s unhurried melodies, starkly confessional lyrics, and the luminous vocal work she’s shown in opening for artists like Soccer Mommy and Alvvays.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e1. Pringle Creek\u003cbr\u003e2. Born Again\u003cbr\u003e3. Shame\u003cbr\u003e4. Embarrassing\u003cbr\u003e5. March 13\u003cbr\u003e6. Fall Apart\u003cbr\u003e7. Happy\u003cbr\u003e8. Into the Trees\u003cbr\u003e9. Saturn Return\u003cbr\u003e10. 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The album was produced by Lindsay Gravina and engineered by James Mason \u0026amp; Jade Martin, and released to critical acclaim both here in Australia and internationally.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e‘Teenage Snuff Film’ featured 8 original songs; ‘Dead Radio’, ‘Breakdown (and then...)’, ‘I Burnt Your Clothes’, ‘Exit Everything’, ‘Silver Chain’, ‘Undone’, ‘Autoluminescent’, ‘Sleep Alone’ and 2 cover versions; ‘White Wedding’ (Billy Idol) and ‘She Cried’ (The Shangri-Las).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFat Possum Records are set to release a limited edition double vinyl set of the long out of print ‘Teenage Snuff Film’. This record is highly sought after by collectors, with rare copies appearing on eBay selling for huge $ amounts.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e- Pressed on 180 g black vinyl\u003c\/p\u003e\n\u003cp\u003e- 3 sided double album, with Side D featuring an etching of a Rowland illustration\u003c\/p\u003e\n\u003cp\u003e- Brand new vinyl remaster from the original tapes October 2019 by Lindsay Gravina, who produced the album in 1999\u003c\/p\u003e\n\u003cp\u003e- First American pressing of the album\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e1. Dead Radio\u003c\/p\u003e\n\u003cp\u003e2. Breakdown (And Then…)\u003c\/p\u003e\n\u003cp\u003e3. She Cried\u003c\/p\u003e\n\u003cp\u003e4. I Burnt Your Clothes\u003c\/p\u003e\n\u003cp\u003e5. Exit Everything\u003c\/p\u003e\n\u003cp\u003e6. Silver Chain\u003c\/p\u003e\n\u003cp\u003e7. 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This melting pot of influences is evident on “She Funked Me”, a twisted post-disco haze and the 24-year-old multi-instrumentalist’s Fat Possum debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe artist, born Miles Shannon, is a formidable tenor sax player and a graduate of the prestigious Los Angeles County High School for the Arts. His recording debut was nothing short of playing piano on Earl Sweatshirt’s landmark 2015 depression suite \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Don’t Like Shit, I Don’t Go Outside\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBorn in Inglewood and raised in the Southern L.A. neighborhood of West Adams, Shannon inherited his late grandfather’s collection of jazz records as a child, absorbing the hard bop of Clifford Brown and Joe Henderson alongside his mother’s interest in pan-genre rap crew the Fugees. Interested in playing the trumpet like his namesake, Miles Davis, the elementary-school-aged Shannon had confused the instrument with the saxophone. He nonetheless fell in love with the woodwind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eShannon was elementary school friend of famed Odd Future rhymeslinger Earl Sweatshirt (the breakthrough 2010 video “Earl” was partially filmed in Shannon’s home), and the two spent hours bumping austere, lyrical rappers like Mobb Deep, MF Doom, Talib Kweli and Juelz Santana. In his junior and senior year, Shannon attended the L.A. County High School for the Arts, a school whose notable alumni includes Josh Groban, Corbin Bleu and Kehinde Wiley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eStudying under tenor saxophonist Walter Smith III, Shannon was given the opportunity to play alongside greats like Gary Smulyan, Eric Reed, Gerald Clayton and Terrell Stafford. After graduating in 2012, he opted not to attend any of the esteemed music colleges that had accepted him, instead moving to New York to hit the club circuit. Embedded in New York’s local jazz scene for a few months, he promptly grew frustrated by its competitive one-upmanship and its focus on half-century-old standards. Says Shannon, “I just lost interest instantly.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInstead, Shannon retreated back to the places he was crashing and played guitar. Shannon had received a powerful jazz education at LACHSA, but had also met classmates that had opened his ears to the classic rock canon he had once shunned – bands like the Beatles, the Who and Pink Floyd. He was getting into the hypnotic rhythms of composers like Steve Reich and Philip Glass. He returned to California with a new vision, an armload of new compositions and a dream.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Cassowary","offers":[{"title":"White Vinyl","offer_id":31362702639217,"sku":"FP1719-3","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":47103511036199,"sku":"FP1719-1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31362702573681,"sku":"FP1719-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/cassowary_color_mock.jpg?v=1699992336"},{"product_id":"country-westerns","title":"Country Westerns","description":"\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eNashville rockers Country Westerns are excited to announce their self-titled debut album, to be released on May 1, 2020 via Fat Possum Records. American Songwriter [LINK] broke the news of the signing and shared new track “Gentle Soul,” calling it “[QUOTE].” Hear “Gentle Soul” \u003ca href=\"https:\/\/countrywesterns.lnk.to\/links\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/fatpossumrecords.bandcamp.com\/track\/gentle-soul\u0026amp;source=gmail\u0026amp;ust=1581614740610000\u0026amp;usg=AFQjCNH5K5DUOlTnHag5u0-7f8jwO7ZDKQ\"\u003eHERE\u003c\/a\u003e, and pre-order the album \u003ca href=\"https:\/\/countrywesterns.lnk.to\/links\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/fatpossumrecords.bandcamp.com\/track\/gentle-soul\u0026amp;source=gmail\u0026amp;ust=1581614740610000\u0026amp;usg=AFQjCNH5K5DUOlTnHag5u0-7f8jwO7ZDKQ\"\u003eHERE\u003c\/a\u003e.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eThe band has also announced a slate of performances spanning from February to May of this year, which includes stops in Nashville, Atlanta, Philadelphia, Brooklyn and more. See below for the full itinerary of upcoming dates.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eEven if you don’t know their names, you likely know their work. Drummer Brian Kotzur starred in Harmony Korine’s film Trash Humpers and was a member of Silver Jews. Singer, guitarist, and songwriter Joseph Plunket led Brooklyn legends The Weight, with a bass-playing side-hustle for Atlanta’s Gentleman Jesse. Plunket relocated to Nashville ten years ago and opened a bar. It was there, in a town teeming with solo artists and hired guns, that the two bonded over their shared desire to be in an actual band.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eIn 2016, Plunket and Kotzur spent a year in Kotzur’s garage writing riffs and tracking demos. During those hazy, late nights they began to hone their sound. Eventually, with a handful of songs and the encouragement of their friends, they began their quest for the third ‘Country Western’. After some time playing with different lineups—early recordings feature Reece Lazarus from Bully—their friend Sabrina Rush, another rock-n-roller for life, joined them on bass. Rush plays violin and is a member of the Louisville band State Champion, but had never played bass. The instrument came naturally to her and her harmonic bass lines were a perfect fit.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eThe first recordings with the complete lineup were made in Nashville with engineer Andrija Tokic, but the band was soon convinced to leave Nashville to record a couple of songs with Country Westerns \u003cwbr\u003eenthusiast Matt Sweeney. With Sweeney as the band’s producer they set out for New York and did their first session at Brooklyn’s Strange Weather Studios, with Daniel Schlett. The Strange Weather recordings piqued the interest of indie record label Fat Possum. The band returned to Strange Weather to finish the record and, shortly afterward, signed a deal with Fat Possum Records.\u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eOn their debut album, Plunket delivers his words with a cool, raspy bravado and a hint of twang, summoning the spirits of the cities in which the tracks were made. The lyrics bend towards poetry and punk rock sneer in equal measure and lines such as “Maybe I ain’t smart, but I ain’t lying” set the tone for the entire album. The songs are full of insistent guitar riffs played on an electric twelve-string, the jangle either mitigating the edge or pushing it further.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eKotzur and Rush form a tight-knit rhythm section, alternately weaving around and syncing up with one another. They build the foundations of the songs with dynamic tempo, creating a full sound with Plunket—one that is bigger than you might expect for a three-piece.\u003c\/div\u003e\n","brand":"Country Westerns","offers":[{"title":"Vinyl","offer_id":31372139036785,"sku":"FP1740-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31372139069553,"sku":"FP1740-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/CountryWesternsAlbumLPMockup.jpg?v=1701376862"},{"product_id":"voice-box","title":"Voice Box","description":"\u003cp\u003eTracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBury Me\u003c\/li\u003e\n\u003cli\u003eVoice Box\u003c\/li\u003e\n\u003cli\u003eAthlete\u003c\/li\u003e\n\u003cli\u003eJetplane\u003c\/li\u003e\n\u003cli\u003eNo Caves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlair Howerton started songwriting as a coping mechanism during her formative years. Her vivid lyricism has bloomed into the dazzling, full-band emotional release known as Why Bonnie. The band’s Fat Possum Records debut EP \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVoice Box\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e celebrates unhindered expression via beguiling, propulsive guitar pop. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn a decisive step to start performing her backlogged material, Howerton moved back home to Texas after graduating college in 2015. In Austin, Howerton joined lifelong best friend Kendall Powell, who she met in preschool. Powell’s classical piano chops swapped to synth for the new project. Both active in the Austin scene, guitarist Sam Houdek and bassist Chance Williams later joined to complete the lineup. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2018, the band emerged on petite indie outlet Sports Day Records with\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e In Water. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe EP eulogized Howerton’s older brother, who passed away years prior. Intimately bristling tracks explored the grieving process, introducing the group’s uncanny ability to stir up huge catharsis in a seamless rise. Follow-up \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNightgown \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eexpanded the effort, pulling lush Mazzy Star and Cranberries influences. Embarking on their first DIY tour the same year, Why Bonnie quickly landed opening runs for the like-minded sounds of Snail Mail and Beach Fossils. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sum of those experiences culminates in the sweeping, layered rock sound of third EP \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVoice Box. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eFuzzed-out guitars and crystalline vocals drive a tough-edged struggle in the space between suppression and artistic liberty. Howerton explains: “It encapsulates a disconnect between my inner and outer world, and not being able to express myself authentically because of that. But, ultimately knowing I will crash and burn if I don’t.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe intense effort isn’t always pretty. The title track fumes with quiet wisdom, urging: “I know it’s easier to bury your uncertainties in a cloud of masculinity \/ Guess it’s the curse you bear to talk over me.” Breeders-inspired “Athlete” endeavors self-doubt in a blistering metaphor of failed sportsmanship. Fiery “No Caves” rises to a forceful album finale, unleashing the full windswept power of Howerton’s vocals, padded by Houdek. Of the ending ascent, the lead singer decides: “It’s about the freedom of realizing that you can’t hide anymore. You have to put yourself out there.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Why Bonnie","offers":[{"title":"Clear Green Vinyl","offer_id":31380734607473,"sku":"FP1742-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31380734640241,"sku":"FP1742-2","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31380734673009,"sku":"FP1742-3","price":7.0,"currency_code":"USD","in_stock":false},{"title":"mp3","offer_id":31380734705777,"sku":"FP1742-4","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/WhyBonnie_VoiceBox_LP_green.jpg?v=1700166280"},{"product_id":"you-make-me-feel","title":"You Make Me Feel","description":"\u003ch1\u003e\u003cspan style=\"font-weight: 400;\"\u003e2021 GRAMMY NOMINATED FOR BEST TRADITIONAL BLUES ALBUM\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYour Love Is to Blame\u003c\/li\u003e\n\u003cli\u003e99 Lbs\u003c\/li\u003e\n\u003cli\u003eIs It Over\u003c\/li\u003e\n\u003cli\u003eI Die a Little Each Day\u003c\/li\u003e\n\u003cli\u003eDon’t Turn Your Back on Me\u003c\/li\u003e\n\u003cli\u003eYour Love Is Too Late\u003c\/li\u003e\n\u003cli\u003eI’ll Go Crazy\u003c\/li\u003e\n\u003cli\u003eCracked Up over You\u003c\/li\u003e\n\u003cli\u003eA Woman’s Touch\u003c\/li\u003e\n\u003cli\u003eWalk All Over God’s Heaven\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you turn your ears a certain way, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e (May 8, Fat Possum) by soul great Don Bryant can be heard as a love letter to his wife of 50 years, Ann Peebles.  That killer horn riff that kicks off the album? Think of it as a fanfare preceding the reading of a royal decree; or maybe it’s a funky version of a wedding march.  Written by Bryant and producer Scott Bomar, “Your Love Is to Blame” has the chorus of a good blues song: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Nothing in my life is the same\/Your love is to blame.” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eBut here, “blame” gets a halo. “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eI tried to turn this one around,” Don says with a slight grin. Then he explains, “Your love is to blame because we are together!”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced by Scott Bomar, who recently scored \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDolemite Is My Name\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and mixed by Matt Ross-Spang (Elvis Presley, Al Green, John Prine), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e continues Don’s resurgence with newly written music and a revisit to Don’s celebrated back catalog, where he’s interpreting some of his songs for the first time.  Musicians include members of the Hi Rhythm section — Howard Grimes, Archie “Hubbie” Turner and Charles Hodges, who played on his by Al Green and Ann Peebles — with members of St. Paul and the Broken Bones and The Bo-Keys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“It feels good to have found my own voice,” says Don, who never stopped writing.  “Music has always been a part of me, I’ve never given up on it, never let it go. If I’m walking around, I’m humming songs. Now, I’m trying to let it all out. What I had, what I got, and what I’m gonna get.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDon is nearing the age of 80, and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eis his third solo album. His 1969 debut \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrecious Soul\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eproduced by Willie Mitchel, who planned for Bryant to be Hi Records’ next star.  Don instead took a supporting role and made a career as a Hi Records hit man, namely as the songwriter and background singer for Peebles, who topped the charts in 1974 with “I Can’t Stand the Rain.”  Ann retired from music in 2012, and Don returned to the spotlight in 2017 with his second album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDon’t Give Up on Love. \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I fell in love with Ann when she first came in to Hi,” he reveals. “But there was so much going on with her—recording, travel, so many around her—it wasn’t my time. And I wasn’t in no hurry—I knew I wasn’t going nowhere! We got to know each other better and better and it opened up. It was a long drawn out situation, but for me it was love at first sight.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne of the many standouts on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMake You Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is the reprise of “Don’t Turn Your Back on Me,” a single Don originally released in 1965. The new version is slowed down, and as anyone who has ever pleaded—for love, for life, for time—we know that the slow petition is more effective… but so much harder to carry out.  Don recorded a new version of “99 Lbs” “to put some light on Ann,” he demurs, and there’s a punch to this new version that would make Willie Mitchell proud—classic soul with a 21\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003est\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e century power.  And he doesn’t shy from the darker feelings; “Is It Over” sounds like it might date to 1973, when Otis Clay recorded Bryant’s song, “I Die a Little Each Day,” also featured on the album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is the first time Don released a version of his “Cracked Up Over You,” recorded enough times to be an R\u0026amp;B chestnut.  (Jr. Parker gave it a fine workout.) Don released the B-side “I’ll Go Crazy” in 1968, and it it’s only song on here he didn’t write.  He related to the hook: “If you love me any better, I'll go crazy.”   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“My main thing is to tell a story,” reflects Don.  “Taking an idea and making a full story out of it is a challenge to me. I go back to look at situations in my life, work the story in my head…If you can tap into things that people go through, then they want to listen.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Don Bryant","offers":[{"title":"Vinyl","offer_id":31405346652273,"sku":"FP1747-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31405346685041,"sku":"FP1747-2","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/YouMakeMeFeel-DonBryantLPMockup.jpg?v=1701971082"},{"product_id":"october-song","title":"October Song","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eA lightning bug glows with the aid of a chemical called luciferin, derived from Latin for “light-bringer”. Lightning Bug began as three friends who made music together to bring each other light. The music we make continues to hold that purpose at its heart. The music of Lightning Bug is an attempt to record the deepest experiences in the self and connect them outward.\u003c\/p\u003e\n","brand":"Lightning Bug","offers":[{"title":"Cassette","offer_id":31408797024369,"sku":"FP1745-4","price":8.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":31408797057137,"sku":"FP1745-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/OCTOBERSONG_3000x_d01c9efa-a9fb-485b-ae6f-8494427eca2a.jpg?v=1619816643"},{"product_id":"old-flowers","title":"Old Flowers","description":"\u003ch1\u003e\u003cspan\u003e2021 GRAMMY NOMINATED FOR BEST AMERICANA ALBUM\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e Tracklist\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBurlap String\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eGuilty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf I Told\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eTogether Or Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eCarnival Dream\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eOld Flowers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eBreak The Spell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eHow You Get Hurt\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt Must Be Someone Else's Fault\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eShips In The Night\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eA Note on Old Flowers\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou can’t water old flowers. Yes, you fall in love, you make mistakes, and so do they. You run through blackberry fields in the summer of your youth, dream in passenger seats gazing past towns and fields, imagining a future life where everything works out. I fell head over heels in love at nineteen. The kind of love where you call up your best friend and say, “I think I’ve found my soulmate.” The pull towards that first true love is strong. It consumes you, makes you question your own dreams. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWe taught each other, grew up together, we were family. We fit just right, for a time. Then one day, after a long and rocky nine year road, life changed and became a complicated mess too hard to untangle. We couldn’t get our love back, no matter how many dreams that shadowed this hard truth. We grew resentful, selfish, harboring past mistakes and holding them up like armor from every blow. We grew up and our paths diverted. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn New Year’s Day, 2018, a great horned owl dropped dead at my exes’ feet in my mother’s yard. It felt like a daunting omen, ushering on change for the both of us. We were distraught. We couldn’t afford the taxidermy, so we placed it in a big blue plastic garbage bin. Now it felt so cheap, that mystic creature in a plastic coffin. That’s how love feels sometimes – like we don’t serve it the ending it deserves. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe omen was true. That year, I started to see the woman I could be, the woman I wasn’t yet. Anytime I felt like myself, I was alone and wandering, and I knew that was a sign that it was time for change. New Year’s Day 2019, I said goodbye to my first true love and moved across the country. Losing someone you spend every day for nearly a decade with is intense. We talked in our dreams. I knew where he was, even before I entered a place. He’d always be there if I had a feeling. Humans are connected in unexplainable ways. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI was writing a lot after we broke up as a healing technique, preserving each memory like an emotional archaeologist. Late one night, I woke up from a dream where I was searching for him, my ex, at a carnival. It was so vivid. I woke myself up to write a song on my piano. The next morning, he reached out to me for the first time in months. We went out, had a drink, caught up, and he told me that the hardest part about our separation was a reoccurring nightmare where he searched for me at a carnival. In that moment, I knew, humans have ways of connecting beyond words and touch. I truly believe that. We had the same dream, without seeing each other for months. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEven with all the mystic symbolism that year presented, this is an age-old story I can’t make up. We fall in love, we grow up, we change, and they don’t change with us. ‘Old Flowers’ is about heartbreak. There are a million records and songs about that, but I did not lie when writing these songs. This album is about loving and caring for the person you know you can’t be with. It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but okay with that, if it means truth. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis was my truth this year – my nine year relationship ended, and I’m a woman alone in the world, but happy to know herself.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThese songs came to me alone, late nights in Bisbee, Lisbon, Nashville, and London. Sometimes I’d just cry and sing, and a song would come out. I drank too much wine while writing this record, lit too many candles. You could say this was my attempt to summon the muse, but that’s bullshit, because she was just standing there naked looking me in the eyes. So I told her the truth. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is my story of the most heartbreaking, but soul-revealing, year of my life. I drove myself mad. 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Unavailable for nearly a decade, January 2020 marked the digital release of I’ll Sleep When You’re Dead, on streaming services for the very first time since its initial release in 2007. Today, his critically acclaimed and massively influential 2002 debut solo album, Fantastic Damage, makes its own official streaming debut in conjunction with its 18th anniversary, to be followed by physical editions of both albums later this year.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFantastic Damage marked the beginning of El-P’s career as a solo artist, following a groundbreaking career as frontman and producer of legendary NYC underground hip hop crew, Company Flow. Fan Dam was a foundational release for his fledgling record label Definitive Jux, which would soon establish itself as an iconic juggernaut of independent rap in the wake of trailblazing solo records by El-P and label mates Aesop Rock, Cannibal Ox, RJD2, Murs, and more. The template El-P established on Fantastic Damage – a singular aesthetic pairing futuristic, post B-Boy production style with insightful, provocative \u0026amp; often prescient subject matter – was met with accolades across the media landscape, including Rolling Stone, Entertainment Weekly, Pitchfork, NME, VIBE, and SPIN among many others. The impact and influence of Fantastic Damage established it as one of the most important independent releases of its era, and charted a course to be followed by generations of artists in its wake. The album has been widely unavailable since El-P put Def Jux on hiatus in 2010, making it ripe for rediscovery in the new music ecosystem due to El-P’s monumental success with Run The Jewels.\u003c\/p\u003e\n\u003cp\u003e“This album is raw and noisy and fucked up and exactly how I felt when I made it,” states El-P. “It’s the first time I ever tried to tackle a whole record on my own all those years ago. It was produced and recorded and mixed in my bedroom\/studio in the apartment in Brooklyn I lived in at the time, right around the year 2000. It’s not where I am now but it is a moment that really meant something to me and it’s a huge part of my DNA as an artist so I’m glad to finally be able to get it back out there. Not only for those who knew it and missed its presence but for anyone who may have not known about it before now. I hope you enjoy this and thanks for all the amazing support over the years. I love doing what I do and I live to keep pushing forward. 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Receiving praise from Pitchfork, NPR, The New Yorker, MOJO, Uncut, The Guardian, and The New York Times, they also picked up multiple nominations for the Polaris Prize, JUNO and SOCAN Awards. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTo mark the occasion of The Weather Station signing to Fat Possum, we are releasing a limited edition 7\" with Robber on the A side and \"Better Now\" on the B side. 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a hissing hi hat, a stuttering drum beat.  A full minute passes before the entry of Tamara Lindeman’s voice, gentle, conversational, intoning; “I never believed in the robber”.  A jagged music builds, with stabbing strings, saxophone, and several layers of percussion, and the song undulates through five minutes of growing tension, seesawing between just two chords.  Once again, Toronto songwriter Tamara Lindeman has remade what The Weather Station sounds like; once again, she has used the occasion of a new record to create a new sonic landscape, tailor-made to express an emotional idea. \u003c\/span\u003e\u003cspan\u003e Ignorance, \u003c\/span\u003e\u003cspan\u003eLindeman’s debut for Mississippi label Fat Possum Records, is sensuous, ravishing, as hi fi a record as Lindeman has ever made, breaking into pure pop at moments, at others a dense wilderness of notes; a deeply rhythmic, deeply painful record that feels more urgent, more clear than her work ever has. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the cover, Lindeman lays in the woods, wearing a hand made suit covered in mirrors.  She was struck by the compulsion to build a mirror suit on tour one summer, assembling it in a hotel room in PEI and at a friend’s place in Halifax.  “I used to be an actor, now I’m a performer” she says.  In those roles, she points out, she often finds herself to be the subject of projection, reflecting back the ideas and emotions of others.  On the album, she sings of trying to wear the world as a kind of ill fitting, torn garment, dangerously cold; “it does not keep me warm \/ I cannot ever seem to fasten it” and of walking the streets in it, so disguised, so exposed.  Photographed by visual artist Jeff Bierk in midday, the cover purposefully calls to mind Renaissance paintings; with rich blacks and deep colour, and an incongruous blue sky glimpsed through the trees.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe title of the album, \u003c\/span\u003e\u003cspan\u003eIgnorance\u003c\/span\u003e\u003cspan\u003e, feels confrontational, calling to mind perhaps wilful ignorance, but Lindeman insists she meant it in a different context.  In 1915 Virginia Woolfe wrote: “the future is dark, which is the best thing a future can be, I think.”  Written amidst the brutal first world war, the darkness of the future connoted for Woolfe a not knowing, which by definition holds a sliver of hope; the possibility for something, somewhere, to change.  In french, the verb \u003c\/span\u003e\u003cspan\u003eignorer\u003c\/span\u003e\u003cspan\u003e connotes a humble, unashamed not knowing, and it is this ignorance Lindeman refers to here; the blank space at an intersection of hope and despair, a darkness that does not have to be dark.\u003c\/span\u003e \u003c\/div\u003e","brand":"The Weather Station","offers":[{"title":"Silver Vinyl","offer_id":32184816730225,"sku":"FP1746-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":32184816762993,"sku":"FP1746-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32184816795761,"sku":"FP1746-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":32184816828529,"sku":"FP1746-4","price":7.0,"currency_code":"USD","in_stock":false},{"title":"Baby Blue Vinyl","offer_id":50590803886375,"sku":"FP1765-5","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BlackLPSquare.jpg?v=1761149613"},{"product_id":"lazer-guided-melodies","title":"Lazer Guided Melodies","description":"\u003cp\u003eThe Spaceman Reissue Program edition of \u003cem data-mce-fragment=\"1\"\u003eLazer Guided Melodies\u003c\/em\u003e promises to give those recordings the fullest spectrum audio and physical treatment they’ve deserved since 1992. It will be the first in this series of 180g double albums mastered from a half speed lacquer cut from original sources by Alchemy Mastering, presented in a gatefold jacket adorned by reworked art by Mark Farrow, and available in both a standard black vinyl pressing and limited edition white vinyl\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003eTracklist:\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e01. You Know It's True\u003cbr\u003e02. If I Were With Her Now\u003cbr\u003e03. I Want You\u003cbr\u003e04. Run\u003cbr\u003e05. Smiles\u003cbr\u003e06. Step Into The Breeze\u003cbr\u003e07. Symphony Space\u003cbr\u003e08. Take Your Time\u003cbr\u003e09. Shine A Light\u003cbr\u003e10. Angel Sigh\u003cbr\u003e11. 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The music of Lightning Bug is an attempt to record the deepest experiences in the self and connect them outward.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lightning Bug","offers":[{"title":"Translucent Orange Vinyl","offer_id":39731370819697,"sku":"FP1770-6","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39278094090353,"sku":"FP1770-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39278094123121,"sku":"FP1770-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39278094155889,"sku":"FP1770-4","price":10.0,"currency_code":"USD","in_stock":false},{"title":"MP3","offer_id":39278094188657,"sku":"FP1770-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/LightningBugACOTSLPMockupRepress-Orange.jpg?v=1699564541"},{"product_id":"if-i-fail-are-we-still-cool","title":"If I Fail Are We Still Cool?","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e1. \u003c\/b\u003eIntro (Hard Times)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e2. \u003c\/b\u003eNew Habits \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e3. \u003c\/b\u003eBig Plays ft. 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Forte Bowie \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e16. \u003c\/b\u003eSun Up \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e17. \u003c\/b\u003eOutro (Wake Up)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLong before Patrick Paige II, knew how to rip bass, he knew he wanted to fly. “Since I was little I was obsessed with aviation,” he recalls. “I wanted to be in the airforce until I got older and more conscious — no, I don’t wanna drop bombs on people for no fucking reason. 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I’m done pretending like I can’t.’” Written on the road and recorded in Hollywood at Chalice Recording Studios with the help of friends Chris Bosmith, Sean Matsukawa and Kameron Allen, the album provided Paige with a canvas to define himself. “I wanna stand for something,” he declares on “Who Am I.” “I wanna do it for the kids who got kicked out of class, beating on tables with the pens, they had no drum pads.” These moments of freeform introspection entwine with effortless grooves, such as on “Whisper” featuring \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAllen Love\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDurand Bernar\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Elsewhere on the album, he links with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSyd\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWestside McFly\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSaba\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOhana Bam\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eForte Bowie\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYet for all its surrounding community, the album remains an inherently individual journey, one that only Paige can take. 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Medication\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e2. The Slide Song\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e3. Electric Phase\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e4. All Of My Tears\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e5. These Blues\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e6. Let It Flow\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e7. Take Good Care Of It\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e8. Born, Never Asked\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e9. Electric Mainline\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e10. Lay Back In The Sun\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e11. Good Times\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e12. Pure Phase\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e13. Spread Your Wings\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e14. Feel Like Goin' Home\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Spiritualized","offers":[{"title":"Black Double Vinyl","offer_id":39338809491569,"sku":"FP1752-1","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39338809524337,"sku":"FP1752-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":39341014581361,"sku":"FP1752-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/PPGITDVINYLMOCKUP.jpg?v=1700161210"},{"product_id":"hideaway","title":"Hideaway","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\n\u003cb\u003etracklist:\u003c\/b\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThru Hell\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHideaway\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHelp Is On The Way\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSinking Feeling\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHoneycomb\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Blame\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMarine Life\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlanting A Garden\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCaviar\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eWavves new album \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHideaway\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is out July 16th and marks their return to Fat Possum Records. Across its brief but impactful nine tracks, the album, produced by Dave Sitek of TV on the Radio, is about what happens when you get old enough to take stock of the world around you and realize that no one is going to save you but yourself, and even that might be a tall order.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e“It’s real peaks and valleys with me,” Nathan Williams says. “I can be super optimistic and I can feel really good, and then I can hit a skid and it’s like an earthquake hits my life, and everything just falls apart. Some of it is my own doing, of course.” It’s this self awareness that permeates each of \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHideaway\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s songs, marking them each as mature reckonings with who he is.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHideaway \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efeatures Williams’ most universal and urgent songs yet\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The album is the follow-up to their\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2017 album, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou're Welcome \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eand\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e arrives after \u003c\/span\u003e\u003ca href=\"https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\u0026amp;source=gmail\u0026amp;ust=1619872954708000\u0026amp;usg=AFQjCNHW4shKKG5IIT2aYYJxsSp7zQsvug\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\" target=\"_blank\"\u003eConsequence of Sound\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e named Wavves one of the 100 Best Pop Punk Bands of all time.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"WAVVES","offers":[{"title":"Opaque Baby Blue Vinyl","offer_id":46988482871591,"sku":"FP1762-4","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39345035182193,"sku":"FP1762-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39345035214961,"sku":"FP1762-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/WavvesHideawayMockup-V3D2C.png?v=1698267264"},{"product_id":"the-cry-of-the-heart","title":"The Cry of the Heart","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003ePain and heartbreak have permeated Connie Smith’s timeless country sound and they pulse through\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cry of the Heart,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSmith’s first album in a decade and her third collaboration with her husband, Marty Stuart (who also produces the effort). Smith asks” How many teardrops have I cried over you” on album opener “A Million and One,” reintroducing listeners to her radiant, textured voice. Smith and Stuart contributed two original tracks written together as well, the soaring “Here Comes My Baby Back Again” and weeper “Spare Me No Truth Tonight.” Other songs on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cry of the Heart\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003einclude “I Don’t Believe Me Anymore” the 72nd song Smith has recorded written by Hall of Fame songwriter Dallas Frazier, and Merle Haggard’s “Jesus Takes a Hold,” which is a reflection of Smith’s boundless faith in the midst of troubled times. Grammy Award- winning producer and songwriter Carl Jackson pens \"To Pieces\" and \"I'm Not Over You,\" the latter composed with classic country singer Melba Montgomery.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist:\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003col\u003e\n\u003cli\u003eA Million And One\u003c\/li\u003e\n\u003cli\u003eLook Out Heart (\u003ca href=\"https:\/\/www.youtube.com\/watch?v=JP5FvqrhjAI\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWatch\u003c\/a\u003e)\u003c\/li\u003e\n\u003cli\u003eSpare Me No Truth\u003c\/li\u003e\n\u003cli\u003eTo Pieces\u003c\/li\u003e\n\u003cli\u003eAll The Time\u003c\/li\u003e\n\u003cli\u003eI Just Don't Believe Me Anymore\u003c\/li\u003e\n\u003cli\u003eThree Sides\u003c\/li\u003e\n\u003cli\u003eI'm Not Over You\u003c\/li\u003e\n\u003cli\u003eHere Comes My Baby Back Again\u003c\/li\u003e\n\u003cli\u003eHeart, We Did All That We Could\u003c\/li\u003e\n\u003cli\u003eJesus, Take A Hold\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Connie Smith","offers":[{"title":"White Vinyl","offer_id":39356135309425,"sku":"FP1784-3","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39356135342193,"sku":"FP1784-1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39356135374961,"sku":"FP1784-2","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/White_Mockup.jpg?v=1700163974"},{"product_id":"nashville-no-more","title":"Nashville No More","description":"\u003cp\u003eWith a music career spanning more than 40 years, \u003cstrong\u003eDavid Ferguson\u003c\/strong\u003e has engineered landmark albums for Johnny Cash, opened a recording studio with John Prine, and shared a Grammy win with Sturgill Simpson. Now the Nashville native has become a compelling recording artist in his own right with Nashville No More , his debut album on Fat Possum Records. The self - produced project gathers an exceptional cast of friends from the city’s Americana and bluegrass community, while the track listing is simply a reflection of songs he likes. Ferguson has won Grammy Awards for engineering the Del McCoury Band’s The Streets of Baltimore and Sturgill Simpson’s A Sailor’s Guide to Earth.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n1. Four Strong Winds\u003cbr\u003e\n\u003cp\u003e2. Boats to Build\u003cbr\u003e 3. Fellow Travelers\u003cbr\u003e 4. Nights with You\u003cbr\u003e 5. Looking for Rainbows\u003cbr\u003e 6. Chardonnay\u003cbr\u003e 7. Early Morning Rain\u003cbr\u003e 8. Knocking Around Nashville\u003cbr\u003e 9. My Autumns Done Come\u003cbr\u003e 10. Hard Times Come Again No More\u003c\/p\u003e","brand":"David Ferguson","offers":[{"title":"Vinyl","offer_id":39372693373041,"sku":"FP1782-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39372693405809,"sku":"FP1782-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/david_ferguson_Black_Color_mockup.jpg?v=1700153369"},{"product_id":"ladies-and-gentlemen-we-are-floating-in-space","title":"Ladies and gentlemen we are floating in space","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eSpiritualized’s most celebrated album, and Kate Radley’s last as a member, the core line up added Damon Reece on drums as well as featuring contributions from Dr John, the London Community Gospel Choir, B.J Cole and 19 technical personnel. It took its title from a passage in Joystein Gaarder’s novel “Sophie’s World”, where a young girl attempts to define the meaning of life by travelling through time and space, meeting the world’s great philosophers.  \u003cbr\u003e\u003cbr\u003eJason: “We went out to America ahead of recording this record. John had joined on guitar and I’d recorded the title track and a number of other demos that ended up on the finished record.\u003cbr\u003e\u003cbr\u003eBut we got to play Cop Shoot Cop and Electricity live and to work them out before we recorded them for the record and then John became integral to the band. He came from a world of Syl Johnson and Al Green, Teenie Hodges and Reggie Young; a different world within the guitar lines. And then there was Kate (Radley)’s hugely influential keyboard that was relentless and loud. \u003cbr\u003e\u003cbr\u003eI like Pure Phase the best of these four records, but people still say Ladies and Gentlemen is where everything kind of came together. I’m still astounded by both records, where they don’t let up. There’s no kind of curfew. Or no “you can’t stay on that section for that length of time”. They sit on where they arrive and stay there, and I found that kind of amazing.  \u003cbr\u003e\u003cbr\u003eThe abstract parts were just as beautiful as these kind of pop \/ simplistic nursery rhyme ideas and they were no less important. \u003cbr\u003e\u003cbr\u003eI went all over the place to make it. I went to Memphis to see (country recording legend) Jim Dickinson for two weeks I think. Parts of his recordings are in there but by the time I finished, I had all these different mixes. There was very little that was one single mix. There were some mixes from the old A\u0026amp;M studio on La Brea in Los Angeles. Part of the reason that I’ve never received any royalties from any of these records is that I was always thinking, ‘Well where should I go now?’ Suddenly, the move from Rugby to London was small-time compared with “well can I do this in L.A, can I do it in Memphis, can I do it again?” And then “Can I fly out to New York and put Dr John on the record?” \u003cbr\u003e\u003cbr\u003eWith Dr John, I just wrote a letter, sent the track and his response was immediate. He said “absolutely, absolutely, love it.“ It was where he wanted to be. I was completely in awe of him and his playing and everything he put to it. I could hardly speak, to be honest. Not that I needed to speak much. It didn’t add anything little or less to the proceedings. It was an amazing session, amazing to do.”\u003cbr\u003e\u003c\/p\u003e","brand":"Spiritualized","offers":[{"title":"Black Double Vinyl","offer_id":50474828661031,"sku":"FP1753-0","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Neptune Blue Double Vinyl","offer_id":39458148810865,"sku":"FP1753-4","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39458148876401,"sku":"FP1753-2","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/SpiritualizedL_GFP1753-0-MockupLP-2LPBlack.jpg?v=1759266531"},{"product_id":"buffalo-nichols","title":"Buffalo Nichols","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuffalo Nichols—Fat Possum’s first solo blues signing in nearly 20 years—has announced the release of his self-titled debut album, due out on October 15th, 2021. The Austin, TX-based guitarist, songwriter, and vocalist has also shared lead single “Lost \u0026amp; Lonesome,” a tender, aching ballad. “‘Lost \u0026amp; Lonesome’ was inspired by years of traveling alone, wandering city streets looking for a place to call home maybe for a night, maybe forever,” explains Carl “Buffalo” Nichols. “It takes you back to those moments in life when you must leave home either physically or figuratively—going somewhere unfamiliar and on your own. The soundtrack to a wandering soul. An ode to loneliness. When you see a wandering soul, all you can do is wonder how they got there. 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Inspired by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJohn\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eColtrane’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emixture of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egrace and gravitas and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarvin Gaye’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003euncanny\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eability to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eturn social issues into personal anthems, Sam\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estrove to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egive these otherwise-beguiling instrumentals the thoughtfulness and depth these days demand.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e Following a brief decampment to upstate New York to create his last album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eYou, Forever\u003c\/em\u003e, Sam realized he could no longer resist the urge to escape the anxious city life. He and his partner, Hannah Cohen, took themselves out of the city to upstate New York, building their refuge and Sam’s studio, Flying Cloud Recordings, in the quiet of a Catskills town. That reflective, relaxing environment shaped\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTime to Melt\u003c\/em\u003e, a glowing set of soulfully psychedelic pop gems and a testimonial to the life and wisdom to be found when you give yourself the mercy of space.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003eFreezee Pops\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eDream Free (feat. 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The 10th anniversary edition comes with updated art and new liner notes from Tamara Lindeman, reflecting on the ten years since \"All Of It Was Mine\" was released.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Somehow, it’s been ten years since I made\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Of It Was Mine\u003c\/i\u003e. It’s strange that it’s been ten years, and yet, when I listen to it, it feels like more. My voice is unfamiliar to me; so high and innocent sounding. I sound so young, barely removed from the soprano voiced choir kid I once was. But yet, this record, small and slight as it is, feels like the foundation of so many things that I learned, ten years ago.\u003cspan\u003e \u003c\/span\u003eThings that protected me, kept me on course. Lessons so pivotal that I can’t imagine my life had I not learned them.\u003c\/p\u003e\n\u003cp\u003eIn the context of this world and my one recording experience, I didn’t know what to make of the collection of small, wordy songs I had written on banjo and classical guitar. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe story of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Of It Was Mine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis not all lightness for me. It was a breakup record, though I didn’t know that at the time I wrote the songs. But the day we finished it, Dan (Romano) turned to me, and casually asked me; “so, are these songs - true?” - TL\u003cbr\u003e\u003c\/p\u003e","brand":"The Weather Station","offers":[{"title":"Black Vinyl","offer_id":39480246960241,"sku":"FP1768-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39480246993009,"sku":"FP1768-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":39480247025777,"sku":"FP1768-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TWSAllOfItWasMineMockup-Black_1x1_9d381cf0-0a7c-407e-810b-ba87b26639d8.jpg?v=1727812939"},{"product_id":"325i","title":"325i","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing two genre blending independent projects based around the obsessive qualities of love in his youth, Don Lifted’s label debut “325i” finds the artist physically stuck but mentally, emotionally and romantically expanding. Written and recorded during the COVID-19 pandemic the album explores the artist’s navigation of his future, romantic and physical; as well as their anxieties surrounding, isolation, queerness and past traumas. The album represents transition not only artistically but in the embracing of an identity suppressed by an outside world he can no longer touch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eGolden (The Wait)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLost in Orion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSonny (My Boi)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGuest Parking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAll You Need\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBrain Fluid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDarla (Love Me)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLight Figure\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLeft Hand Path\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAmanzi's End\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Don Lifted","offers":[{"title":"Black Vinyl","offer_id":39488856850545,"sku":"FP1777-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":39488856883313,"sku":"FP1777-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/DonLiftedMockupLP.jpg?v=1699650741"},{"product_id":"let-it-come-down","title":"Let It Come Down","description":"\u003cp\u003eSpiritualized's album Let It Come Down available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"Spiritualized","offers":[{"title":"Ivory Double Vinyl","offer_id":39517659594865,"sku":"FP1754-3","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Black Double Vinyl","offer_id":39517659627633,"sku":"FP1754-1","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39517659660401,"sku":"FP1754-2","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/LICD_Ivory_VINYL_MOCKUP.jpg?v=1699568054"},{"product_id":"ignorance-deluxe","title":"Ignorance (Deluxe)","description":"\u003cp\u003eThe Weather Station's album Ignorance (Deluxe) available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"The Weather Station","offers":[{"title":"Double Vinyl","offer_id":39526833062001,"sku":"FP1787-1","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/image.jpg?v=1632918067"},{"product_id":"then-i-try-some-more","title":"Then I Try Some More","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eThen I Try Some More\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Joanna Sternberg","offers":[{"title":"Limited Edition Clear Vinyl","offer_id":39526842302577,"sku":"FP1785-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Standard Black Vinyl","offer_id":39526842269809,"sku":"FP1785-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39526842335345,"sku":"FP1785-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/Mockup_Clear_JoannaSternbergTITSMLP.jpg?v=1632154899"},{"product_id":"great-american-painting","title":"Great American Painting","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is the rare album that shines a bright light on all that’s wrong in the world but somehow still channels a galvanizing sense of hope. With equal parts nuanced observation and raw outpouring of feeling, the Philadelphia-based band confront a constellation of problems eroding the American ideal (gentrification, gun violence, the crushing weight of late capitalism), ornamenting every track with their explosive yet elegant breed of indie-rock\/post-punk. Threading that commentary with intense self-reflection, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e ultimately fulfills a mission The Districts first embraced upon forming as teenagers in small-town Pennsylvania: an urge to create undeniably cathartic music that obliterates hopelessness and invites their audience along in dreaming up a far better future.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ewas deeply informed by the two months that Grote spent living in a cabin in Washington state at the height of the pandemic. “While we were there I spent some time driving near all these crazy rivers and the Gifford Pinchot National Forest, and I was mesmerized by how those unspoiled landscapes really capture a timeless idea of what America is,” says Grote. “I’d just come from taking part in the protests in Philly and getting tear-gassed, and it felt so strange to go between those two extremes. In a way this album is asking, ‘What is the great American painting? Is it police brutality, or is it this beautiful landscape?’ And the truth is it’s all of that.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMostly made up of songs sketched by Grote during his time at the cabin, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003emarks a significant departure from 2020’s acclaimed \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eYou Know I’m Not Going Anywhere\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e. “The last album almost felt like a recording project of my own rather than a band affair, so from the start the goal was to focus on what’s always worked well with us: an element of simplicity that’s still very powerful, with a lot of visceral rock-and-roll energy to it,” says Grote. To that end, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eendlessly spotlights The Districts’ greatest assets—the sharply detailed and prismatic tones of guitarist Pat Cassidy, the complex yet combustible rhythms of drummer Braden Lawrence and former bassist Connor Jacobus, who has since amicably departed the band (Lawrence will switch to bass in the band’s live show)—while introducing a new subtlety into their sound. “We usually love to just keep making everything louder, but this time there was a lot more attention paid to carving out space within the songs to really showcase each instrument,” Grote points out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn the making of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, The Districts found their sense of connection exponentially intensified. “It just felt so nice to spend time with the people I care about, to have fun and try to make something good for the world,” Grote says. That feeling of kinship and solidarity is something the band hopes to extend with the album’s release. “The thing I value most in music is when an album expresses some sort of pain or frustration or hope that I also feel,” he explains. “I hope this album makes people feel like something within themselves is reflected in the wider world, and I hope that makes them feel less alone.”  \u003c\/span\u003e\u003c\/p\u003e","brand":"The Districts","offers":[{"title":"Pink Vinyl","offer_id":39543734534257,"sku":"FP1797-5","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39543734567025,"sku":"FP1797-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39543734599793,"sku":"FP1797-2","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/BlackVinylMockup.jpg?v=1633367454"},{"product_id":"everything-was-beautiful","title":"Everything Was Beautiful","description":"\u003cmeta charset=\"utf-8\"\u003eWhile some people imploded in the lockdowns and isolation of the epidemic, others were thriving. “I felt like I’d been in training for this my whole life” says J Spaceman.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe was referring to his fondness for isolation and when you reframe loneliness as “beautiful solitude” then it isn’t so bad. He would walk through an empty “Roman London” where “even the sirens had stopped singing” and where the world was “full of birdsong and strangeness and no contrails.” He used the birdsong walks to listen and try and make sense of all the music playing in his head. The mixes of his new record, a ninth studio album, weren’t working out yet. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpaceman plays 16 different instruments on Everything Was Beautiful which was put down at 11 different studios, as well as at his home. He also employed more than 30 musicians and singers including his daughter Poppy, long-time collaborator and friend John Coxon, string and brass sections, choirs and finger bells and chimes from the Whitechapel Bell Foundry. So there’s a lot going on. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was so much information on it that the slightest move would unbalance it, but going around in circles is important to me. Not like you’re spiraling out of control but you’re going around and around and on each revolution you hold onto the good each time. Sure, you get mistakes as well, but you hold on to some of those too and that’s how you kind of... achieve. Well, you get there.”  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEventually, the mixes got there and Everything Was Beautiful was achieved. The result is some of the most “live” sounding recordings that Spiritualized have released since the Live At The Albert Hall record of 1998, around the time of Ladies \u0026amp; Gentlemen, We Are Floating In Space. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe opening track “Always Together With You” is a reworking \/ supercharging of a track originally released in demo quality in 2014. This new version is a perfect Spiritualized song; a breathtaking, hard edged, psychedelic pop tune where themes of high romance and space travel collide.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe artwork is designed once again with Mark Farrow. If you buy the vinyl you can pop a pill box out of the sleeve, revealing gold foil underneath, and assemble the Braille-embossed little thing and put it somewhere in the house. The box set has 8 of them. Literally a boxset. It looks more beautiful in the flesh. “Farrow and I were talking about what we should do and we just said, ‘It’s called Everything Is Beautiful, how could you not have a pill?’” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll these layers, all these details, the year-long mixes, the making sense of it all and the lives lived within these lyrics; for somebody so famously unconfident of his own abilities, isn't this a punishing thing to keep doing? “Yeah, but I like what I do. There’s a line from Jonathan Meades that’s about having all the attributes to being an artist. ‘Paranoia, vanity, selfishness, egotism, sycophancy, resentment, moral nullity and more idiot than idiot savant.’ “And that's what it feels like, this kind of thing. You’re your own worst enemy and biggest supporter. “There's a ‘Of course this is worth it. It's me’ and then this kind of deep doubt of ‘What the fuck is this all about?’ “And then ‘Why is it important?’ and then knowing there's no easy answer. But it's there. I know it's there.”","brand":"Spiritualized","offers":[{"title":"Deluxe Pink Vinyl","offer_id":39575138009201,"sku":"FP1716-4","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39575138041969,"sku":"FP1716-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39575138074737,"sku":"FP1716-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Spiritualized-EverythingWasBeautiful-MockupLPPink.jpg?v=1739197515"},{"product_id":"visitor","title":"Visitor","description":"\u003cp\u003eEmpath's album Visitor available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"Empath","offers":[{"title":"Bone Color Vinyl","offer_id":39578320797809,"sku":"FP1792-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39578320830577,"sku":"FP1792-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39578320863345,"sku":"FP1792-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39578320896113,"sku":"FP1792-4","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/EmpathVisitorMockupLP-Bone.jpg?v=1700166256"},{"product_id":"poor-little-critter-on-the-road","title":"Poor Little Critter On The Road","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIt's been 37 years since the release of Poor Little Critter on the Road, the debut album from The Knitters, the original Alt-Country band comprised of three members of X, one Blaster and a Red Devil.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIt was in 1985 that Exene Cervenka, John Doe and DJ Bonebrake joined Dave Alvin and Jonny Ray Bartel to record the critically acclaimed debut for a sound that Alvin described as \"It's like if the guys at Sun Records dropped LSD and made a record with Lead Belly and the Carter Family. That's what The Knitters sound like.\"\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Michael Major\u003c\/em\u003e\u003c\/p\u003e","brand":"The Knitters","offers":[{"title":"Black Vinyl","offer_id":39654844235889,"sku":"FP1780-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Blue Vinyl","offer_id":39654844203121,"sku":"FP1780-3","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/knittersmockup.jpg?v=1642029408"},{"product_id":"how-is-it-that-i-should-look-at-the-stars","title":"How Is It That I Should Look At The Stars","description":"\u003cp\u003eThe Weather Station's album How Is It That I Should Look At The Stars available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"The Weather Station","offers":[{"title":"Limited Edition Gold Vinyl","offer_id":39661973438577,"sku":"FP1801-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39661973373041,"sku":"FP1801-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39661973405809,"sku":"FP1801-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39661973471345,"sku":"FP1801d","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/TWS_HIITISLATS_Mockup_LP_-_Gold.png?v=1700150125"},{"product_id":"blue-skies","title":"Blue Skies","description":"\u003cp\u003eDehd's album Blue Skies available to buy from Fat Possum Records. The rapturous reception of 2020’s Flower of Devotion gave Dehd access to more resources — budgets, studios, producers. Rather than seek something new however, they invested in themselves, their process, and their deep belief in what they have always done. They booked the same studio where they recorded Flower of Devotion but tripled their stay, giving themselves time to play with arrangements and delight in a wonderland of drum machines and synthesizers. While continuing to write and record every part of the album themselves, the new relationship with Fat Possum did allow for a few indulgences, namely in the addition of Grammy winning mixing engineer, Craig Silvey (The Rolling Stones, The National, Arcade Fire), and mastering engineer, Heba Kadry (Slowdive, Bjork, Cate Le Bon), ensuring Dehd's vision for “Blue Skies”. The result is the band’s second consecutive breakthrough: sharper and smarter, with harmonies and rhythms more sophisticated and considered. Blue Skies is still Dehd – just more wild and wonderful than ever before. Another jolt of timely hope, only with twice the power.\u003c\/p\u003e","brand":"Dehd","offers":[{"title":"Pink Lipstick Vinyl","offer_id":39676338962545,"sku":"FP1798-3","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39676338929777,"sku":"FP1798-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39676338995313,"sku":"FP1798-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Pink Cassette","offer_id":39676339028081,"sku":"FP1798-5","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39676339060849,"sku":"FP1798d","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Poison Dart Frog Vinyl","offer_id":39763490504817,"sku":"FP1798-6","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/DEHDBlueSkiesMockupLPGatefold-PinkLipstick.jpg?v=1700076825"},{"product_id":"fables-in-a-foreign-land","title":"Fables In A Foreign Land","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePunk rock pioneer with X, songwriter, poet, actor, solo artist, published author...folk musician. With Fables in a Foreign Land, the debut release from The John Doe Folk Trio, his tales are now set in the pre-Industrial Era. And though many of the 13 songs were written over the last three years, the sound was born in loose weekly backyard jams on Kevin Smith’s (Willie Nelson and Family) patio. “I guess ‘Fables in a Foreign Land’ is my version of folk music. It started by being sick of musicians that play too much and having to orchestrate or arrange songs. ‘What if it was just less?’ Everyone says less is more, but you have to figure out for yourself what that means. I didn’t do a deep dive into folk music and concern myself with what was ‘traditional,’ it was just an outgrowth of trying to strip the songs down to the basics.” Singles include contributions from outsider country polymath Terry Allen on “Never Coming Back,” Los Lobos’ Louie Perez on “El Romance-O,” and fellow X bandmate Exene Cervenka  and Shirley Manson (Garbage) on “Destroying Angels.”\u003c\/span\u003e","brand":"John Doe","offers":[{"title":"Standard Vinyl","offer_id":39705435832433,"sku":"FP1800-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39705435897969,"sku":"FP1800-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Limited Ed. Whiskey Smoke Vinyl","offer_id":39705435865201,"sku":"FP1800-4","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/JohnDoeMockupLP-Color2_1x1_b3099f5d-f1dc-4da6-a335-91efc170d70c.png?v=1699995455"},{"product_id":"loose-future","title":"Loose Future","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLoose Future was recorded at Sam Evian’s upstate New York Flying Cloud Studios, with musicians Josh Kaufman (Bonny Lighthorseman), Chris Bear (Grizzly Bear), and Sam Owen (aka Evian)\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTRACK LISTING:\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Loose Future\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Older Now\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. On The Line\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Satellite\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. These Are The Good Old Days\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Thinkin’ On You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. You Do What You Want\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. 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What resulted was the publishing of her first book of poetry, the first gallery showings of her paintings, and a period of self-discovery leading to the new album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLoose Future\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Whereas\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e Old Flowers\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a beautiful and emotional break-up record, CMA's\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003ereturn with \u003ci data-mce-fragment=\"1\"\u003eLoose Future \u003c\/i\u003eis\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e a bright, dynamic, falling-in-love record. Courtney's got a new story to tell, backed by a strong new musical direction, and a show-stopping collection of songs. \u003c\/span\u003e\u003c\/p\u003e","brand":"Courtney Marie Andrews","offers":[{"title":"Green Vinyl","offer_id":39798167502961,"sku":"FP1808-4","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Standard Vinyl","offer_id":39798167470193,"sku":"FP1808-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39798167535729,"sku":"FP1808-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39798167568497,"sku":"FP1808-C","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39798167601265,"sku":"FP1808-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/CMA-LooseFuture-LPD2C.jpg?v=1700152186"},{"product_id":"unfold-melodys-echo-chamber-10th-anniversary-reissue-demos","title":"Unfold","description":"\u003cp\u003eMelody's Echo Chamber Ten Year Anniversary Double LP Reissue. Debut Album on Transparent Orange Vinyl + Lyric Booklet packaged with Unfold, Demos from 2013\u003c\/p\u003e","brand":"Melody's Echo Chamber","offers":[{"title":"Unfold + Melody's Echo Chamber 10th Anniversary Orange Vinyl","offer_id":39881051570289,"sku":"FP1805-3","price":40.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39881051635825,"sku":"FP1805-1","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/MEC-DeluxePackage-MockupLP.jpg?v=1660230887"},{"product_id":"say-i-wont","title":"Say I Won't","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\" data-mce-fragment=\"1\"\u003eWe're pleased to announce a return to the label by Oxford's own Bass Drum of Death\u003c\/span\u003e\u003cspan class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\" data-mce-fragment=\"1\"\u003e. Their first homecoming words? Hear 'em for yourself. \"Say Your Prayers\" is the debut track from upcoming album Say I Won't, out January 27th, 2023.\u003c\/span\u003e","brand":"Bass Drum of Death","offers":[{"title":"Ivory Vinyl","offer_id":39929446367345,"sku":"FP1803-4","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39929446400113,"sku":"FP1803-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39929446432881,"sku":"FP1803-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BDOD-SayIWont-LP_IndieRetail_Mockup_Ivory.jpg?v=1700161940"},{"product_id":"wendy","title":"Wendy","description":"On his new album Wendy, out February 3rd via Fat Possum Records, multi-faceted New York composer Will Epstein synthesizes the impulses that make him a sought after collaborator in the film, dance, music and art worlds (HBO’s Baby God, The Martha Graham Dance Company, Nicolás Jaar, Marilyn Minter, Laurie Simmons) with a keen sense of song craft, colorful sonic world building and deeply emotional crooning to yield ten shimmering odes and lamentations of love and longing. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eEpstein approaches his creations with the tactility of a sculptor, performing on nearly all of the instruments and often molding their sounds into unique and mysterious forms. As the palette of expression is expanded beyond traditional songwriter fare and the sonic language rises to the plane of the verbal, a powerful fusion is formed and the sense of the artist’s hand at work yields a palpable joy that permeates the music’s varied landscapes and moods. From the charmingly ramshackle drumming and wildly loping synth-bass of “Suddenly Rain” to the finely tuned heavenly hums of “Will The Morning Come” and across the desert-dry sonic collage of “Golden”, there is always a grounded sense of the room in which the music was being made. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe lyrics on Wendy, crafted in various circumstances—in solitude, with poet Maggie Millner, or with compatriot Gryphon Rue—offer some clues as to the spirit behind the formation of these sonic sculptures. Conjuring scenes of vivid intimacy, playful ambivalence, and cosmic longing, Epstein and his poets take us through the wide berth of emotions present in any great love story. Will The Morning Come: “Your hair my mood\/Your eyes my food”, Suddenly Rain: “Salt water kiss\/Under the fly strips\/Amber strings\/Dangling little wings”, Passenger: “When I was a pastor on the hill\/When I was a passenger and still\/When I was the farthest thing from you\/Swallowed by the air, the ashes too” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThere is a double desire inherent in Epstein’s process. His fervor in crafting the music that wraps around his lyrics approaches that of being in love—but it also speaks to the desire to find oneself through the act of creation. What results are songs filled with personality--where each sonic gesture is like a lock of hair added to a magic potion—an alchemical infusion and devotional object that will never be fully flesh and blood (either that of the composer or his beloved) but contains a fragment of it. Through this lens, the identity of “Wendy” can be seen in many ways: as an embodiment of the composer, as a surrogate for his lover, or as an expression of the space between them.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThroughout this process, Will was accompanied by co-producer Michael Coleman who shared in his delight of the unexpected. Michael began as a recording engineer on the record but consistently provided such a unique perspective on the music that his involvement deepened as the process went on.","brand":"Will Epstein","offers":[{"title":"Vinyl","offer_id":43966707007783,"sku":"FP1819-1","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/WendyBlackLPMockup.jpg?v=1700167042"},{"product_id":"forgive-the-city","title":"Forgive The City","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eForgive The City\u003c\/div\u003e","brand":"Country Westerns","offers":[{"title":"Standard Black Vinyl","offer_id":44252841345319,"sku":"FP1812-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Coke Bottle Clear Vinyl","offer_id":44252841312551,"sku":"FP1812-4","price":26.0,"currency_code":"USD","in_stock":false},{"title":"Compact Disc","offer_id":44252841378087,"sku":"FP1812-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Violet Vinyl","offer_id":46596092068135,"sku":"FP1812-3","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/LPMockup_D2C_CokeBottleClear_CWForgivetheCity.jpg?v=1699995721"},{"product_id":"what-am-i-going-to-do-with-everything-i-know","title":"What Am I Going To Do With Everything I Know","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Weather Station's splendid six-song EP finds Tamara Lindeman moving from abject loneliness to impending marriage without ever becoming loud, fast or bothered. She possesses the unwavering patience of \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" tabindex=\"0\" role=\"tooltip\" jsaction=\"click:sKUsF\" data-mce-tabindex=\"0\"\u003e\u003cspan data-mce-fragment=\"1\" tabindex=\"0\" data-ved=\"2ahUKEwin3aShhbr2AhXWGc0KHdlfDMoQmpgGegQIBxAD\" role=\"button\" data-width=\"250\" data-theme=\"0\" data-send-open-event=\"true\" data-hover-open-delay=\"500\" data-hover-hide-delay=\"1000\" data-extra-container-classes=\"ZLo7Eb\" data-enable-toggle-animation=\"true\" class=\"povykd\" jsslot=\"\" jsaction=\"vQLyHf\" jsname=\"d6wfac\" data-mce-tabindex=\"0\"\u003e\u003cspan data-mce-fragment=\"1\" data-segment-text=\"Bill Callahan\" data-bubble-link=\"\" class=\"JPfdse\" jsname=\"ukx3I\"\u003eBill Callahan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e's later records, delivering every word and worry like she's pondered it all into acceptance.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"The Weather Station","offers":[{"title":"Black Vinyl","offer_id":44497254383911,"sku":"FP1769-1","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/WhatAmIGoingToDoWithEverythingIKnow-TheWeatherStationLPMockup.png?v=1706207589"}],"url":"https:\/\/fatpossum.com\/collections\/decade-2020s.oembed?page=2","provider":"Fat Possum Records","version":"1.0","type":"link"}