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While drummer Kevin Vaughn and bassist Mike Lamping give this music a very powerful backbone and a hell of a wallop, it's guitarist, songwriter and vocalist Erika Wennerstrom who is clearly the star of this show -- while some have compared her singing to Janis Joplin, Wennerstrom's voice conjures up the same degree of rafter-rattling force without excessive histrionics or overblown blues gestures, and her guitar work is at once simple and loaded with elemental force in the manner of John Lennon or Neil Young's less-is-more chordings. Together, the Heartless Bastards are a power trio who truly live up to the name, and while Wennerstrom's melodies are potent, the lyrics reflect a rough-hewn humanity, documenting the thoughts and fears of a regular gal from the Midwest with clarity, compassion, and unblinking honesty. Stairs and Elevators is an album which doesn't waste much in the way of words or musical gestures, and these recordings make the most of the band's stark dynamics. As Wennerstrom puts it, \"For every calm, there is a storm\/But it is often out of view,\" yet the Heartless Bastards leave all their tempests in plain sight, and the thunder of this album makes for a very impressive debut.\u003cspan\u003e \u003c\/span\u003e-Mark Deming\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/allmusic.com\/\"\u003eAllmusic.com\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e4\/5\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e1. Gray\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e2. 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This camo trucker features unrivaled comfort \u0026amp; fit, a modern trucker shape, comfort wrapped sweatband.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSlight Pre-Curved Visor\u003c\/li\u003e\n\u003cli\u003ePlastic Snap Closure\u003c\/li\u003e\n\u003cli\u003ePro High Crown\u003c\/li\u003e\n\u003cli\u003eStructured\u003c\/li\u003e\n\u003cli\u003eMesh Back\u003c\/li\u003e\n\u003cli\u003eCanvas Camo Front Panels\u003c\/li\u003e\n\u003cli\u003eMesh Back Panels\u003c\/li\u003e\n\u003cli\u003eContrast Construction Stitch on Crown and Visor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fat Possum","offers":[{"title":"Camo Hat","offer_id":39827107283057,"sku":"4001","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BurnsideStyleHatMockup-Camo1x1.jpg?v=1732227831"},{"product_id":"nobodys-fault-but-my-own","title":"Nobody's Fault But My Own","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOut everywhere September 20th on Bible \u0026amp; Tire Recording Company\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Trying To Go Home\u003c\/li\u003e\n\u003cli\u003eI Feel Good\u003c\/li\u003e\n\u003cli\u003eWhy Am I Treated so Bad\u003c\/li\u003e\n\u003cli\u003eI Made It Over\u003c\/li\u003e\n\u003cli\u003eNobody's Fault But My Own\u003c\/li\u003e\n\u003cli\u003eLet It Be Good\u003c\/li\u003e\n\u003cli\u003eI Won’t Have To Cry No More\u003c\/li\u003e\n\u003cli\u003eHere Am I\u003c\/li\u003e\n\u003cli\u003eIt's Your Life\u003c\/li\u003e\n\u003cli\u003eBeautiful Mansion\u003c\/li\u003e\n\u003cli\u003eTry The Lord\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eThe Sensational Barnes Brothers - An Introduction by\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAlex Greene \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Son, just keep on, keep doing what you're doing. Let it be good,” sings the father, and his grown children, standing close by, echo his words. “Let it be good.” It's a moment of faith in both God and the father, for the younger ones seem to know the message of this song in their hearts already. They are already living it. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo some it may be only a track on an album, the first release of the new Bible and Tire Recording Co. label. But for the Sensational Barnes Brothers, it expresses an unbreakable bond with their own father, Calvin “Duke” Barnes. As with all the songs on this, their debut LP, produced by Bruce Watson of Bible and Tire Recording Co.\/Big Legal Mess Records at Delta-Sonic Studios in Memphis, it was chosen from the oft-forgotten 1970s catalog of the Designer Records label, but it could well have been written by the Barnes family themselves. For there, in a nutshell, are all the bonds that hold them close.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Barnes was a little stunned to hear the song as they combed through hundreds of Designer tracks with Watson one day. “We were listening to the song and the guy on the recording sounded just like my daddy. I was like, 'We gotta do this song!' And the message really stuck out to us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It's crazy for that to be the song he sang with us. You can hear all the conversations he used to have with you through that one piece of music,” adds brother Courtney. It's a poignant moment, for only three months after the brothers invited him to sing on their album, Duke Barnes passed away. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It was out of the blue—very unexpected. He was 65. Fairly young, really,” notes Chris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“You're always counting your days, learning how to number your days,” reflects Courtney. “Count it all joy, and we're thankful for the life that he lived and that he gave.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd give he did, as Duke made his way through the world with his beloved wife Deborah. She was the daughter of Rev. James L. Gleese, who founded the Beale Street Mission for Blacks\/Negroes, and music came to her even more naturally. But though she had studied piano and voice at what was then Memphis State University, she wasn't prepared when the phone rang in the Gleese household one day. “Hello, this is Ray Charles,” said the voice on the line. She answered the call and for a time became a Raelette, one of the background singers for the genius of soul, before love, marriage and children demanded that she leave the touring life behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut that didn't stop her from counting it all joy. Indeed, Duke and Deborah Barnes became a sought-after duo around Memphis, especially in the Seventh Day Adventist community, singing at concerts, church events and weddings. In 1985, “God Will Take Care of You,” their single on Three Angels Records, got a fair amount of radio play. And over the years, flowers blossomed in their garden, by the name of Calvin, Jr., Chris, and Carla. “And I was the one who came regardless,” laughs Courtney. “Up there it was like, 'Y'all gonna keep acting like you're acting, I'm gonna send somebody!'”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the 1990s, the four youngsters, their diverse musical talents steadily encouraged and coached by the parents, were assembled into a performing group in their own right, known as Joy. “We performed a lot,” recalls Courtney. “In our performances, my mom and dad would do the first section. They would sing, and we would be the background. Then in the next set it flipped over to where the children would do our thing, and that would be the Barnes Family concert.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe family carried on as musical collaborators for years. Indeed, they still play and sing together, even with their father gone. “Eventually we let the name Joy go,” says Courtney. “We started singing together as just the Barnes Family. And in 2015 we released an album, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFamily Tree\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. With the four of us and Calvin's wife Mischa. Now Chris and I are doing the Sensational Barnes Brothers as a duo, and it's interesting. I really enjoy it! But we've always sung together. We've been a part of different groups and played in different bands — just a lot of different connections and entities.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an understatement. For a time, Courtney played with a rock band chiefly influenced by Disturbed and Dream Theater. Now he and Chris, on drums, percussion, and vocals, front Black Cream, which is reinventing the classic power trio sound. Chris has sung background vocals for the Bar Kays, and now has joined their longtime singer Larry Dodson in the launch of his solo career. Calvin, Jr., for his part, is a gifted instrumentalist, singer, and producer. Sister Carla, the only sibling to have left Memphis, still sings. Music is clearly a family calling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd now, as the Sensational Barnes Brothers, they are bringing it all back home to music they grew up with. Says Courtney, “This new record is more edgy. Our parents taught us how to harmonize, to be more controlled. So this record opens us up. It's more raw. I'm usually not a squaller, unless I'm excited.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris adds, “It allowed us to step outside of ourselves, with this free flowing, rugged, edgy kind of music. It's gospel, but it's not necessarily for just a Christian audience even. You can sing this at festivals and parks, anywhere. 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This record is highly sought after by collectors, with rare copies appearing on eBay selling for huge $ amounts.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e- Pressed on 180 g black vinyl\u003c\/p\u003e\n\u003cp\u003e- 3 sided double album, with Side D featuring an etching of a Rowland illustration\u003c\/p\u003e\n\u003cp\u003e- Brand new vinyl remaster from the original tapes October 2019 by Lindsay Gravina, who produced the album in 1999\u003c\/p\u003e\n\u003cp\u003e- First American pressing of the album\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e1. Dead Radio\u003c\/p\u003e\n\u003cp\u003e2. Breakdown (And Then…)\u003c\/p\u003e\n\u003cp\u003e3. She Cried\u003c\/p\u003e\n\u003cp\u003e4. I Burnt Your Clothes\u003c\/p\u003e\n\u003cp\u003e5. Exit Everything\u003c\/p\u003e\n\u003cp\u003e6. Silver Chain\u003c\/p\u003e\n\u003cp\u003e7. White Wedding\u003c\/p\u003e\n\u003cp\u003e8. Undone\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e9. Autoluminescent\u003c\/p\u003e\n\u003cp\u003e10. Sleep Alone\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e","brand":"Rowland S. Howard","offers":[{"title":"Double Vinyl","offer_id":31319089315953,"sku":"FP1735-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31319089348721,"sku":"FP1735-2","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/rowlandshoward_teenagesnufffilm.png?v=1699988570"},{"product_id":"knuckleball-express","title":"Knuckleball Express","description":"\u003cdiv\u003eNeil Michael Hagerty’s ‘The Howling Hex’ new album Knuckleball Express.\u003c\/div\u003e\n\u003col\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eMr. Chicken\u003c\/li\u003e\n\u003cli\u003eWords\u003c\/li\u003e\n\u003cli\u003eRootbeer Mother\u003c\/li\u003e\n\u003cli\u003eCity in the Country\u003c\/li\u003e\n\u003cli\u003eHeavy Curtains\u003c\/li\u003e\n\u003cli\u003eCowboy Motors\u003c\/li\u003e\n\u003cli\u003eTilt\u003c\/li\u003e\n\u003cli\u003eShare a Name\u003c\/li\u003e\n\u003cli\u003eNorth Aquarian\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Howling Hex","offers":[{"title":"MP3 download","offer_id":31356424650865,"sku":"FP1725-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/HHX_COVER1.jpg?v=1593615013"},{"product_id":"cassowary","title":"Cassowary","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCassowary is the sound of contemporary Los Angeles, a sun-baked collision of the local flavors making the world cooler and stranger.  This melting pot of influences is evident on “She Funked Me”, a twisted post-disco haze and the 24-year-old multi-instrumentalist’s Fat Possum debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe artist, born Miles Shannon, is a formidable tenor sax player and a graduate of the prestigious Los Angeles County High School for the Arts. His recording debut was nothing short of playing piano on Earl Sweatshirt’s landmark 2015 depression suite \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Don’t Like Shit, I Don’t Go Outside\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBorn in Inglewood and raised in the Southern L.A. neighborhood of West Adams, Shannon inherited his late grandfather’s collection of jazz records as a child, absorbing the hard bop of Clifford Brown and Joe Henderson alongside his mother’s interest in pan-genre rap crew the Fugees. Interested in playing the trumpet like his namesake, Miles Davis, the elementary-school-aged Shannon had confused the instrument with the saxophone. He nonetheless fell in love with the woodwind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eShannon was elementary school friend of famed Odd Future rhymeslinger Earl Sweatshirt (the breakthrough 2010 video “Earl” was partially filmed in Shannon’s home), and the two spent hours bumping austere, lyrical rappers like Mobb Deep, MF Doom, Talib Kweli and Juelz Santana. In his junior and senior year, Shannon attended the L.A. County High School for the Arts, a school whose notable alumni includes Josh Groban, Corbin Bleu and Kehinde Wiley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eStudying under tenor saxophonist Walter Smith III, Shannon was given the opportunity to play alongside greats like Gary Smulyan, Eric Reed, Gerald Clayton and Terrell Stafford. After graduating in 2012, he opted not to attend any of the esteemed music colleges that had accepted him, instead moving to New York to hit the club circuit. Embedded in New York’s local jazz scene for a few months, he promptly grew frustrated by its competitive one-upmanship and its focus on half-century-old standards. Says Shannon, “I just lost interest instantly.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInstead, Shannon retreated back to the places he was crashing and played guitar. Shannon had received a powerful jazz education at LACHSA, but had also met classmates that had opened his ears to the classic rock canon he had once shunned – bands like the Beatles, the Who and Pink Floyd. He was getting into the hypnotic rhythms of composers like Steve Reich and Philip Glass. He returned to California with a new vision, an armload of new compositions and a dream.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Cassowary","offers":[{"title":"White Vinyl","offer_id":31362702639217,"sku":"FP1719-3","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl","offer_id":47103511036199,"sku":"FP1719-1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31362702573681,"sku":"FP1719-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/cassowarycolormockFIX.jpg?v=1784314163"},{"product_id":"country-westerns","title":"Country Westerns","description":"\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eNashville rockers Country Westerns are excited to announce their self-titled debut album, to be released on May 1, 2020 via Fat Possum Records. American Songwriter [LINK] broke the news of the signing and shared new track “Gentle Soul,” calling it “[QUOTE].” Hear “Gentle Soul” \u003ca href=\"https:\/\/countrywesterns.lnk.to\/links\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/fatpossumrecords.bandcamp.com\/track\/gentle-soul\u0026amp;source=gmail\u0026amp;ust=1581614740610000\u0026amp;usg=AFQjCNH5K5DUOlTnHag5u0-7f8jwO7ZDKQ\"\u003eHERE\u003c\/a\u003e, and pre-order the album \u003ca href=\"https:\/\/countrywesterns.lnk.to\/links\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/fatpossumrecords.bandcamp.com\/track\/gentle-soul\u0026amp;source=gmail\u0026amp;ust=1581614740610000\u0026amp;usg=AFQjCNH5K5DUOlTnHag5u0-7f8jwO7ZDKQ\"\u003eHERE\u003c\/a\u003e.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eThe band has also announced a slate of performances spanning from February to May of this year, which includes stops in Nashville, Atlanta, Philadelphia, Brooklyn and more. See below for the full itinerary of upcoming dates.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eEven if you don’t know their names, you likely know their work. Drummer Brian Kotzur starred in Harmony Korine’s film Trash Humpers and was a member of Silver Jews. Singer, guitarist, and songwriter Joseph Plunket led Brooklyn legends The Weight, with a bass-playing side-hustle for Atlanta’s Gentleman Jesse. Plunket relocated to Nashville ten years ago and opened a bar. It was there, in a town teeming with solo artists and hired guns, that the two bonded over their shared desire to be in an actual band.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eIn 2016, Plunket and Kotzur spent a year in Kotzur’s garage writing riffs and tracking demos. During those hazy, late nights they began to hone their sound. Eventually, with a handful of songs and the encouragement of their friends, they began their quest for the third ‘Country Western’. After some time playing with different lineups—early recordings feature Reece Lazarus from Bully—their friend Sabrina Rush, another rock-n-roller for life, joined them on bass. Rush plays violin and is a member of the Louisville band State Champion, but had never played bass. The instrument came naturally to her and her harmonic bass lines were a perfect fit.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eThe first recordings with the complete lineup were made in Nashville with engineer Andrija Tokic, but the band was soon convinced to leave Nashville to record a couple of songs with Country Westerns \u003cwbr\u003eenthusiast Matt Sweeney. With Sweeney as the band’s producer they set out for New York and did their first session at Brooklyn’s Strange Weather Studios, with Daniel Schlett. The Strange Weather recordings piqued the interest of indie record label Fat Possum. The band returned to Strange Weather to finish the record and, shortly afterward, signed a deal with Fat Possum Records.\u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eOn their debut album, Plunket delivers his words with a cool, raspy bravado and a hint of twang, summoning the spirits of the cities in which the tracks were made. The lyrics bend towards poetry and punk rock sneer in equal measure and lines such as “Maybe I ain’t smart, but I ain’t lying” set the tone for the entire album. The songs are full of insistent guitar riffs played on an electric twelve-string, the jangle either mitigating the edge or pushing it further.\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003e\u003c\/div\u003e\n\u003cdiv align=\"justify\"\u003eKotzur and Rush form a tight-knit rhythm section, alternately weaving around and syncing up with one another. They build the foundations of the songs with dynamic tempo, creating a full sound with Plunket—one that is bigger than you might expect for a three-piece.\u003c\/div\u003e\n","brand":"Country Westerns","offers":[{"title":"Vinyl","offer_id":31372139036785,"sku":"FP1740-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31372139069553,"sku":"FP1740-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/CountryWesternsAlbumLPMockup.jpg?v=1701376862"},{"product_id":"voice-box","title":"Voice Box","description":"\u003cp\u003eTracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBury Me\u003c\/li\u003e\n\u003cli\u003eVoice Box\u003c\/li\u003e\n\u003cli\u003eAthlete\u003c\/li\u003e\n\u003cli\u003eJetplane\u003c\/li\u003e\n\u003cli\u003eNo Caves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlair Howerton started songwriting as a coping mechanism during her formative years. Her vivid lyricism has bloomed into the dazzling, full-band emotional release known as Why Bonnie. The band’s Fat Possum Records debut EP \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVoice Box\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e celebrates unhindered expression via beguiling, propulsive guitar pop. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn a decisive step to start performing her backlogged material, Howerton moved back home to Texas after graduating college in 2015. In Austin, Howerton joined lifelong best friend Kendall Powell, who she met in preschool. Powell’s classical piano chops swapped to synth for the new project. Both active in the Austin scene, guitarist Sam Houdek and bassist Chance Williams later joined to complete the lineup. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2018, the band emerged on petite indie outlet Sports Day Records with\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e In Water. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe EP eulogized Howerton’s older brother, who passed away years prior. Intimately bristling tracks explored the grieving process, introducing the group’s uncanny ability to stir up huge catharsis in a seamless rise. Follow-up \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNightgown \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eexpanded the effort, pulling lush Mazzy Star and Cranberries influences. Embarking on their first DIY tour the same year, Why Bonnie quickly landed opening runs for the like-minded sounds of Snail Mail and Beach Fossils. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sum of those experiences culminates in the sweeping, layered rock sound of third EP \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVoice Box. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eFuzzed-out guitars and crystalline vocals drive a tough-edged struggle in the space between suppression and artistic liberty. Howerton explains: “It encapsulates a disconnect between my inner and outer world, and not being able to express myself authentically because of that. But, ultimately knowing I will crash and burn if I don’t.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe intense effort isn’t always pretty. The title track fumes with quiet wisdom, urging: “I know it’s easier to bury your uncertainties in a cloud of masculinity \/ Guess it’s the curse you bear to talk over me.” Breeders-inspired “Athlete” endeavors self-doubt in a blistering metaphor of failed sportsmanship. Fiery “No Caves” rises to a forceful album finale, unleashing the full windswept power of Howerton’s vocals, padded by Houdek. Of the ending ascent, the lead singer decides: “It’s about the freedom of realizing that you can’t hide anymore. You have to put yourself out there.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Why Bonnie","offers":[{"title":"Clear Green Vinyl","offer_id":31380734607473,"sku":"FP1742-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31380734640241,"sku":"FP1742-2","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31380734673009,"sku":"FP1742-3","price":7.0,"currency_code":"USD","in_stock":false},{"title":"mp3","offer_id":31380734705777,"sku":"FP1742-4","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/WhyBonnie_VoiceBox_LP_green.jpg?v=1700166280"},{"product_id":"you-make-me-feel","title":"You Make Me Feel","description":"\u003ch1\u003e\u003cspan style=\"font-weight: 400;\"\u003e2021 GRAMMY NOMINATED FOR BEST TRADITIONAL BLUES ALBUM\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYour Love Is to Blame\u003c\/li\u003e\n\u003cli\u003e99 Lbs\u003c\/li\u003e\n\u003cli\u003eIs It Over\u003c\/li\u003e\n\u003cli\u003eI Die a Little Each Day\u003c\/li\u003e\n\u003cli\u003eDon’t Turn Your Back on Me\u003c\/li\u003e\n\u003cli\u003eYour Love Is Too Late\u003c\/li\u003e\n\u003cli\u003eI’ll Go Crazy\u003c\/li\u003e\n\u003cli\u003eCracked Up over You\u003c\/li\u003e\n\u003cli\u003eA Woman’s Touch\u003c\/li\u003e\n\u003cli\u003eWalk All Over God’s Heaven\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you turn your ears a certain way, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e (May 8, Fat Possum) by soul great Don Bryant can be heard as a love letter to his wife of 50 years, Ann Peebles.  That killer horn riff that kicks off the album? Think of it as a fanfare preceding the reading of a royal decree; or maybe it’s a funky version of a wedding march.  Written by Bryant and producer Scott Bomar, “Your Love Is to Blame” has the chorus of a good blues song: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Nothing in my life is the same\/Your love is to blame.” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eBut here, “blame” gets a halo. “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eI tried to turn this one around,” Don says with a slight grin. Then he explains, “Your love is to blame because we are together!”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced by Scott Bomar, who recently scored \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDolemite Is My Name\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and mixed by Matt Ross-Spang (Elvis Presley, Al Green, John Prine), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e continues Don’s resurgence with newly written music and a revisit to Don’s celebrated back catalog, where he’s interpreting some of his songs for the first time.  Musicians include members of the Hi Rhythm section — Howard Grimes, Archie “Hubbie” Turner and Charles Hodges, who played on his by Al Green and Ann Peebles — with members of St. Paul and the Broken Bones and The Bo-Keys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“It feels good to have found my own voice,” says Don, who never stopped writing.  “Music has always been a part of me, I’ve never given up on it, never let it go. If I’m walking around, I’m humming songs. Now, I’m trying to let it all out. What I had, what I got, and what I’m gonna get.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDon is nearing the age of 80, and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou Make Me Feel \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eis his third solo album. His 1969 debut \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrecious Soul\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eproduced by Willie Mitchel, who planned for Bryant to be Hi Records’ next star.  Don instead took a supporting role and made a career as a Hi Records hit man, namely as the songwriter and background singer for Peebles, who topped the charts in 1974 with “I Can’t Stand the Rain.”  Ann retired from music in 2012, and Don returned to the spotlight in 2017 with his second album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDon’t Give Up on Love. \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I fell in love with Ann when she first came in to Hi,” he reveals. “But there was so much going on with her—recording, travel, so many around her—it wasn’t my time. And I wasn’t in no hurry—I knew I wasn’t going nowhere! We got to know each other better and better and it opened up. It was a long drawn out situation, but for me it was love at first sight.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne of the many standouts on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMake You Feel\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is the reprise of “Don’t Turn Your Back on Me,” a single Don originally released in 1965. The new version is slowed down, and as anyone who has ever pleaded—for love, for life, for time—we know that the slow petition is more effective… but so much harder to carry out.  Don recorded a new version of “99 Lbs” “to put some light on Ann,” he demurs, and there’s a punch to this new version that would make Willie Mitchell proud—classic soul with a 21\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003est\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e century power.  And he doesn’t shy from the darker feelings; “Is It Over” sounds like it might date to 1973, when Otis Clay recorded Bryant’s song, “I Die a Little Each Day,” also featured on the album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is the first time Don released a version of his “Cracked Up Over You,” recorded enough times to be an R\u0026amp;B chestnut.  (Jr. Parker gave it a fine workout.) Don released the B-side “I’ll Go Crazy” in 1968, and it it’s only song on here he didn’t write.  He related to the hook: “If you love me any better, I'll go crazy.”   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“My main thing is to tell a story,” reflects Don.  “Taking an idea and making a full story out of it is a challenge to me. I go back to look at situations in my life, work the story in my head…If you can tap into things that people go through, then they want to listen.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Don Bryant","offers":[{"title":"Vinyl","offer_id":31405346652273,"sku":"FP1747-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":31405346685041,"sku":"FP1747-2","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/YouMakeMeFeel-DonBryantLPMockup.jpg?v=1701971082"},{"product_id":"october-song","title":"October Song","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eA lightning bug glows with the aid of a chemical called luciferin, derived from Latin for “light-bringer”. Lightning Bug began as three friends who made music together to bring each other light. The music we make continues to hold that purpose at its heart. 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Clown Neutral\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"383.399963378906\" x=\"126.115997314453\" y=\"-706.467956542969\" data-test=\"textbox\"\u003e \u003c\/text\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"383.399963378906\" x=\"126.115997314453\" y=\"-706.467956542969\" data-test=\"textbox\"\u003eA unique transformation occurs the moment a lover lays eyes on your bedroom \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"421.680000305176\" x=\"90.4919967651367\" y=\"-692.66796875\" data-test=\"textbox\"\u003efor the first time: the room is suddenly, involuntarily no longer your own. Your curated \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"285.504013061523\" x=\"90.4199981689453\" y=\"-678.867980957031\" data-test=\"textbox\"\u003e“you” is subject to the impressions of the other, and you try \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"113.040008544922\" x=\"378.981994628906\" y=\"-678.867980957031\" data-test=\"textbox\"\u003ehard to adopt this filter \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"415.811996459961\" x=\"90.0959930419922\" y=\"-665.067932128906\" data-test=\"textbox\"\u003eyourself, wondering what information the objects and their position suggest about you.\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"13.5360107421875\" x=\"509.919982910156\" y=\"-665.067993164062\" data-test=\"textbox\"\u003eIf,\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"400.343978881836\" x=\"90.3719940185547\" y=\"-651.267944335938\" data-test=\"textbox\"\u003ein moments like these, the new gaze seems to almost conjure the room, a desperate \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"269.783981323242\" x=\"90.4199981689453\" y=\"-637.587951660156\" data-test=\"textbox\"\u003equestion arises: what remains of the room without the ot\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"159.048004150391\" x=\"360.381988525391\" y=\"-637.587951660156\" data-test=\"textbox\"\u003eher? With no external sources of \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"405.912017822266\" x=\"90.4559936523438\" y=\"-623.787963867188\" data-test=\"textbox\"\u003eappraisal or affirmation, where does the stuff of the self reside, and how does it take \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"10.9200439453125\" lengthadjust=\"spacingAndGlyphs\" textlength=\"31.5\" x=\"90.6119918823242\" y=\"-609.987976074219\" data-test=\"textbox\"\u003eshape?\u003c\/text\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"58.5600051879883\" x=\"126.379997253418\" y=\"-596.188049316406\" data-test=\"textbox\"\u003e   \u003c\/text\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"58.5600051879883\" x=\"126.379997253418\" y=\"-596.188049316406\" data-test=\"textbox\"\u003e These blood\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"5.72406005859375\" lengthadjust=\"spacingAndGlyphs\" textlength=\"3.02400207519531\" x=\"185.431991577148\" y=\"-596.18798828125\" data-test=\"textbox\"\u003e-\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"301.89599609375\" x=\"189.295989990234\" y=\"-596.18798828125\" data-test=\"textbox\"\u003edeep paranoias set the stage for Helena Deland’s debut album, \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"67.3679885864258\" x=\"90.1079940795898\" y=\"-582.388000488281\" data-test=\"textbox\"\u003eSomeone New\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"206.675994873047\" x=\"158.227996826172\" y=\"-582.388000488281\" data-test=\"textbox\"\u003e, an exploration of gender, power, time and \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.5919799804688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"146.495971679688\" x=\"368.109985351562\" y=\"-582.388061523438\" data-test=\"textbox\"\u003ethe “self” that finds Deland in \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"429.63599395752\" x=\"90.4919967651367\" y=\"-568.587951660156\" data-test=\"textbox\"\u003efull control of her sound and style, even as she asks whether control is ever possible. The \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"409.560089111328\" x=\"90.4559936523438\" y=\"-554.787963867188\" data-test=\"textbox\"\u003ealbum was written and recorded over a period of two years, beginning with Deland’s \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"228.060005187988\" x=\"90.3839950561523\" y=\"-540.957946777344\" data-test=\"textbox\"\u003eguitar and expanding into a lavish sonic sphere \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"193.848052978516\" x=\"318.649993896484\" y=\"-540.957946777344\" data-test=\"textbox\"\u003ethat blends elements of hypnagogic pop \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"14.592041015625\" lengthadjust=\"spacingAndGlyphs\" textlength=\"400.967987060547\" x=\"90.4559936523438\" y=\"-527.157958984375\" data-test=\"textbox\"\u003eand classic folk. 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Recorded with Marcus Paquin (The National, Arcade Fire) in Toronto’s Canterbury Studios, the song presents an ambitious, vital and genre-defying new direction for The Weather Station. In describing the track, Lindeman says, “\u003c\/span\u003e\u003cspan\u003eI gathered seven musicians in a studio; four of them rehearsed, three of them not at all, and I let those two energies of control and chance feed off each other over the course of two chords and five minutes. It was a beautiful session and I’ve never been so proud of a recording in my life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003eI could say a lot about where this song came from, but I’ll refer here to Hannah Arendt, who said: “The chances of factual truth surviving the onslaught of power are very slim indeed; it is always in danger of being maneuvered out of the world not only for a time, but potentially forever.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePower asks us to not see; to not believe our eyes.  Not seeing is rewarded; it’s easier to fall in love with the robber than it is to see the robber, to bear witness to what is taken.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003cspan\u003eThis latest release follows The Weather Station’s universally acclaimed Self-Titled LP in 2017, and 2015 breakthrough album \u003c\/span\u003e\u003cspan\u003eLoyalty. \u003c\/span\u003e\u003cspan\u003eThose albums saw Lindeman develop an international fanbase, touring the world as both a headliner and support for artists such as The War On Drugs, The Mountain Goats, Damien Jurado and Bahamas. Receiving praise from Pitchfork, NPR, The New Yorker, MOJO, Uncut, The Guardian, and The New York Times, they also picked up multiple nominations for the Polaris Prize, JUNO and SOCAN Awards. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTo mark the occasion of The Weather Station signing to Fat Possum, we are releasing a limited edition 7\" with Robber on the A side and \"Better Now\" on the B side. Note: \"Better Now\" is exclusive to the 7\" and not available digitally.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Weather Station","offers":[{"title":"7\"","offer_id":32092659613809,"sku":"FP1750-7","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/Cover_3000x3000_300dpi.jpg?v=1606097052"},{"product_id":"ignorance","title":"Ignorance","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\"\u003e Tracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eRobber\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAtlantic\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTried To Tell You\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eParking Lot\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLoss\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSeparated\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTrust\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHeart\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSubdivisions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIgnorance\u003c\/span\u003e\u003cspan\u003e, the new album by the The Weather Station, begins enigmatically; a hissing hi hat, a stuttering drum beat.  A full minute passes before the entry of Tamara Lindeman’s voice, gentle, conversational, intoning; “I never believed in the robber”.  A jagged music builds, with stabbing strings, saxophone, and several layers of percussion, and the song undulates through five minutes of growing tension, seesawing between just two chords.  Once again, Toronto songwriter Tamara Lindeman has remade what The Weather Station sounds like; once again, she has used the occasion of a new record to create a new sonic landscape, tailor-made to express an emotional idea. \u003c\/span\u003e\u003cspan\u003e Ignorance, \u003c\/span\u003e\u003cspan\u003eLindeman’s debut for Mississippi label Fat Possum Records, is sensuous, ravishing, as hi fi a record as Lindeman has ever made, breaking into pure pop at moments, at others a dense wilderness of notes; a deeply rhythmic, deeply painful record that feels more urgent, more clear than her work ever has. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the cover, Lindeman lays in the woods, wearing a hand made suit covered in mirrors.  She was struck by the compulsion to build a mirror suit on tour one summer, assembling it in a hotel room in PEI and at a friend’s place in Halifax.  “I used to be an actor, now I’m a performer” she says.  In those roles, she points out, she often finds herself to be the subject of projection, reflecting back the ideas and emotions of others.  On the album, she sings of trying to wear the world as a kind of ill fitting, torn garment, dangerously cold; “it does not keep me warm \/ I cannot ever seem to fasten it” and of walking the streets in it, so disguised, so exposed.  Photographed by visual artist Jeff Bierk in midday, the cover purposefully calls to mind Renaissance paintings; with rich blacks and deep colour, and an incongruous blue sky glimpsed through the trees.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe title of the album, \u003c\/span\u003e\u003cspan\u003eIgnorance\u003c\/span\u003e\u003cspan\u003e, feels confrontational, calling to mind perhaps wilful ignorance, but Lindeman insists she meant it in a different context.  In 1915 Virginia Woolfe wrote: “the future is dark, which is the best thing a future can be, I think.”  Written amidst the brutal first world war, the darkness of the future connoted for Woolfe a not knowing, which by definition holds a sliver of hope; the possibility for something, somewhere, to change.  In french, the verb \u003c\/span\u003e\u003cspan\u003eignorer\u003c\/span\u003e\u003cspan\u003e connotes a humble, unashamed not knowing, and it is this ignorance Lindeman refers to here; the blank space at an intersection of hope and despair, a darkness that does not have to be dark.\u003c\/span\u003e \u003c\/div\u003e","brand":"The Weather Station","offers":[{"title":"Silver Vinyl","offer_id":32184816730225,"sku":"FP1746-3","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":32184816762993,"sku":"FP1746-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32184816795761,"sku":"FP1746-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":32184816828529,"sku":"FP1746-4","price":7.0,"currency_code":"USD","in_stock":false},{"title":"Baby Blue Vinyl","offer_id":50590803886375,"sku":"FP1765-5","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/BlackLPSquare.jpg?v=1761149613"},{"product_id":"cant-turn-me-around","title":"Can't Turn Me Around","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFather, Guide Me, Teach Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Leak In This Old Building\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDown Here Lord\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI Feel Alright\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan't Turn Me Around\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Don't Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeaning On The Lord\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen I Look Back\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt's A Shame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWork Until My Days Are Done\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarmony is serious business where the Dedicated Men of Zion come from. For their eldest member Anthony “Amp” Daniels, it was so serious that every day his mother would call her children inside, turn off the television, and make them sing in harmony, talk\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ein harmony, do \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eeverything\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in harmony. Singing well together was a virtue that she and her sisters had learned from their own father, and Anthony gave it to his children in return. Older folks in the Black communities of rural North Carolina relied on that singing for everything in a time when both respect and money were especially scarce. “That’s where that seriousness is from,” Amp remembers. “They demand respect. They’re serious about what they do and they don’t play with God.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Dedicated Men of Zion came up out of this singing land of eastern North Carolina, around the city of Greenville and its small neighboring town of Farmville. Each trained in the church and the home, the group’s four vocalists – Anthony Daniels, Antwan Daniels, Dexter Weaver, and Marcus Sugg – share the bond of that upbringing and another more literal bond of kinship (they’re all family now through blood or marriage).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheirs is a community dense with talent and legendary impact on the origins of gospel, funk, R\u0026amp;B, soul, and jazz; a place where the sounds of Saturday night and Sunday morning couldn’t help but jump their lanes. The group’s own backgrounds tell that story. Anthony Daniels, the eldest of the group, led a career in R\u0026amp;B down in Atlanta, backing up the likes of Bebe Winans, Toni Braxton, and Elton John. Antwan Daniels, the youngest member and son of Anthony, was playing keyboards and organ in church while simultaneously injecting his hip-hop production work with traditional gospel roots. But the church was always the backbone. Weaver, whose grandmother managed several gospel groups around Greenville, had sung with elder quartet groups for years, running into Anthony Daniels around the sacred soul circuit. When they both found themselves without a group, Weaver turned to Daniels and said “I don’t know what you’re gonna do but if you do something, I’m on board with you. I want to be with you.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2014 Weaver and Daniels, with Antwan on keys, came together to form the Dedicated Men of Zion’s original iteration, along with singers Trevoris Newton and Darren Cannon. The group was quickly gaining a following in eastern North Carolina when Newton suddenly passed away in 2018. The loss of one member was soon followed by Cannon’s departure. The arrival of Marcus Sugg re-completed the group. Sugg, who had grown up singing in church choirs and a little on the side during a stint in the military, was soon to be Anthony Daniels’ son in law.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt was with this new vocal lineup that the Dedicated Men of Zion caught the attention of the Music Maker Relief Foundation while performing in a church concert organized by Music Maker and the Glorifying Vines Sisters, the longstanding Farmville gospel institution of Anthony Daniel’s mother and aunts. Joining Music Maker’s artist roster of roots musicians from across the South, the Dedicated Men of Zion began reaching new audiences not yet clued in to the rhythmic, electrified, sacred sounds of the rural southeast. Sacred Soul, being the music of personal and collective survival, even secular audiences were catching the spirit of joy and determination. The message, for Anthony Daniels, was always that “if He did it for me, He’ll do it for you. Just keep praying and love one another.” In troubled times, there’s a need for a hopeful word and a testimony that there is a way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough Music Maker, the group connected with the newly founded record label Bible \u0026amp; Tire Recording Co., helmed by producer Bruce Watson of Fat Possum Records. Watson had been listening to the hard-praising drive of country gospel coming straight from the church which he’d later coin as “sacred soul”. His new label was delivering that genuine soul sound beyond the church circuits from which it came. The gospel music coming out of those small rural Black churches was in fact the headwaters of much of the commercial music made over the last half century, and Watson was ready to bet that mass audiences, already familiar with the sounds of classic soul, would discover a hunger for gospel’s emotional truth and purposefulness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Dedicated Men of Zion’s, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan’t Turn Me Around\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, was recorded in Memphis at Watson’s Delta-Sonic Sound in 2019. Backed by Watson’s all-star studio band, the recordings bring great depth to the incredible harmonies that soar above. The album marks a moment of clarity for the group. By embracing their roots, they knew they were pointedly taking a right turn where some of their peers had veered left in a race to make gospel sound like anything other than what it was back in the day: soul music. Each track on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan’t Turn Me Around \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomes from that overflowing heritage of sacred soul. Tradition sets a high standard of excellence. What more can new artists pour into that cup? The Dedicated Men of Zion accepted that challenge with the seriousness of their raising and the joy of spiritual inspiration. With their second album they get back to where they came from – soul and the salvation of harmony. In Anthony Daniels’ own words, “You want to live, get to where the root is. Get close to the root.”\u003c\/span\u003e","brand":"Dedicated Men of Zion","offers":[{"title":"Vinyl","offer_id":32200530657393,"sku":"BTRC006","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32200530690161,"sku":"BTRC007","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Can_tTurnMeAround-DedicatedMenofZionLPMockup.jpg?v=1701969628"},{"product_id":"the-last-shall-be-first-the-jcr-records-story-volume-1","title":"The Last Shall Be First: The JCR Records Story. Volume 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMemphis, Tennessee 1972:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeated behind a primitive mixing board in a tiny Quonset hut at 64 Flicker Street, just a stones’ throw from the Illinois Central railroad tracks, Pastor Juan D. Shipp crackles over the AM airwaves with an electrifying array of the latest and greatest in gospel quartet sounds. With an audience that spans the width and breadth of the Bluff City, from truck cabs to taxi stands, from Mid-Town to Orange Mound, from the Peabody Hotel to Payne’s Barbecue, if you’re a fan of Memphis’s thriving gospel scene, you’re locked into “Juan D” at K-WAM, “the Mighty 990,” the very station that — twenty years earlier, during its first incarnation as KWEM across the river in West Memphis, Arkansas — had first brought blues wizard Howlin’ Wolf to the ears of recording engineer Sam Phillips. Now, two decades later, having revolutionized the music world with Sun Records and its holy trinity of Elvis Presley, Jerry Lee Lewis and Johnny Cash, the Wolf still remained Phillips’ favorite. “This is where the soul of man never dies,” he’d memorably declared of the six-foot-six gravel-voiced force of nature, a description that could just as easily be applied to so many of the artists whose records Shipp is now spinning over the air.\u003c\/p\u003e","brand":"JCR Records","offers":[{"title":"Vinyl","offer_id":32200532983921,"sku":"BTRC008","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32200533016689,"sku":"BTRC009","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheLastShallBeFirstTheJCRRecordsStory.Volume1-VraiousArtistsLPMockup.png?v=1706637378"},{"product_id":"a-color-of-the-sky","title":"A Color of the Sky","description":"\u003cdiv\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Return\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Right Thing Is Hard To Do\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSeptember Song, pt. ii\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWings of Desire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Chase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSong of the Bell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eI Lie Awake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eReprise\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA Color of the Sky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Flash\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eA lightning bug glows with the aid of a chemical called luciferin, derived from Latin for “light-bringer”. 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Westside Mcfly \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e14. \u003c\/b\u003eFreestyle ft. Saba \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e15. \u003c\/b\u003eFeeling Myself ft. Forte Bowie \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e16. \u003c\/b\u003eSun Up \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e17. \u003c\/b\u003eOutro (Wake Up)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLong before Patrick Paige II, knew how to rip bass, he knew he wanted to fly. “Since I was little I was obsessed with aviation,” he recalls. “I wanted to be in the airforce until I got older and more conscious — no, I don’t wanna drop bombs on people for no fucking reason. But flying was an obsession that started young.” It’s a fixation that permeates his forthcoming sophomore album \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf I Fail Are We Still Cool, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ea collection of tenacious affirmations stitched together with in-flight interludes and an unshakable sense of ascension.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eWhat initially began as the makings of an EP quickly amassed into something more like a revelation once he wrote the hook-heavy “So They Say.” “I never trusted myself to write hooks, but once I wrote that, it was like, ‘oh shit, I can do this. I’m done pretending like I can’t.’” Written on the road and recorded in Hollywood at Chalice Recording Studios with the help of friends Chris Bosmith, Sean Matsukawa and Kameron Allen, the album provided Paige with a canvas to define himself. “I wanna stand for something,” he declares on “Who Am I.” “I wanna do it for the kids who got kicked out of class, beating on tables with the pens, they had no drum pads.” These moments of freeform introspection entwine with effortless grooves, such as on “Whisper” featuring \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAllen Love\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDurand Bernar\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Elsewhere on the album, he links with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSyd\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWestside McFly\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSaba\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOhana Bam\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eForte Bowie\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYet for all its surrounding community, the album remains an inherently individual journey, one that only Paige can take. If he’s already introduced us to who he is as a bassist, and later as an artist, then \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf I Fail Are We Still Cool \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eintroduces us to Paige as a human, with all his vulnerabilities and insatiable ambition. Taken as a whole, it pays rhapsodic homage to who he’s always been while pushing further beyond the goal posts. “It represents everything in abundance that I’m willing to work hard for, and willing to elevate in every aspect.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Patrick Paige II","offers":[{"title":"Color Vinyl","offer_id":39278525120625,"sku":"FP1766-3","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39278525186161,"sku":"FP1766-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39278525218929,"sku":"FP1766-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":39278525251697,"sku":"FP1766-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/PPIIvinylmockupcolor.jpg?v=1700150781"},{"product_id":"luna-68","title":"Luna '68","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTracklist\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLuna '68 \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLockdown City \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMack Lean  \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA-Meld-A-Marcos  \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHanzo   \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSkinny Mic   \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFreddie King For Now   \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThinking Of You   \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVoyage to Vega (For Felix)  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe return of the Memphis soul\/funk\/jazz trio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe City Champs\u003c\/strong\u003e. Members,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAl Gamble\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(St. Paul \u0026amp; The Broken Bones),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge Sluppick\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(Chris Robinson Brotherhood) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoe Restivo\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(Don Bryant) have been secretly concocting these tasty, solar expansing nuggets since their last output in 2010.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLuna '68\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis available everywhere March 19th via Big Legal Mess.\u003c\/div\u003e","brand":"The City Champs","offers":[{"title":"Vinyl","offer_id":39285695676529,"sku":"BLM0580","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39285695709297,"sku":"BLM0581","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Luna_68-TheCityChampsLPMockup.png?v=1705598483"},{"product_id":"living-in-the-last-days","title":"Living In The Last Days","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFull length album from the legendary D-Vine Spirituals queen, Elizabeth King. At 77 years young, Elizabeth has reemerged as a shining light in the Memphis soul-gospel scene. Producer Bruce Watson (Bible \u0026amp; Tire Recording Co. \/ Big Legal Mess \/ Fat Possum) continues to broaden his landscape of \"Sacred Soul\". With a line up of seasoned, Memphis session musicians, these recordings of early D-Vine material are brought back to life with a fire, not yet previously realized within the catalog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Living In The Last Days\" is the new Sacred Soul debut record from the gospel soul veteran Elizabeth King.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo Ways Tired\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHe Touched Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLiving In The Last Days\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTestify\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMighty Good God\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Long Journey\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReach Out and Touch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWalk with Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCall on Him\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlessed Be The Name\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou've Got to Move\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Elizabeth King","offers":[{"title":"Vinyl","offer_id":39288969330801,"sku":"BTRC010","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39288969363569,"sku":"BTRC011","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/LivingInTheLastDays-ElizabethKingLPMockup.jpg?v=1701972428"},{"product_id":"hideaway","title":"Hideaway","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\n\u003cb\u003etracklist:\u003c\/b\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThru Hell\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHideaway\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHelp Is On The Way\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSinking Feeling\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHoneycomb\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Blame\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMarine Life\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlanting A Garden\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCaviar\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eWavves new album \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHideaway\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is out July 16th and marks their return to Fat Possum Records. Across its brief but impactful nine tracks, the album, produced by Dave Sitek of TV on the Radio, is about what happens when you get old enough to take stock of the world around you and realize that no one is going to save you but yourself, and even that might be a tall order.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e“It’s real peaks and valleys with me,” Nathan Williams says. “I can be super optimistic and I can feel really good, and then I can hit a skid and it’s like an earthquake hits my life, and everything just falls apart. Some of it is my own doing, of course.” It’s this self awareness that permeates each of \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHideaway\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s songs, marking them each as mature reckonings with who he is.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHideaway \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efeatures Williams’ most universal and urgent songs yet\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The album is the follow-up to their\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2017 album, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou're Welcome \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eand\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e arrives after \u003c\/span\u003e\u003ca href=\"https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\u0026amp;source=gmail\u0026amp;ust=1619872954708000\u0026amp;usg=AFQjCNHW4shKKG5IIT2aYYJxsSp7zQsvug\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/consequenceofsound.net\/2019\/06\/the-100-best-pop-punk-bands\/full-post\/\" target=\"_blank\"\u003eConsequence of Sound\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e named Wavves one of the 100 Best Pop Punk Bands of all time.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"WAVVES","offers":[{"title":"Opaque Baby Blue Vinyl","offer_id":46988482871591,"sku":"FP1762-4","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39345035182193,"sku":"FP1762-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39345035214961,"sku":"FP1762-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/WavvesHideawayMockup-V3D2C.png?v=1698267264"},{"product_id":"country-westerns-ep","title":"Country Westerns EP","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe songs for the Country Westerns EP were recorded in the garage practice-space at drummer Brian Kotzur's house, a place that has served as home for Country Westerns since their beginnings. The band's self-titled debut record was released three months into the pandemic, and without a release show, tour, or any of the usual fanfare that come with new tunes, the band set out to stay active by getting together a couple times a week to work on new songs and learn covers for fun. Kotzur began working on building a recording setup in the practice space, and over the course of several months of playing and experimenting, a handful of favorites and a new original emerged. \"Come Down\" (Country Westerns),\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \"A Miss of You\" (Dead Moon), and \"Wall of Death\" (Richard and Linda Thompson) were all recorded mostly live, in keeping with the spirit of the band, while \"Undeleteable\" (Jad Fair and Norman Blake) was recorded later and over the course of several small sessions to allow extra space. The collection of songs brings more of the raw energy, melodic rhythms, and vocal harmonies that people connected with on their debut record, while simultaneously expanding the band's palette by introducing a home studio, marimbas, piano, and different sides of their sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrack List\u003c\/b\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCome Down (Country Westerns)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA Miss of You (Dead Moon)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWall of Death (Richard \u0026amp; Linda Thompson)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eUndeletable (Jad Fair and Norman Blake)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Country Westerns","offers":[{"title":"10\" Vinyl","offer_id":39592735113329,"sku":"FP1781-1","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/CountryWesternsEPMockup.jpg?v=1625108515"},{"product_id":"the-cry-of-the-heart","title":"The Cry of the Heart","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003ePain and heartbreak have permeated Connie Smith’s timeless country sound and they pulse through\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cry of the Heart,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSmith’s first album in a decade and her third collaboration with her husband, Marty Stuart (who also produces the effort). Smith asks” How many teardrops have I cried over you” on album opener “A Million and One,” reintroducing listeners to her radiant, textured voice. Smith and Stuart contributed two original tracks written together as well, the soaring “Here Comes My Baby Back Again” and weeper “Spare Me No Truth Tonight.” Other songs on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cry of the Heart\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003einclude “I Don’t Believe Me Anymore” the 72nd song Smith has recorded written by Hall of Fame songwriter Dallas Frazier, and Merle Haggard’s “Jesus Takes a Hold,” which is a reflection of Smith’s boundless faith in the midst of troubled times. Grammy Award- winning producer and songwriter Carl Jackson pens \"To Pieces\" and \"I'm Not Over You,\" the latter composed with classic country singer Melba Montgomery.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist:\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003col\u003e\n\u003cli\u003eA Million And One\u003c\/li\u003e\n\u003cli\u003eLook Out Heart (\u003ca href=\"https:\/\/www.youtube.com\/watch?v=JP5FvqrhjAI\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWatch\u003c\/a\u003e)\u003c\/li\u003e\n\u003cli\u003eSpare Me No Truth\u003c\/li\u003e\n\u003cli\u003eTo Pieces\u003c\/li\u003e\n\u003cli\u003eAll The Time\u003c\/li\u003e\n\u003cli\u003eI Just Don't Believe Me Anymore\u003c\/li\u003e\n\u003cli\u003eThree Sides\u003c\/li\u003e\n\u003cli\u003eI'm Not Over You\u003c\/li\u003e\n\u003cli\u003eHere Comes My Baby Back Again\u003c\/li\u003e\n\u003cli\u003eHeart, We Did All That We Could\u003c\/li\u003e\n\u003cli\u003eJesus, Take A Hold\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Connie Smith","offers":[{"title":"White Vinyl","offer_id":39356135309425,"sku":"FP1784-3","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39356135342193,"sku":"FP1784-1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39356135374961,"sku":"FP1784-2","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/White_Mockup.jpg?v=1700163974"},{"product_id":"nashville-no-more","title":"Nashville No More","description":"\u003cp\u003eWith a music career spanning more than 40 years, \u003cstrong\u003eDavid Ferguson\u003c\/strong\u003e has engineered landmark albums for Johnny Cash, opened a recording studio with John Prine, and shared a Grammy win with Sturgill Simpson. Now the Nashville native has become a compelling recording artist in his own right with Nashville No More , his debut album on Fat Possum Records. The self - produced project gathers an exceptional cast of friends from the city’s Americana and bluegrass community, while the track listing is simply a reflection of songs he likes. Ferguson has won Grammy Awards for engineering the Del McCoury Band’s The Streets of Baltimore and Sturgill Simpson’s A Sailor’s Guide to Earth.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n1. Four Strong Winds\u003cbr\u003e\n\u003cp\u003e2. Boats to Build\u003cbr\u003e 3. Fellow Travelers\u003cbr\u003e 4. Nights with You\u003cbr\u003e 5. Looking for Rainbows\u003cbr\u003e 6. Chardonnay\u003cbr\u003e 7. Early Morning Rain\u003cbr\u003e 8. Knocking Around Nashville\u003cbr\u003e 9. 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Shipp crackles over the AM airwaves with an electrifying array of the latest and greatest in gospel quartet sounds. With an audience that spans the width and breadth of the Bluff City, from truck cabs to taxi stands, from Mid-Town to Orange Mound, from the Peabody Hotel to Payne’s Barbecue, if you’re a fan of Memphis’s thriving gospel scene, you’re locked into “Juan D” at K-WAM, “the Mighty 990,” the very station that — twenty years earlier, during its first incarnation as KWEM across the river in West Memphis, Arkansas — had first brought blues wizard Howlin’ Wolf to the ears of recording engineer Sam Phillips. Now, two decades later, having revolutionized the music world with Sun Records and its holy trinity of Elvis Presley, Jerry Lee Lewis and Johnny Cash, the Wolf still remained Phillips’ favorite. “This is where the soul of man never dies,” he’d memorably declared of the six-foot-six gravel-voiced force of nature, a description that could just as easily be applied to so many of the artists whose records Shipp is now spinning over the air.\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Vinyl","offer_id":39401572499569,"sku":"BTRC012","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39401572532337,"sku":"BTRC013","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheLastShallBeFirstTheJCRRecordsStory.Volume2LPMockup.png?v=1706637534"},{"product_id":"mercurial-world","title":"Mercurial World","description":"\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. The End\u003cbr\u003e2. Mercurial World\u003cbr\u003e3. Dawning of the Season\u003cbr\u003e4. Secrets (Your Fire)\u003cbr\u003e5. You Lose!\u003cbr\u003e6. Something For 2\u003cbr\u003e7. Chaeri\u003cbr\u003e8. Halfway\u003cbr\u003e9. Hysterical Us\u003cbr\u003e10. Prophecy\u003cbr\u003e11. Follow The Leader\u003cbr\u003e12. Domino\u003cbr\u003e13. Dreamcatching\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e14. The Beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFew artists are at once artful and savvy enough to transcend the endless scroll, but over the past 18 months, LA-based indie-pop duo Magdalena Bay have used social platforms to dispatch their music, and what you might call their philosophy, in hypnotic, ephemeral bursts. A long trip through their feeds produces music videos in miniature, irreverent pontifications on the state of the music industry delivered via home video VHS aesthetics, and existential meditations on everything from International Women’s Day to the clone craze of the early aughts to the indefinite lifespan of plants.\u003c\/p\u003e\n\u003cp\u003eOn October 8th, Magdalena Bay will release their debut full-length LP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMercurial World\u003c\/em\u003e, via Luminelle, a record that proposes an abstract theory of time and explores the staggering “what ifs” that make up the human experience. “Mercurial World has a lot of outsized themes on it, like destiny, death, and doing the impossible,” Tenenbaum explains. “It’s not exactly a concept album, but we love prog-rock, so we love a concept.”\u003c\/p\u003e\n\u003cp\u003eTenenbaum and Lewin met over a decade ago at an after-school music program in their hometown of Miami, where they bonded over a shared love of Genesis and King Crimson, eventually starting a prog-rock band together that lasted until they moved away to college. The two reconnected after freshman year and decided to continue their teen rock project, this time in a radically new form that would come to be Magdalena Bay. “We started discovering all of this experimental pop music that pushed the boundaries of what ‘pop’ really means,” Lewin says.\u003c\/p\u003e\n\u003cp\u003eBleeding-edge producers like Charli XCX and Grimes were a gateway, and by 2019, Magdalena Bay self-released their debut collection,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003emini mix vol. 1\u003c\/em\u003e, followed soon after by a slew of one-off singles, all of which arrived accompanied by tricked-out videos. “Those early references have gotten more and more dissolved as we’ve come into our own sound,” Tenenbaum says. “Our philosophy was just to throw things at the wall. I like to think that our music lives between genres.”\u003c\/p\u003e\n\u003cp\u003eWords like “anxiety” and “paranoia” come up regularly when Magdalena Bay describe their debut, but the production is beyond confident. Tracks flit between genre trappings with the ease of a band who reject the need to present any one way.\u003c\/p\u003e\n\u003cp\u003eOn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMercurial World\u003c\/em\u003e, Magdalena Bay offer the listener a prismatic experience, one that is built on a desire to simply believe in something beyond the finitude of our lives. Approaching reality as a construct allows Magdalena Bay to enact their own, one that is committed to nothing but expanding the possible.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“As bass-heavy as Charli XCX and as melodically minded as Carly Rae Jepsen, these songs are not unlike the hyperactive computer pop popularized by PC Music. 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But the day we finished it, Dan (Romano) turned to me, and casually asked me; “so, are these songs - true?” - TL\u003cbr\u003e\u003c\/p\u003e","brand":"The Weather Station","offers":[{"title":"Black Vinyl","offer_id":39480246960241,"sku":"FP1768-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39480246993009,"sku":"FP1768-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":39480247025777,"sku":"FP1768-D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TWSAllOfItWasMineMockup-Black_1x1_9d381cf0-0a7c-407e-810b-ba87b26639d8.jpg?v=1727812939"},{"product_id":"325i","title":"325i","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing two genre blending independent projects based around the obsessive qualities of love in his youth, Don Lifted’s label debut “325i” finds the artist physically stuck but mentally, emotionally and romantically expanding. Written and recorded during the COVID-19 pandemic the album explores the artist’s navigation of his future, romantic and physical; as well as their anxieties surrounding, isolation, queerness and past traumas. 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A marathon recording session in a makeshift storefront studio in a 100-year-old building in the tiny Eastern North Carolina town of Fountain. Once the idea for the project was in place, Alice Vines of the Glorifying Vines Sisters started calling local musicians. It didn’t take her long to line up almost a dozen groups to come lift their voices and represent the region’s unique Sacred Soul traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen the groups on this record gathered to record in February of 2020, they couldn’t have known that the world was on the heels of a global pandemic, or that the year would bring great turmoil and social upheavals. But in the reality created by gospel songs even the greatest of trials are not surprising, nor can they be ultimately devastating. Every time singers stepped up to the mic during these sessions, they created a sonic world where no amount of bad news can undermine the truth of The Good News. Even when “you can’t really see a solution to what you’re dealing with at the moment,” says Kiamber Daniels of Faith and Harmony, singing gospel music will remind you, “hey, I’m still here; I got what it takes to make it through this. It will give you a sense of peace.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Bruce Watson (Fat Possum\/Big Legal Mess\/Bible \u0026amp; Tire), this collection of sacred soul recordings of Eastern North Carolinian gospel groups is a one of a kind exploration. With a rich heritage of family gospel music, the artists in this area have been honing their craft over generations and have their own way of making the material original and unique. This is Sacred Soul of North Carolina.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCan't Turn Me Around - Dedicated Men of Zion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eIt's A Shame - Dedicated Men of Zion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eTell It All To Jesus - The Vines Sisters\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eSomewhere To Lay My Head - Johnny Ray Daniels\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eGlory Glory - Johnny Ray Daniels\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eTell It - Big James Barrett \u0026amp; The Golden Jubilees\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eUse Me Lord - Big James Barrett \u0026amp; The Golden Jubilees\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eAsk God In Faith - Big Walt \u0026amp; The Faithful Jordanairs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eVictory - Faith \u0026amp; Harmony\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eWe Will Work - Faith \u0026amp; 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A series of minutely-observed vignettes that feel intimate and expansive at the same time, Headwaters captures the sweetness of life without avoiding any of the pain, with songs about time and its constraints, peppered with precise details pulled from Rose’s own life that make universal themes seem personal, inviting the listener to make each song their own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Pretty much all of Headwaters was written during the pandemic,” says Rose, “in that weird lucid feeling of not-time.” Recorded over five sessions in Memphis, Tennessee at Delta-Sonic Studios, with Bruce Watson producing, with mixing by Matt Ross-Spang and Clay Jones. Rose would sometimes bring songs written the night before and record them the next day with an all- star band, including guitarist Will Sexton, bassist Mark Stuart, drummer George Sluppick, and Al Gamble on organ and piano. 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Wild Peppermint\u003cbr data-mce-fragment=\"1\"\u003e7. Diamonds\u003cbr data-mce-fragment=\"1\"\u003e8. 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Threading that commentary with intense self-reflection, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e ultimately fulfills a mission The Districts first embraced upon forming as teenagers in small-town Pennsylvania: an urge to create undeniably cathartic music that obliterates hopelessness and invites their audience along in dreaming up a far better future.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ewas deeply informed by the two months that Grote spent living in a cabin in Washington state at the height of the pandemic. “While we were there I spent some time driving near all these crazy rivers and the Gifford Pinchot National Forest, and I was mesmerized by how those unspoiled landscapes really capture a timeless idea of what America is,” says Grote. “I’d just come from taking part in the protests in Philly and getting tear-gassed, and it felt so strange to go between those two extremes. In a way this album is asking, ‘What is the great American painting? Is it police brutality, or is it this beautiful landscape?’ And the truth is it’s all of that.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMostly made up of songs sketched by Grote during his time at the cabin, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003emarks a significant departure from 2020’s acclaimed \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eYou Know I’m Not Going Anywhere\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e. “The last album almost felt like a recording project of my own rather than a band affair, so from the start the goal was to focus on what’s always worked well with us: an element of simplicity that’s still very powerful, with a lot of visceral rock-and-roll energy to it,” says Grote. To that end, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eendlessly spotlights The Districts’ greatest assets—the sharply detailed and prismatic tones of guitarist Pat Cassidy, the complex yet combustible rhythms of drummer Braden Lawrence and former bassist Connor Jacobus, who has since amicably departed the band (Lawrence will switch to bass in the band’s live show)—while introducing a new subtlety into their sound. “We usually love to just keep making everything louder, but this time there was a lot more attention paid to carving out space within the songs to really showcase each instrument,” Grote points out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn the making of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreat American Painting\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, The Districts found their sense of connection exponentially intensified. “It just felt so nice to spend time with the people I care about, to have fun and try to make something good for the world,” Grote says. That feeling of kinship and solidarity is something the band hopes to extend with the album’s release. “The thing I value most in music is when an album expresses some sort of pain or frustration or hope that I also feel,” he explains. “I hope this album makes people feel like something within themselves is reflected in the wider world, and I hope that makes them feel less alone.”  \u003c\/span\u003e\u003c\/p\u003e","brand":"The Districts","offers":[{"title":"Pink Vinyl","offer_id":39543734534257,"sku":"FP1797-5","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":39543734567025,"sku":"FP1797-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39543734599793,"sku":"FP1797-2","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/BlackVinylMockup.jpg?v=1633367454"}],"url":"https:\/\/fatpossum.com\/collections\/decade-2020s.oembed?page=7","provider":"Fat Possum Records","version":"1.0","type":"link"}