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Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Townes Van Zandt went on to cement his status a cult icon among gifted song writers such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Townes' songs.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. For the Sake of the Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Tecumseh Valley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Many a Fine Lady\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. (Quicksilver Daydreams of) Maria\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Waiting 'Round to Die\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. I'll Be There in the Morning\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Sad Cinderella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. The Velvet Voices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Talkin' Karate Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. All Your Young Servants\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. 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Scott McClanahan's writing has drawn comparisons to the absurdist humor of National Book Award finalist George Saunders and the southern home-spun melancholy of Larry Brown and Breece D'J Pancake. We present his latest book, Hill William, based on Scott's childhood in rural West Virginia.\u003c\/p\u003e","brand":"Scott McClanahan","offers":[{"title":"Book","offer_id":2800100675,"sku":"NYTHILL","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/hill_william_large_2451ede9-332f-4b7d-bc09-6e0cb9ee16fd.jpg?v=1530278971"},{"product_id":"in-the-beginning","title":"In The Beginning","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eNot surprisingly, when one listens to these early recordings of Townes Van Zandt, it's obvious from the start that he was someone and something that arrived fully formed. Even if the songs themselves weren’t quite as refined as they would become, virtually all of the elements are in place: the poetry, the stark melodies, the restless wanderlust, the inherent melancholy and impenetrable darkness; all of which this would inhabit his lyrics and delivery for the rest of his too-short life. The songs on In the Beginning were recorded in his first Nashville recording sessions in 1966, pre-dating the release of For the Sake of the Song by two years. Eight of these ten songs was recorded with Van Zandt playing solo on his guitar. All of them are quite revealing, not just for the obvious lyric and melody reasons, but for his guitar playing abilities; he was a considerable flatpicking talent and picked up his idol's, fellow Houstonian Lightin’ Hopkins', trademark stutter shuffle as well. The blues are as present Van Zandt's tunes as folk and country were. Check the set’s opening track “Black Widow’s Blues,” one of two songs recorded with a full backing band; the other is the stellar “Hunger Child Blues.” He’s got the blues moan, the chilling lyrics (best not revealed here so as not to spoil the listener's surprise), and a dynamic delivery that was a trademark then and there. Some songs here hint at others to come later. “Gypsy Friday” is one of the most pure and gentle of Van Zandt's folk songs, and recalls his traveling tunes. One can hear the gigantic influence of Hank Williams on the beautiful love song “Waitin’ for the Day.” The album’s final two tracks -- \"Big Country Blues” and “Black Crow Blues” -- feature shapes and hints of “Waitin’ Round to Die” and “Marie.” - \u003cem\u003eAllMusic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Black Widow Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Maryetta's Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 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Black Crow Blues\u003c\/span\u003e\u003c\/p\u003e","brand":"Townes Van Zandt","offers":[{"title":"Vinyl","offer_id":2800125955,"sku":"FP1206-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":2800125891,"sku":"FP1206-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/VanZandt_InTheBeginning.png?v=1700150927"},{"product_id":"loves-crushing-diamond","title":"Love's Crushing Diamond","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eLove's Crushing Diamond\u003c\/div\u003e","brand":"Mutual Benefit","offers":[{"title":"Compact Disc","offer_id":2800144707,"sku":"OM009-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":2800144771,"sku":"OM009-1","price":21.0,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":50574052589863,"sku":"OM009-4","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Love_sCrushingDiamond-MutualBenefitLPMockup.png?v=1702575237"},{"product_id":"moon-over-madison-7","title":"Moon Over Madison 7\"","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eMoon Over Madison 7\"\u003c\/div\u003e","brand":"Water Liars","offers":[{"title":"7\" Vinyl","offer_id":2814654147,"sku":"BLM0280","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/MoonOverMadison7-WaterLiarsLPMockup.png?v=1706638675"},{"product_id":"no-deeper-blue","title":"No Deeper Blue","description":"\u003cp\u003e\u003cspan\u003eOriginally Released November 17, 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTownes Van Zandt's subject matter had not changed much in the seven years between recordings, as was apparent only a few lines into the leadoff track, \"A Song For,\" when Van Zandt spoke-sang, \"I'm weak and I'm weary of sorrow.\" In fact, he wasn't weary of enumerating the causes of sorrow, as was proven especially in \"Marie,\" sung in the voice of a derelict whose life gets worse and worse until his pregnant girlfriend dies. Songs like that were typical of Van Zandt, but this time he also displayed an unusual range, from the scary, calypso-like song of temptation \"The Hole\" to the weird tall tale of \"Billy, Boney and Ma\" in which a man and a skeleton turn to a life of crime, demonstrating Van Zandt's humorous side. Van Zandt even found room for two lullabies. Musically, the album, which was recorded in Ireland and produced by Philip Donnelly, who also played guitar, benefited from an unusually varied group of styles, from the Chicago blues of \"Goin' Down to Memphis\" to the Memphis rockabilly of \"Gone Too Long,\" with a strong complement of Irish-flavored tunes played on such traditional instruments as uilleann pipes and tin whistle. The diverse musical styles made the album Van Zandt's most listenable, even when the lyrics were at their most desperate. By 1994, after a stream of live re-recordings of his older material, Van Zandt had begun to seem like a songwriter whose best songs, good as they were, were behind him. No Deeper Blue demonstrated that the muse was still with him. - \u003cem\u003eAllMusic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. A Song For\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Blaze's Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Hole\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Marie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Goin' Down to Memphis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Hey Willy Boy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Niles River Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Billy, Boney and Ma\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Katie Belle Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. If I Was Washington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Lover's Lullaby\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Cowboy Junkies Lament\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. BW Railroad Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. 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Featuring some of the most iconic cover art in album history (designed by Milton Glaser), each is a classic in every sense of the word. The four titles are the first in a series of Townes Van Zandt reissues that Fat Possum is undertaking in conjunction with the Van Zandt estate. - \u003cem\u003eAmazon\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Be Here to Love Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Kathleen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. She Came and She Touched Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Like A Summer Thursday\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Our Mother The Mountain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Second Lovers Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. St. John The Gambler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Tecumseh Valley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Snake Mountain Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. My Proud Mountains\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. 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MARIE – Performed by WILLIE NELSON\u003cbr\u003e2. TOWER SONG – Performed by NANCI GRIFFITH\u003cbr\u003e3. MY PROUD MOUNTAINS – Performed by JOHN T. VAN ZANDT\u003cbr\u003e4. TO LIVE’S TO FLY – Performed by GUY CLARK\u003cbr\u003e5. WHITE FREIGHTLINER BLUES – Performed by BILLIE JOE SHAVER\u003cbr\u003e6. PANCHO \u0026amp; LEFTY – DELBERT McCLINTON\u003cbr\u003e7. MR. MUDD \u0026amp; MR. GOLD – Performed by ROBERT EARLE KEEN\u003cbr\u003e8. NOTHIN’ – Performed by LUCINDA WILLIAMS\u003cbr\u003e9. IF I NEEDED YOU – Performed by RAY BENSON\u003cbr\u003e10. A SONG FOR – Performed by JONELL MOSSER\u003cbr\u003e11. SNAKE SONG – Performed by EMMYLOU HARRIS\u003cbr\u003e12. BLUE WIND BLEW – Performed by THE FLATLANDERS\u003cbr\u003e13. LORETTA – Performed by JOHN PRINE\u003cbr\u003e14. WAITIN’ ‘ROUND TO DIE – Performed by ROCKY HILL\u003cbr\u003e15. HIGHWAY KIND – Performed by COWBOY JUNKIES\u003cbr\u003e16. TWO GIRLS – Performed by STEVE EARLE \u0026amp; THE DUKES\u003c\/p\u003e","brand":"Townes Van Zandt","offers":[{"title":"Compact Disc","offer_id":2814664835,"sku":"FP1174-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Poet-VariousArtistsCDMockup.png?v=1704833296"},{"product_id":"rear-view-mirror","title":"Rear View Mirror","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Pancho and Lefty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. If I Needed You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. For the Sake of the Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Our Mother the Mountain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. To Live Is to Fly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Lungs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Flyin' Shoes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. No Place to Fall\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Dollar Bill Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. White Freight Liner Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Tecumseh Valley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Don't You Take It Too Bad\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Tower Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. Rex's Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15. Brother Flower\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16. Waitin' Round to Die\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17. 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The duo spent a day in the studio this spring covering two amazing classic country duets, “If I Were a Carpenter” and “Crazy Arms”. They’ll be releasing the songs digitally on iTunes mid July. \u003c\/span\u003e\u003ca href=\"http:\/\/www.myspace.com\/fatpossumrecords\"\u003eFat Possum\u003c\/a\u003e\u003cspan\u003e is pressing a limited edition Sweet Tea 7”, which will be available in indie retail outlets early August, though fans won’t have to wait that \u003c\/span\u003e\u003cspan\u003elong to get their hands on a copy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Heartless Bastards","offers":[{"title":"7\" Vinyl","offer_id":2814700675,"sku":"FP1197-7","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/SweetTea7-HeartlessBastardsLPMockup.jpg?v=1701977046"},{"product_id":"the-cowboys-prayer","title":"The Cowboy's Prayer","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eThe Cowboy's Prayer\u003c\/div\u003e","brand":"Mutual Benefit","offers":[{"title":"Compact Disc","offer_id":2817920963,"sku":"OM012-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":2817921091,"sku":"OM012-1","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheCowboy_sPrayer-MutualBenefitLPMockup.png?v=1702575296"},{"product_id":"the-dawg-years","title":"The Dawg Years","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhen Blaze, who was still Deputy Dawg to us, sang at our dining table back in ’76 and ’78, he would be of a temper that was still juicy and ripe from his time in Whitesburg, Ga., when he fell in love with his muse Sybil Rosen, and they had lived in a tree in the woods. To me, these songs you have here are the summary of his time of rediscovering a happy innocence in Sybil’s arms. Our baby son is lovingly included at the table. Here, also, you find his innocent curiosity taking him to the threshold of the Dark World that he was beginning to discover and would soon get lost in.\u003c\/p\u003e\n\u003cp\u003eOur portable Uher tape recorder, an excellent machine for field work, was brought out by my wife for those occasions. I would never have thought of it, because I only wanted to be washed in the live moment. Oh, we all thank you Margery!\u003c\/p\u003e\n\u003cp\u003eIn my life there’ve been many occasions when I experienced intense and wonderful live moments. Depty Dawg, at this time in his life, could create the best such moments, like a warming flame. With extreme and loving care, we are honored to bring him home to you.\u003c\/p\u003e\n\u003cp\u003e– Billy, Margery, and Basil Bouris\u003c\/p\u003e\n\u003cp\u003e1. You'll Get Yours Aplenty\u003c\/p\u003e\n\u003cp\u003e2. I Should Have Been Home\u003c\/p\u003e\n\u003cp\u003e3. Tree House Lullaby\u003c\/p\u003e\n\u003cp\u003e4. Election Day\u003c\/p\u003e\n\u003cp\u003e5. Let Me Ride in Your Big Cadillac\u003c\/p\u003e\n\u003cp\u003e6. The Moonlight Song\u003c\/p\u003e\n\u003cp\u003e7. Cold, Cold World\u003c\/p\u003e\n\u003cp\u003e8. Instrumental\u003c\/p\u003e\n\u003cp\u003e9. Fat Boy\u003c\/p\u003e\n\u003cp\u003e10. Cosmic Doo Doo\u003c\/p\u003e\n\u003cp\u003e11. Crawl Back to You\u003c\/p\u003e\n\u003cp\u003e12. June or September\u003c\/p\u003e\n\u003cp\u003e13. Livin' in the Woods in a Tree\u003c\/p\u003e\n\u003cp\u003e14. Basil's Song\u003c\/p\u003e\n\u003cp\u003e15. Rudee Down in New Orleans\u003c\/p\u003e\n\u003cp\u003e16. New Wave Blues\u003c\/p\u003e\n\u003cp\u003e17. Big Chief Hightower\u003c\/p\u003e\n\u003cp\u003e18. Big Cheeseburgers and Good French Fries\u003c\/p\u003e\n\u003cp\u003e19. Blaze Foley's 113th Wet Dream\u003c\/p\u003e\n\u003cp\u003e20. 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He learned to sing in church and he learned to play guitar when he was ten and his father gave him an acoustic and a copy of Chuck Berry’s Golden Hits and The Best of B.B. King. It was the fi rst music he ever heard that wasn’t country or spirituals—he didn’t hear the Beatles until he was nearly in high school. A blistering guitarist and singer, and the kind of songwriter who makes great melodies and incredible lyrics sound effortless, he certainly seems like a sure thing—the kind of artist you just need to hit play and record on and let rip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe story continues in 2011 with The Man That Time Forgot, Keith’s sophomore album for Big Legal Mess Records. Part of the legendary Fat Possum family that championed and gave a home to such artists as R.L. Burnside and Junior Kimbrough, Big Legal Mess is proudly preparing The Man That Time Forgot for a June release. The album, which was produced by Fat Possum veteran Bruce Watson, captures the spirit and energy of the One Four Fives’ live shows, but explores a wider range of themes and influences – echoes of Tex-Mex, garage rock, countripolitan, mid-60’s soul\/pop, blistering rockabilly, and even Mose Allison’s brand of jazz-blues. It’s around about the third listen the realization comes: These songs are incredible. From the Sir Douglaslike opener, “Never Could Say No”, to the wry, closing-time waltz, “The Last Last Call”, this is the work of an amazing songwriter, and a bold step forward with an even broader scope than before.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. NEVER COULD SAY NO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. YOU DEVIL YOU\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. ANYONE CAN DO IT\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. SONGS FOR SALE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. AFRAID TO LOOK\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. THE MAN THAT TIME FORGOT\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. I THINK I FELL IN LOVE TODAY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. DRY COUNTY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. SOMEBODY OUGHT TO WRITE A SONG ABOUT YOU\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. BAD LUCK BABY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. I WORK AT NIGHT\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. 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Like Merle Travis’ “Nine Pound Hammer,” which Van Zandt covers on Live at the Old Quarter, the song is a tentative goodbye.\u003c\/p\u003e\n\u003cp\u003eIn Van Zandt’s lyrics, the best are personal, told in the first person. He wrote testimonials of frailty and helplessness that instantly identify them with their author: “Livin’s mostly wastin’ time\/ and I waste my share of mine\/ but it never feels too good\/ so let’s don’t take too long.” He called them sky songs, borrowing from Bukka White before him. “Songs one simply pulled from the sky.”\u003c\/p\u003e\n\u003cp\u003eThe New York Times includes in its online archives a review in passing by Janet Maslin of Heartworn Highways, a documentary on country music filmed by James Szalapski and featuring, among others, Townes Van Zandt. In New York City, the sight of a gaunt singer pointing, in turn, a can of Coca-Cola, a bottle of whiskey, and a shotgun at the camera could only be an oddity, although Ms. Maslin finds humor in the chickens Van Zandt introduces as Smith and Wesson. He was full of gallows comedy.\u003c\/p\u003e\n\u003cp\u003eCritics pigeonhole the Townes Van Zandt of the shy, sad smile, the torn and frayed laureate of small graces. But his music is so much grander, full of fear and cowardice and the emptiness of open places. When Van Zandt was not performing, he often stayed in a cabin sixty miles outside of Nashville, or in Austin, or else wandered Colorado hills on horseback alone. A biography is supposedly on hold, and one wonders what it will say. There is the music, and the man who made it, and the latter is susceptible to so many things.\u003c\/p\u003e\n","brand":"Townes Van Zandt","offers":[{"title":"Vinyl","offer_id":2817944259,"sku":"FP1083-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":2817944195,"sku":"FP1083-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"8-Track Tape","offer_id":46967610442023,"sku":"SB8-003","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/townesvanzandt_townesvanzandt.png?v=1700165644"},{"product_id":"useless-creatures","title":"Useless Creatures","description":"\u003cp\u003eInstrumental album previously only available with the deluxe edition of Noble Beast.\u003c\/p\u003e\n\u003cp\u003eFeaturing Glenn Kotche of Wilco on percussion and Todd Sickafoose on double bass.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Master Sigh\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. You Woke Me Up!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Nyatiti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. The Barn Tapes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Carrion Suite\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Spinney\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Dissent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Hot Math\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. 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His second solo album is a low-key folk gem: Over mostly spare backdrops adorned with acoustic guitar picking and mournful piano plinking, Bondy ruminates on loves lost, stolen, and forgotten. The pace and tenor occasionally resemble the Bataan Death March, but Bondy’s gorgeous melodies, vivid imagery, and haunting voice keep you pressing on. \u003c\/span\u003e\u003cspan\u003e- David Peisner \u003c\/span\u003e\u003ca href=\"http:\/\/spin.com\/\"\u003eSpin.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. Mightiest of Guns \u003c\/p\u003e\n\u003cp\u003e2. A Slow Parade  \u003c\/p\u003e\n\u003cp\u003e3. When The Devil's Loose  \u003c\/p\u003e\n\u003cp\u003e4. To The Morning \u003c\/p\u003e\n\u003cp\u003e5. Oh The Vampyre \u003c\/p\u003e\n\u003cp\u003e6. I Can See The Pines Are Dancing 03:42\u003c\/p\u003e\n\u003cp\u003e7. False River 02:44\u003c\/p\u003e\n\u003cp\u003e8. On The Moon 03:28\u003c\/p\u003e\n\u003cp\u003e9. 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Recorded in 1973, a time in which near perfect music could be produced and manufactured only to completely disappear should commercial reaction prove too small by an artist's Midwestern, independent label.\u003c\/p\u003e\n\u003cp\u003eDenny Lile died at just 44 years old. His untimely death made even more sad given it occurred inside his van, the only physical evidence family and friends could offer up to prove his music mattered and could possibly be a way out for him. Denny purchased the van in the '80s with proceeds from \"Fallin' Out\", a song he wrote but made famous by Waylon Jennings. Denny got the van and Waylon got the hit he needed to outlast the hair, make-up, tits and ass of the MTV generation.\u003c\/p\u003e\n\u003cp\u003eRecorded one year after Neil Young's \"Harvest\" and Nick Drake's \"Pink Moon\", Denny Lile's eponymously titled and lone record has come back to life due to Jer Lile, Denny's now 39 year old nephew. A custom guitar and amp maker, Jer Lile's amps are used in Bruce Watson's studio. Through friendship and fate, the music of Denny Lile was brought to Bruce's attention and now, accompanied with Jer Lile's documentary film on the life of Denny Lile, is ready for Commercial release via Watson's Big Legal Mess record label. The multi-year process of discovering, recovering and documenting his uncle's work has been both heartbreaking and enlightening for Jer Lile. \"It's a mixed blessing,\" he says. \"I've talked with all these people to get a better sense of who he was, and that way it kind of makes the sense of loss a little more intense, more defined... I can't tell you how often I've cried during this process.\"\u003c\/p\u003e\n\u003cp\u003eMetaphor's abound when an artist of this caliber achieves scant success in life, dies tragically young only to get a second shot at success posthumously. None will do. \"Hear the Bang\" could be your favorite record of 2015, isn't that enough?\u003c\/p\u003e","brand":"Denny Lile","offers":[{"title":"Vinyl+DVD","offer_id":7683734083,"sku":"BLM0516-1","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/HeartheBangTheLifeandMusicofDennyLileLPMockup.jpg?v=1701970274"},{"product_id":"love-yourself","title":"Love Yourself","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eEvan Dando, Willy Mason \u0026amp; Marciana Jones are TSP (The Sandwich Police)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"Evan and I were sitting around a fire talking, when we discovered that we both call the same field on the way to one of our favorite beaches \"Africa\". I invited him over to play music the next evening and we have spent most of our spare time together since. At some point we realized that playing music together, and with Willy, made us both really happy.\"  Marciana Jones\u003c\/p\u003e\n\u003cp\u003eEvan says TSP are a \u003ca href=\"http:\/\/t.ymlp26.com\/mejbjacaejeemaxajjakam\/click.php\" data-cke-saved-href=\"http:\/\/t.ymlp26.com\/mejbjacaejeemaxajjakam\/click.php\" target=\"_blank\"\u003eFlying Nun\u003c\/a\u003e tribute band (The Chills , The Bats, The Verlaines , The 3Ds etc), along with the usual Velvet Underground and 13th Floor Elevators influences.  Check out \u003ca href=\"http:\/\/t.ymlp26.com\/mejbbaoaejeemazajjaram\/click.php\" data-cke-saved-href=\"http:\/\/t.ymlp26.com\/mejbbaoaejeemazajjaram\/click.php\" target=\"_blank\"\u003ePink Frost\u003c\/a\u003e by The Chills for reference.\u003c\/p\u003e","brand":"The Sandwich Police","offers":[{"title":"7\" Vinyl","offer_id":20685597059,"sku":"FP1575-7","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/LoveYourself-TheSandwichPoliceLPMockup.png?v=1706207351"},{"product_id":"we-were-wild","title":"We Were Wild","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eWe Were Wild\u003c\/div\u003e","brand":"Esme Patterson","offers":[{"title":"Vinyl","offer_id":20892890243,"sku":"GJ0024-1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":20892890307,"sku":"GJ0024-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/products\/wild10.jpg?v=1465570301"},{"product_id":"pearls-to-swine","title":"Pearls to Swine","description":"\u003cp\u003eThere’s a persisting theme that threads through Adam’s own story as well as Pearls To Swine. Within the cosmos of the album, characters experience a sort of misadventure and persevere, casting light on the way life can lead you down a path that’s far from where you wanted to be. The album maps his complicated history as a songwriter and musician: it’s the sound of someone who discovered the value in his own devotion to music, and how writing and songs are extensions of his own journey. He embeds his own folklore within his high-lonesome sounding, deeply felt and moving brand of folk music. \u003cbr\u003e\u003cbr\u003eTo truly understand Pearls To Swine and Adam’s arrival on his current path, one has to start at the beginning. In 2006, the then 20-year-old released his idiosyncratic, varied, and beautiful debut album, Nostra Nova. A DIY self-release, the album became a closely-held, sleeper favorite in the close-knit music scene of Athens, OH and over the years grew to a ‘cult classic’-like status. But not long after its release, Adam turned his focus from pursuing music professionally to other interests: he returned to college; traveled, taught, and volunteered in South America; moved to Austin to attend graduate school; and spent two years working for the state of Texas on a project aimed at cleaning the water quality of the Rio Grande River in South Texas. All the while, he never stopped playing music, writing songs, or performing. Having penned more than 100 songs since 2006, Adam quietly released his first music since Nostra Nova in 2012 through DC cassette-label DZ Tapes, which featured tape-recorded demos made inside the apartments he lived in during his time in Ecuador. In 2015, Nostra Nova saw a small reissue and finally achieved its due outside of its underground lore, receiving praise from outlets including The A.V. Club, Stereogum (“a stunner”), VICE (“beautiful, melancholy tunes”), Popmatters, All Music Guide, and Flavorwire.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. Juniper Arms \u003cbr\u003e2. Some Beast Will Find You By Name \u003cbr\u003e3. High Lonesome \u003cbr\u003e4. Morning Rain  \u003cbr\u003e5. Daydream  \u003cbr\u003e6. Outlands \u003cbr\u003e7. Where I'm Calling From \u003cbr\u003e8. Mountain River \u003cbr\u003e9. 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After running through classical, jazz, soul, folk, and even psychedelia, you find it ultimately impossible to comfortably place her. This is all by Kadhja’s design. For if she were “folk” it would only be the folk of some future aeon, a thousand hears hence. If her rich instrumentation of strings and wind strikes us as a “classic,” it’s not because it harkens to any past era, but because Kadhja paints perennial imagery that could as much be now as then as any other time. \u003cbr\u003e\u003cbr\u003eKadhja stays pretty mum – if not a little mysterious – about her own life story. She insists that her audience convene with her on imaginative and musical planes, instead of through byword associations with any scene or venue, be it in Los Angeles or on the beaches of Rio De Janeiro. 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