{"title":"Sacred Soul","description":"","products":[{"product_id":"nobodys-fault-but-my-own","title":"Nobody's Fault But My Own","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOut everywhere September 20th on Bible \u0026amp; Tire Recording Company\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Trying To Go Home\u003c\/li\u003e\n\u003cli\u003eI Feel Good\u003c\/li\u003e\n\u003cli\u003eWhy Am I Treated so Bad\u003c\/li\u003e\n\u003cli\u003eI Made It Over\u003c\/li\u003e\n\u003cli\u003eNobody's Fault But My Own\u003c\/li\u003e\n\u003cli\u003eLet It Be Good\u003c\/li\u003e\n\u003cli\u003eI Won’t Have To Cry No More\u003c\/li\u003e\n\u003cli\u003eHere Am I\u003c\/li\u003e\n\u003cli\u003eIt's Your Life\u003c\/li\u003e\n\u003cli\u003eBeautiful Mansion\u003c\/li\u003e\n\u003cli\u003eTry The Lord\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eThe Sensational Barnes Brothers - An Introduction by\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAlex Greene \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Son, just keep on, keep doing what you're doing. Let it be good,” sings the father, and his grown children, standing close by, echo his words. “Let it be good.” It's a moment of faith in both God and the father, for the younger ones seem to know the message of this song in their hearts already. They are already living it. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo some it may be only a track on an album, the first release of the new Bible and Tire Recording Co. label. But for the Sensational Barnes Brothers, it expresses an unbreakable bond with their own father, Calvin “Duke” Barnes. As with all the songs on this, their debut LP, produced by Bruce Watson of Bible and Tire Recording Co.\/Big Legal Mess Records at Delta-Sonic Studios in Memphis, it was chosen from the oft-forgotten 1970s catalog of the Designer Records label, but it could well have been written by the Barnes family themselves. For there, in a nutshell, are all the bonds that hold them close.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Barnes was a little stunned to hear the song as they combed through hundreds of Designer tracks with Watson one day. “We were listening to the song and the guy on the recording sounded just like my daddy. I was like, 'We gotta do this song!' And the message really stuck out to us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It's crazy for that to be the song he sang with us. You can hear all the conversations he used to have with you through that one piece of music,” adds brother Courtney. It's a poignant moment, for only three months after the brothers invited him to sing on their album, Duke Barnes passed away. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“It was out of the blue—very unexpected. He was 65. Fairly young, really,” notes Chris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“You're always counting your days, learning how to number your days,” reflects Courtney. “Count it all joy, and we're thankful for the life that he lived and that he gave.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd give he did, as Duke made his way through the world with his beloved wife Deborah. She was the daughter of Rev. James L. Gleese, who founded the Beale Street Mission for Blacks\/Negroes, and music came to her even more naturally. But though she had studied piano and voice at what was then Memphis State University, she wasn't prepared when the phone rang in the Gleese household one day. “Hello, this is Ray Charles,” said the voice on the line. She answered the call and for a time became a Raelette, one of the background singers for the genius of soul, before love, marriage and children demanded that she leave the touring life behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut that didn't stop her from counting it all joy. Indeed, Duke and Deborah Barnes became a sought-after duo around Memphis, especially in the Seventh Day Adventist community, singing at concerts, church events and weddings. In 1985, “God Will Take Care of You,” their single on Three Angels Records, got a fair amount of radio play. And over the years, flowers blossomed in their garden, by the name of Calvin, Jr., Chris, and Carla. “And I was the one who came regardless,” laughs Courtney. “Up there it was like, 'Y'all gonna keep acting like you're acting, I'm gonna send somebody!'”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the 1990s, the four youngsters, their diverse musical talents steadily encouraged and coached by the parents, were assembled into a performing group in their own right, known as Joy. “We performed a lot,” recalls Courtney. “In our performances, my mom and dad would do the first section. They would sing, and we would be the background. Then in the next set it flipped over to where the children would do our thing, and that would be the Barnes Family concert.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe family carried on as musical collaborators for years. Indeed, they still play and sing together, even with their father gone. “Eventually we let the name Joy go,” says Courtney. “We started singing together as just the Barnes Family. And in 2015 we released an album, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFamily Tree\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. With the four of us and Calvin's wife Mischa. Now Chris and I are doing the Sensational Barnes Brothers as a duo, and it's interesting. I really enjoy it! But we've always sung together. We've been a part of different groups and played in different bands — just a lot of different connections and entities.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an understatement. For a time, Courtney played with a rock band chiefly influenced by Disturbed and Dream Theater. Now he and Chris, on drums, percussion, and vocals, front Black Cream, which is reinventing the classic power trio sound. Chris has sung background vocals for the Bar Kays, and now has joined their longtime singer Larry Dodson in the launch of his solo career. Calvin, Jr., for his part, is a gifted instrumentalist, singer, and producer. Sister Carla, the only sibling to have left Memphis, still sings. Music is clearly a family calling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd now, as the Sensational Barnes Brothers, they are bringing it all back home to music they grew up with. Says Courtney, “This new record is more edgy. Our parents taught us how to harmonize, to be more controlled. So this record opens us up. It's more raw. I'm usually not a squaller, unless I'm excited.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris adds, “It allowed us to step outside of ourselves, with this free flowing, rugged, edgy kind of music. It's gospel, but it's not necessarily for just a Christian audience even. You can sing this at festivals and parks, anywhere. And this type of gospel for us was natural, because we heard this music growing up.That's what made it so fun, being able to mimic what we heard back in the day and bring it to life.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCourtney chimes in, “Even today in our church. You got older people there, and they go into some stuff where only the organist or the piano player know it. And yet even then, it's dancing music.” And so, inspired by their shared past, fueled by harmonies that resonate with both their blood and their kindred souls, the brothers see themselves singing, playing, and dancing for a long time coming. \u003c\/span\u003e\u003c\/p\u003e","brand":"The Sensational Barnes Brothers","offers":[{"title":"Vinyl","offer_id":29682209226865,"sku":"BTRC001","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Compact Disc","offer_id":29682209259633,"sku":"BTRC002","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Nobody_sFaultButMyOwn-TheSensationalBarnesBrothersLPMockup.png?v=1706207416"},{"product_id":"the-d-vine-spirituals-recordings","title":"The D-Vine Spirituals Recordings","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOut everywhere September 20th on Bible \u0026amp; Tire Recording Company\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Heard The Voice\u003c\/li\u003e\n\u003cli\u003eWait On The Lord\u003c\/li\u003e\n\u003cli\u003eStretch Out\u003c\/li\u003e\n\u003cli\u003eDown Here Waiting\u003c\/li\u003e\n\u003cli\u003eJesus Is My Captain\u003c\/li\u003e\n\u003cli\u003eI Found Him\u003c\/li\u003e\n\u003cli\u003eCan't Do Nothing\u003c\/li\u003e\n\u003cli\u003eSo Soon\u003c\/li\u003e\n\u003cli\u003eThis Man\u003c\/li\u003e\n\u003cli\u003eI'll Fly Away\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e“Going through your trials, I guarantee you, trouble gonna come and you need something. Music soothe your mind. You still be in pain but you can sleep,” says Elizabeth King of the power of gospel music, during a conversation upstairs at producer Bruce Watson’s Delta-Sonic Studio in her hometown of Memphis, TN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis first reissue from the D-Vine Spirituals Recordings showcases King, who has an incredible ability to simmer and then raise the heat. The gospel hit from King’s pen, “I Heard the Voice” is only the tip of the iceberg. Witness her intensity on “Jesus Is My Captain,” with a wah-wah guitar grooving, which also drives the funky “Wait on the Lord.” “Down Here Waiting” is the very definition of a Memphis backbeat. “I Found Him” finds her singing, “I found him to be my hellhound chaser. I found him to be my midnight rider.” The traditional “I’ll Fly Away” is done here a la Chuck Berry’s “Maybellene,” fast and joyful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBorn in Grenada, MS, King grew up in Charleston to a mother who taught her to sing. “I would sing hymn songs,” she says. Often ill as a child, she turned to song as a way to get through. As she grew up, she learned to interpret them in her own style. She laughs as she says, “I like to move when I sing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMarried and moving to Memphis in 1960, followed by a short stint in Chicago (“I couldn’t get used to the weather or how they went to church”), then back to Memphis, King first joined the Gospel Souls in 1969 after seeing them in concert. (The male vocal band had previously been on Halo Records and Designer Records, the latter catalogue explored in several exemplary Big Legal Mess releases.) She had always envisioned being backed by male singers. She was told, “If they got jealous wives, I wouldn’t.” But it worked out. She says, “I stayed 33 years with them.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eProducer Juan D. Shipp, a gospel DJ-cum-label impresario, thought he would get a richer sound than the gospel music studios in common use in Memphis at the time when he stumbled on Tempo Studios downtown, which became his go-to. “It was a compact studio but boy did it sound good,” Shipp recalls, continuing, “You had to walk up the stairs to it.” He first recorded King and the Gospel Souls in 1972, issuing “I Heard The Voice” (which was later sub-leased to the Messenger label).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp continues, “When you come to the studio, I worked the devil out of you to make it what it should be. We were working at ‘I Heard The Voice.’ I said, ‘Sing it like you making love to God.’ That song skyrocketed. It was 5½ years at #1. Nobody could sing it like the original!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp brought in Lynn Askew on guitar and musicians affiliated with Tempo Studios for the rhythm section and keys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWorking a day job for a florist, she was in a serious car accident that inspired “I Heard The Voice” B-side “Waiting on the Lord.” King says, “I had no feeling in my body. I couldn’t do nothing but pray. The fire department had to cut me out of it. I thought about it that day, that song.” She still has pain in her body every day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWhen the single was released, it caught on quickly. “I was riding down Union Ave.,” says King. “Rev. Shipp, he was on [the radio]. I say, ‘What,’ turn up the radio real loud. A guy from Memphis was at the red light. I said, ‘It’s me!.’ Every day, look like every twenty minutes, they was playing it. The phone started to ring. It kept us going everywhere.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIn order for King and the Gospel Souls to tour, but keep their day jobs and church commitments in town, they would hit the road on weekends, playing Saturday night and Sunday evening, eating after each concert, and driving back to Memphis in time to be at work by 8AM Monday morning. Plus, King would attend church services during the weeknights and work on choir rehearsals on Tuesday nights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe band was once asked to perform for inmates at the Tennessee State Prison farm near downtown Nashville, TN. “Everything was on lockdown ‘cause womens was fighting. I was so scared. You talk about somebody singing that day: I sang!,” says King.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe last two songs on this collection are sung by Walter Boone (on “So Soon”) and John Powell (“on This Man”), lead singers of the band before King joined. Even with her on board, they would take a solo or two at longer concerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing went on to raise 15 children and still sings in church, as well as on WMQM-AM Memphis on Saturday mornings around 10AM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAskew later worked in construction, painting, and as a mechanic, but tragically died on the job.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing says she hopes this recording keeps people focused on the soul, saying, “You need joy. If you mind got joy, if you keep your mind set on Jesus, he give you perfect peace.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Elizabeth King \u0026 The Gospel Souls","offers":[{"title":"Vinyl","offer_id":29683075547249,"sku":"BTRC003","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Compact Disc","offer_id":29683075580017,"sku":"BTRC004","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheD-VineSpiritualRecordings-ElizabethKingLPMockup.jpg?v=1701975418"},{"product_id":"cant-turn-me-around","title":"Can't Turn Me Around","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFather, Guide Me, Teach Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Leak In This Old Building\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDown Here Lord\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI Feel Alright\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan't Turn Me Around\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Don't Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeaning On The Lord\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen I Look Back\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt's A Shame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWork Until My Days Are Done\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarmony is serious business where the Dedicated Men of Zion come from. For their eldest member Anthony “Amp” Daniels, it was so serious that every day his mother would call her children inside, turn off the television, and make them sing in harmony, talk\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ein harmony, do \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eeverything\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in harmony. Singing well together was a virtue that she and her sisters had learned from their own father, and Anthony gave it to his children in return. Older folks in the Black communities of rural North Carolina relied on that singing for everything in a time when both respect and money were especially scarce. “That’s where that seriousness is from,” Amp remembers. “They demand respect. They’re serious about what they do and they don’t play with God.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Dedicated Men of Zion came up out of this singing land of eastern North Carolina, around the city of Greenville and its small neighboring town of Farmville. Each trained in the church and the home, the group’s four vocalists – Anthony Daniels, Antwan Daniels, Dexter Weaver, and Marcus Sugg – share the bond of that upbringing and another more literal bond of kinship (they’re all family now through blood or marriage).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheirs is a community dense with talent and legendary impact on the origins of gospel, funk, R\u0026amp;B, soul, and jazz; a place where the sounds of Saturday night and Sunday morning couldn’t help but jump their lanes. The group’s own backgrounds tell that story. Anthony Daniels, the eldest of the group, led a career in R\u0026amp;B down in Atlanta, backing up the likes of Bebe Winans, Toni Braxton, and Elton John. Antwan Daniels, the youngest member and son of Anthony, was playing keyboards and organ in church while simultaneously injecting his hip-hop production work with traditional gospel roots. But the church was always the backbone. Weaver, whose grandmother managed several gospel groups around Greenville, had sung with elder quartet groups for years, running into Anthony Daniels around the sacred soul circuit. When they both found themselves without a group, Weaver turned to Daniels and said “I don’t know what you’re gonna do but if you do something, I’m on board with you. I want to be with you.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2014 Weaver and Daniels, with Antwan on keys, came together to form the Dedicated Men of Zion’s original iteration, along with singers Trevoris Newton and Darren Cannon. The group was quickly gaining a following in eastern North Carolina when Newton suddenly passed away in 2018. The loss of one member was soon followed by Cannon’s departure. The arrival of Marcus Sugg re-completed the group. Sugg, who had grown up singing in church choirs and a little on the side during a stint in the military, was soon to be Anthony Daniels’ son in law.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt was with this new vocal lineup that the Dedicated Men of Zion caught the attention of the Music Maker Relief Foundation while performing in a church concert organized by Music Maker and the Glorifying Vines Sisters, the longstanding Farmville gospel institution of Anthony Daniel’s mother and aunts. Joining Music Maker’s artist roster of roots musicians from across the South, the Dedicated Men of Zion began reaching new audiences not yet clued in to the rhythmic, electrified, sacred sounds of the rural southeast. Sacred Soul, being the music of personal and collective survival, even secular audiences were catching the spirit of joy and determination. The message, for Anthony Daniels, was always that “if He did it for me, He’ll do it for you. Just keep praying and love one another.” In troubled times, there’s a need for a hopeful word and a testimony that there is a way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough Music Maker, the group connected with the newly founded record label Bible \u0026amp; Tire Recording Co., helmed by producer Bruce Watson of Fat Possum Records. Watson had been listening to the hard-praising drive of country gospel coming straight from the church which he’d later coin as “sacred soul”. His new label was delivering that genuine soul sound beyond the church circuits from which it came. The gospel music coming out of those small rural Black churches was in fact the headwaters of much of the commercial music made over the last half century, and Watson was ready to bet that mass audiences, already familiar with the sounds of classic soul, would discover a hunger for gospel’s emotional truth and purposefulness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Dedicated Men of Zion’s, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan’t Turn Me Around\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, was recorded in Memphis at Watson’s Delta-Sonic Sound in 2019. Backed by Watson’s all-star studio band, the recordings bring great depth to the incredible harmonies that soar above. The album marks a moment of clarity for the group. By embracing their roots, they knew they were pointedly taking a right turn where some of their peers had veered left in a race to make gospel sound like anything other than what it was back in the day: soul music. Each track on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan’t Turn Me Around \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomes from that overflowing heritage of sacred soul. Tradition sets a high standard of excellence. What more can new artists pour into that cup? The Dedicated Men of Zion accepted that challenge with the seriousness of their raising and the joy of spiritual inspiration. With their second album they get back to where they came from – soul and the salvation of harmony. In Anthony Daniels’ own words, “You want to live, get to where the root is. Get close to the root.”\u003c\/span\u003e","brand":"Dedicated Men of Zion","offers":[{"title":"Vinyl","offer_id":32200530657393,"sku":"BTRC006","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32200530690161,"sku":"BTRC007","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/Can_tTurnMeAround-DedicatedMenofZionLPMockup.jpg?v=1701969628"},{"product_id":"the-last-shall-be-first-the-jcr-records-story-volume-1","title":"The Last Shall Be First: The JCR Records Story. Volume 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMemphis, Tennessee 1972:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeated behind a primitive mixing board in a tiny Quonset hut at 64 Flicker Street, just a stones’ throw from the Illinois Central railroad tracks, Pastor Juan D. Shipp crackles over the AM airwaves with an electrifying array of the latest and greatest in gospel quartet sounds. With an audience that spans the width and breadth of the Bluff City, from truck cabs to taxi stands, from Mid-Town to Orange Mound, from the Peabody Hotel to Payne’s Barbecue, if you’re a fan of Memphis’s thriving gospel scene, you’re locked into “Juan D” at K-WAM, “the Mighty 990,” the very station that — twenty years earlier, during its first incarnation as KWEM across the river in West Memphis, Arkansas — had first brought blues wizard Howlin’ Wolf to the ears of recording engineer Sam Phillips. Now, two decades later, having revolutionized the music world with Sun Records and its holy trinity of Elvis Presley, Jerry Lee Lewis and Johnny Cash, the Wolf still remained Phillips’ favorite. “This is where the soul of man never dies,” he’d memorably declared of the six-foot-six gravel-voiced force of nature, a description that could just as easily be applied to so many of the artists whose records Shipp is now spinning over the air.\u003c\/p\u003e","brand":"JCR Records","offers":[{"title":"Vinyl","offer_id":32200532983921,"sku":"BTRC008","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":32200533016689,"sku":"BTRC009","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheLastShallBeFirstTheJCRRecordsStory.Volume1-VraiousArtistsLPMockup.png?v=1706637378"},{"product_id":"living-in-the-last-days","title":"Living In The Last Days","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFull length album from the legendary D-Vine Spirituals queen, Elizabeth King. At 77 years young, Elizabeth has reemerged as a shining light in the Memphis soul-gospel scene. Producer Bruce Watson (Bible \u0026amp; Tire Recording Co. \/ Big Legal Mess \/ Fat Possum) continues to broaden his landscape of \"Sacred Soul\". With a line up of seasoned, Memphis session musicians, these recordings of early D-Vine material are brought back to life with a fire, not yet previously realized within the catalog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Living In The Last Days\" is the new Sacred Soul debut record from the gospel soul veteran Elizabeth King.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo Ways Tired\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHe Touched Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLiving In The Last Days\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTestify\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMighty Good God\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Long Journey\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReach Out and Touch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWalk with Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCall on Him\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlessed Be The Name\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou've Got to Move\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Elizabeth King","offers":[{"title":"Vinyl","offer_id":39288969330801,"sku":"BTRC010","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39288969363569,"sku":"BTRC011","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/LivingInTheLastDays-ElizabethKingLPMockup.jpg?v=1701972428"},{"product_id":"the-last-shall-be-first-the-jcr-records-story-volume-2","title":"The Last Shall Be First: The JCR Records Story. Volume 2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMemphis, Tennessee 1972:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeated behind a primitive mixing board in a tiny Quonset hut at 64 Flicker Street, just a stones’ throw from the Illinois Central railroad tracks, Pastor Juan D. Shipp crackles over the AM airwaves with an electrifying array of the latest and greatest in gospel quartet sounds. With an audience that spans the width and breadth of the Bluff City, from truck cabs to taxi stands, from Mid-Town to Orange Mound, from the Peabody Hotel to Payne’s Barbecue, if you’re a fan of Memphis’s thriving gospel scene, you’re locked into “Juan D” at K-WAM, “the Mighty 990,” the very station that — twenty years earlier, during its first incarnation as KWEM across the river in West Memphis, Arkansas — had first brought blues wizard Howlin’ Wolf to the ears of recording engineer Sam Phillips. Now, two decades later, having revolutionized the music world with Sun Records and its holy trinity of Elvis Presley, Jerry Lee Lewis and Johnny Cash, the Wolf still remained Phillips’ favorite. “This is where the soul of man never dies,” he’d memorably declared of the six-foot-six gravel-voiced force of nature, a description that could just as easily be applied to so many of the artists whose records Shipp is now spinning over the air.\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Vinyl","offer_id":39401572499569,"sku":"BTRC012","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39401572532337,"sku":"BTRC013","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheLastShallBeFirstTheJCRRecordsStory.Volume2LPMockup.png?v=1706637534"},{"product_id":"already-made","title":"Already Made","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFresh off the success of Elizabeth King's \"Living In The Last Days\", producer and engineer Bruce Watson of Bible \u0026amp; Tire Recording Co. strikes hot with another veteran voice of Memphis Sacred Soul. Elder Jack Ward, who once recorded for the legendary Stax \u0026amp; Chalice Records arrives with his debut solo effort \"Already Made\", after decades of giving his life to his work in the Church. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Way Is Already Made\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHe's Got Great Things\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShout Trouble Is Over\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLord I'm In Your Care\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGod's Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGod's Got A Hold Of My Hands\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSomeone Who Is Greater Than I\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWithout The Lord\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRest With Jesus\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Feel Better Since I Prayed\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Elder Jack Ward","offers":[{"title":"Vinyl","offer_id":39480238112881,"sku":"BTRC016","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39480238145649,"sku":"BTRC017","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/AlreadyMade-ElderJackWardLPMockup.jpg?v=1701972207"},{"product_id":"sacred-soul-of-north-carolina","title":"Sacred Soul of North Carolina","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEleven groups in eight days. A marathon recording session in a makeshift storefront studio in a 100-year-old building in the tiny Eastern North Carolina town of Fountain. Once the idea for the project was in place, Alice Vines of the Glorifying Vines Sisters started calling local musicians. It didn’t take her long to line up almost a dozen groups to come lift their voices and represent the region’s unique Sacred Soul traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen the groups on this record gathered to record in February of 2020, they couldn’t have known that the world was on the heels of a global pandemic, or that the year would bring great turmoil and social upheavals. But in the reality created by gospel songs even the greatest of trials are not surprising, nor can they be ultimately devastating. Every time singers stepped up to the mic during these sessions, they created a sonic world where no amount of bad news can undermine the truth of The Good News. Even when “you can’t really see a solution to what you’re dealing with at the moment,” says Kiamber Daniels of Faith and Harmony, singing gospel music will remind you, “hey, I’m still here; I got what it takes to make it through this. It will give you a sense of peace.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Bruce Watson (Fat Possum\/Big Legal Mess\/Bible \u0026amp; Tire), this collection of sacred soul recordings of Eastern North Carolinian gospel groups is a one of a kind exploration. With a rich heritage of family gospel music, the artists in this area have been honing their craft over generations and have their own way of making the material original and unique. This is Sacred Soul of North Carolina.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCan't Turn Me Around - Dedicated Men of Zion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eIt's A Shame - Dedicated Men of Zion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eTell It All To Jesus - The Vines Sisters\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eSomewhere To Lay My Head - Johnny Ray Daniels\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eGlory Glory - Johnny Ray Daniels\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eTell It - Big James Barrett \u0026amp; The Golden Jubilees\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eUse Me Lord - Big James Barrett \u0026amp; The Golden Jubilees\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eAsk God In Faith - Big Walt \u0026amp; The Faithful Jordanairs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eVictory - Faith \u0026amp; Harmony\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eWe Will Work - Faith \u0026amp; Harmony\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eHe's Coming Again - The Johnsonairs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eTrying To Make It - The Johnsonairs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eShake Me - Bishop Albert Harrison \u0026amp; The Gospel Tones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eStand Up - Bishop Albert Harrison \u0026amp; The Gospel Tones\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eI Want To Be Ready - Little Willie \u0026amp; The Fantastic Spiritualaires\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eHave You Tried Jesus - Little Willie \u0026amp; The Fantastic Spiritualaires\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eNo Ways Tired - Marvin Earl \"Blind Butch\" Cox\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003eAmazing Grace - Melody Harper\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"Double Vinyl","offer_id":39488916226161,"sku":"BTRC014","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39488916258929,"sku":"BTRC015","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/SacredSoulofNorthCarolina-VariousArtistsLPMockup.png?v=1706637118"},{"product_id":"the-devil-dont-like-it","title":"The Devil Don't Like It","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDedicated Men of Zion (DMZ) – the sacred soul quartet from eastern North Carolina who are all related to one another by blood or marriage – has come a long way since the release of 2020’s ‘Can’t Turn Me Around’ on producer Bruce Watson’s Bible \u0026amp; Tire Recording Co. label. They have performed at globalFEST, Telluride Blues \u0026amp;amp; Brews, and Fresh Grass festivals. They have earned the acclaim of Brooklyn Vegan, NPR Music, and The New York Times. They scored placements on best of 2020 lists from NPR Music and the Philadelphia Inquirer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith Bruce Watson of Fat Possum at the helm, they have surpassed their debut with The Devil Don’t Like It, out March 4 on Bible \u0026amp; Tire Recording Co.  The Memphis-based Sacred Soul Sound Section provided the supple but sinewy grooves, featuring GRAMMY winner Matt Ross-Spang on guitar (Jason Isbell, Margo Price, John Prine), drummer George Sluppick (Rufus Thomas, Albert King, J.J. Grey \u0026amp;amp; Mofro, Chris Robinson Brotherhood), guitarist Will Sexton (Alejandro Escovedo, Roky Erickson), bassist Mark Edgar Stuart (Elizabeth King, Alvin Youngblood Hart), and organist Al Gamble (St. Paul \u0026amp; The Broken Bones).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Dedicated Men of Zion:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAnthony Daniels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAntwan Daniels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMarcus Sugg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDexter Weaver\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Sacred Soul Sound Section\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWill Sexton – Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMatt Ross-Spang – Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMark Edgar Stuart – Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGeorge Sluppick – Drums and Percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAl Gamble – Organ\u003c\/span\u003e\u003c\/p\u003e","brand":"Dedicated Men of Zion","offers":[{"title":"Vinyl","offer_id":39703930503281,"sku":"BTRC022","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":39703930536049,"sku":"BTRC023","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8461\/files\/TheDevilDon_tLikeIt-DedicatedMenofZionLPMockup.jpg?v=1701970006"}],"url":"https:\/\/fatpossum.com\/collections\/sacred-soul.oembed","provider":"Fat Possum Records","version":"1.0","type":"link"}